Sign up free, get 10,000 credits

Starter credits added when you sign up.

Sign up and create 8 images for free

Starter credits added when you sign up.

AI artwork
Generate for Free

吉田晴樹

AI art by 吉田晴樹 on PixAI. Made with Tsubaki.3 Flash.

吉

吉田晴樹

More to See

Comments

2girls, height difference, extremely tall female, 200cm tall, long black hair, beret, navy blue coat, cream knit top, necklace, black bag, light blue earrings, short skirt, tights, very long legs, excellent figure, long legs, winter, basement department store, clothing shop, browsing clothes, looking at clothes, clothes rack, hanging advertisement papers from ceiling, ceiling sign, store clerk, 170cm tall, standing next to her, from slightly distant viewpoint, full body, wide shot, cowboy shot, standing, head tilt up, looking up, raised eyebrow, open mouth, holding bag strap, arm at side, glancing sideways, looking at another, winter clothes, indoor lighting, fluorescent light, cool palette, depth of field, crowdless, Viewed from a slightly distant vantage point across the shop floor, the whole of a basement-level clothing store opens up in a wide, level shot: a young woman stands at the left of a freerack of winter garments, her 200-centimetre frame towering over the rail, while a store clerk of about 170 centimetres stands to her right, the top of the clerk's head level with the tall woman's shoulder. The tall woman is caught mid-browse, her weight settled on her left leg with her right foot slightly forward, torso turned three-quarters toward the rack so her long black hair falls down the navy wool of her coat in a straight, heavy curtain past her shoulder blades. Her left hand holds the strap of a black bag that hangs at her hip, the leather pinched between two fingers; her right hand lifts a hanger of a cream-coloured knit from the rail, the fabric sliding off the metal as she tilts her head down and to the side, chin lifted just enough that her gaze settles on the garment rather than the clerk. A stylish beret sits tilted on her crown, its brim shadowing her brow; a necklace rests against the cream knit at her throat above the coat's open lapel, and a light blue earring catches the ceiling light beside her jaw. The short skirt shows below the coat hem, the tights running in long uninterrupted lines down legs that span most of her height, her feet planted in dark shoes on the pale shop floor. Beside her the clerk is smaller and more compact, dark uniform shirt tucked into slacks, one hand raised at chest height in a small gesture toward the rack, the other holding a folded garment against her hip, her face turned up toward the tall woman with a polite, slightly open-mouthed expression, brows lifted as she speaks. The tall woman's eyes stay on the clothes, but her mouth curves faintly on one side, acknowledging the clerk without turning her head fully. Above them, a row of hanging advertisement papers is suspended at intervals from the ceiling on thin cords, the nearest sheet of printed promo paper hanging so low that its bottom corner floats barely a hand's width above the beret — the gap between paper and hat is the smallest vertical measurement in the frame, and the clerk's raised hand is at the height of the tall woman's elbow, the scale contrast stating itself without a caption. The papers hang dead vertical, undisturbed by any air movement, their printed faces turned toward the camera and their surfaces flat matte under the overhead fixtures, the lettering on them small and blurred into illegible grey blocks. Beyond the rack, shelves of folded knitwear and a low display table recede toward the back wall, softening into depth-of-field blur; the floor tiles run in straight lines away from the camera, giving the shot its recession. Light comes from a grid of recessed fluorescent panels in the ceiling, cool and slightly green-white, falling from directly overhead: the tops of the beret and the clerk's hair catch the brightest values, shadows sit compact and soft beneath chins, hems and the display table, and the tall woman's coat drapes in broad flat planes of navy with only a faint sheen along the shoulder. The palette is held to navy, cream, black and the cool grey-white of the shop, with the single pale blue of the earring and the pale blue of the hanging promo sheets answering each other. Quiet, everyday winter shopping, with a little comic warmth in the size of her beside the little clerk.
Show Parameters
Original Prompt
女子大生。身長200㎝スタイル抜群。長髪黒髪。冬。彼女はおしゃれなベレー帽に紺色のコート、その下にクリーム色のニットの服とネックレスをかけている。黒いバッグを身に着けている。水色のおしゃれなピアスを装飾している。下半身は短いスカートにタイツを履いている。彼女の脚はとても長い。彼女は地下デパートの洋服店に立ち寄って洋服を見ている。天井に吊り下げられている広告の紙に彼女の頭がつきそうである。少し遠くからの視点。女は身長がとても高く、存在感がある。彼女の隣には身長170㎝の店員がいる。
Mode
flash
Size
1232 x 1632
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.16k

Similar Images

Show more
AI artwork
吉
2girls, height difference, extremely tall female, 200cm tall, long black hair, beret, navy blue coat, cream knit top, necklace, black bag, light blue earrings, short skirt, tights, very long legs, excellent figure, long legs, winter, basement department store, clothing shop, browsing clothes, looking at clothes, clothes rack, hanging advertisement papers from ceiling, ceiling sign, store clerk, 170cm tall, standing next to her, from slightly distant viewpoint, full body, wide shot, cowboy shot, standing, head tilt up, looking up, raised eyebrow, open mouth, holding bag strap, arm at side, glancing sideways, looking at another, winter clothes, indoor lighting, fluorescent light, cool palette, depth of field, crowdless, Viewed from a slightly distant vantage point across the shop floor, the whole of a basement-level clothing store opens up in a wide, level shot: a young woman stands at the left of a freerack of winter garments, her 200-centimetre frame towering over the rail, while a store clerk of about 170 centimetres stands to her right, the top of the clerk's head level with the tall woman's shoulder. The tall woman is caught mid-browse, her weight settled on her left leg with her right foot slightly forward, torso turned three-quarters toward the rack so her long black hair falls down the navy wool of her coat in a straight, heavy curtain past her shoulder blades. Her left hand holds the strap of a black bag that hangs at her hip, the leather pinched between two fingers; her right hand lifts a hanger of a cream-coloured knit from the rail, the fabric sliding off the metal as she tilts her head down and to the side, chin lifted just enough that her gaze settles on the garment rather than the clerk. A stylish beret sits tilted on her crown, its brim shadowing her brow; a necklace rests against the cream knit at her throat above the coat's open lapel, and a light blue earring catches the ceiling light beside her jaw. The short skirt shows below the coat hem, the tights running in long uninterrupted lines down legs that span most of her height, her feet planted in dark shoes on the pale shop floor. Beside her the clerk is smaller and more compact, dark uniform shirt tucked into slacks, one hand raised at chest height in a small gesture toward the rack, the other holding a folded garment against her hip, her face turned up toward the tall woman with a polite, slightly open-mouthed expression, brows lifted as she speaks. The tall woman's eyes stay on the clothes, but her mouth curves faintly on one side, acknowledging the clerk without turning her head fully. Above them, a row of hanging advertisement papers is suspended at intervals from the ceiling on thin cords, the nearest sheet of printed promo paper hanging so low that its bottom corner floats barely a hand's width above the beret — the gap between paper and hat is the smallest vertical measurement in the frame, and the clerk's raised hand is at the height of the tall woman's elbow, the scale contrast stating itself without a caption. The papers hang dead vertical, undisturbed by any air movement, their printed faces turned toward the camera and their surfaces flat matte under the overhead fixtures, the lettering on them small and blurred into illegible grey blocks. Beyond the rack, shelves of folded knitwear and a low display table recede toward the back wall, softening into depth-of-field blur; the floor tiles run in straight lines away from the camera, giving the shot its recession. Light comes from a grid of recessed fluorescent panels in the ceiling, cool and slightly green-white, falling from directly overhead: the tops of the beret and the clerk's hair catch the brightest values, shadows sit compact and soft beneath chins, hems and the display table, and the tall woman's coat drapes in broad flat planes of navy with only a faint sheen along the shoulder. The palette is held to navy, cream, black and the cool grey-white of the shop, with the single pale blue of the earring and the pale blue of the hanging promo sheets answering each other. Quiet, everyday winter shopping, with a little comic warmth in the size of her beside the little clerk.
吉田晴樹
AI artwork
吉
2girls, height difference, extremely tall female, 200cm tall, long black hair, beret, navy blue coat, cream knit top, necklace, black bag, light blue earrings, short skirt, tights, very long legs, excellent figure, long legs, winter, basement department store, clothing shop, browsing clothes, looking at clothes, clothes rack, hanging advertisement papers from ceiling, ceiling sign, store clerk, 170cm tall, standing next to her, from slightly distant viewpoint, full body, wide shot, cowboy shot, standing, head tilt up, looking up, raised eyebrow, open mouth, holding bag strap, arm at side, glancing sideways, looking at another, winter clothes, indoor lighting, fluorescent light, cool palette, depth of field, crowdless, Viewed from a slightly distant vantage point across the shop floor, the whole of a basement-level clothing store opens up in a wide, level shot: a young woman stands at the left of a freerack of winter garments, her 200-centimetre frame towering over the rail, while a store clerk of about 170 centimetres stands to her right, the top of the clerk's head level with the tall woman's shoulder. The tall woman is caught mid-browse, her weight settled on her left leg with her right foot slightly forward, torso turned three-quarters toward the rack so her long black hair falls down the navy wool of her coat in a straight, heavy curtain past her shoulder blades. Her left hand holds the strap of a black bag that hangs at her hip, the leather pinched between two fingers; her right hand lifts a hanger of a cream-coloured knit from the rail, the fabric sliding off the metal as she tilts her head down and to the side, chin lifted just enough that her gaze settles on the garment rather than the clerk. A stylish beret sits tilted on her crown, its brim shadowing her brow; a necklace rests against the cream knit at her throat above the coat's open lapel, and a light blue earring catches the ceiling light beside her jaw. The short skirt shows below the coat hem, the tights running in long uninterrupted lines down legs that span most of her height, her feet planted in dark shoes on the pale shop floor. Beside her the clerk is smaller and more compact, dark uniform shirt tucked into slacks, one hand raised at chest height in a small gesture toward the rack, the other holding a folded garment against her hip, her face turned up toward the tall woman with a polite, slightly open-mouthed expression, brows lifted as she speaks. The tall woman's eyes stay on the clothes, but her mouth curves faintly on one side, acknowledging the clerk without turning her head fully. Above them, a row of hanging advertisement papers is suspended at intervals from the ceiling on thin cords, the nearest sheet of printed promo paper hanging so low that its bottom corner floats barely a hand's width above the beret — the gap between paper and hat is the smallest vertical measurement in the frame, and the clerk's raised hand is at the height of the tall woman's elbow, the scale contrast stating itself without a caption. The papers hang dead vertical, undisturbed by any air movement, their printed faces turned toward the camera and their surfaces flat matte under the overhead fixtures, the lettering on them small and blurred into illegible grey blocks. Beyond the rack, shelves of folded knitwear and a low display table recede toward the back wall, softening into depth-of-field blur; the floor tiles run in straight lines away from the camera, giving the shot its recession. Light comes from a grid of recessed fluorescent panels in the ceiling, cool and slightly green-white, falling from directly overhead: the tops of the beret and the clerk's hair catch the brightest values, shadows sit compact and soft beneath chins, hems and the display table, and the tall woman's coat drapes in broad flat planes of navy with only a faint sheen along the shoulder. The palette is held to navy, cream, black and the cool grey-white of the shop, with the single pale blue of the earring and the pale blue of the hanging promo sheets answering each other. Quiet, everyday winter shopping, with a little comic warmth in the size of her beside the little clerk.
吉田晴樹
AI artwork
吉
2girls, height difference, extremely tall female, 200cm tall, long black hair, beret, navy blue coat, cream knit top, necklace, black bag, light blue earrings, short skirt, tights, very long legs, excellent figure, long legs, winter, basement department store, clothing shop, browsing clothes, looking at clothes, clothes rack, hanging advertisement papers from ceiling, ceiling sign, store clerk, 170cm tall, standing next to her, from slightly distant viewpoint, full body, wide shot, cowboy shot, standing, head tilt up, looking up, raised eyebrow, open mouth, holding bag strap, arm at side, glancing sideways, looking at another, winter clothes, indoor lighting, fluorescent light, cool palette, depth of field, crowdless, Viewed from a slightly distant vantage point across the shop floor, the whole of a basement-level clothing store opens up in a wide, level shot: a young woman stands at the left of a freerack of winter garments, her 200-centimetre frame towering over the rail, while a store clerk of about 170 centimetres stands to her right, the top of the clerk's head level with the tall woman's shoulder. The tall woman is caught mid-browse, her weight settled on her left leg with her right foot slightly forward, torso turned three-quarters toward the rack so her long black hair falls down the navy wool of her coat in a straight, heavy curtain past her shoulder blades. Her left hand holds the strap of a black bag that hangs at her hip, the leather pinched between two fingers; her right hand lifts a hanger of a cream-coloured knit from the rail, the fabric sliding off the metal as she tilts her head down and to the side, chin lifted just enough that her gaze settles on the garment rather than the clerk. A stylish beret sits tilted on her crown, its brim shadowing her brow; a necklace rests against the cream knit at her throat above the coat's open lapel, and a light blue earring catches the ceiling light beside her jaw. The short skirt shows below the coat hem, the tights running in long uninterrupted lines down legs that span most of her height, her feet planted in dark shoes on the pale shop floor. Beside her the clerk is smaller and more compact, dark uniform shirt tucked into slacks, one hand raised at chest height in a small gesture toward the rack, the other holding a folded garment against her hip, her face turned up toward the tall woman with a polite, slightly open-mouthed expression, brows lifted as she speaks. The tall woman's eyes stay on the clothes, but her mouth curves faintly on one side, acknowledging the clerk without turning her head fully. Above them, a row of hanging advertisement papers is suspended at intervals from the ceiling on thin cords, the nearest sheet of printed promo paper hanging so low that its bottom corner floats barely a hand's width above the beret — the gap between paper and hat is the smallest vertical measurement in the frame, and the clerk's raised hand is at the height of the tall woman's elbow, the scale contrast stating itself without a caption. The papers hang dead vertical, undisturbed by any air movement, their printed faces turned toward the camera and their surfaces flat matte under the overhead fixtures, the lettering on them small and blurred into illegible grey blocks. Beyond the rack, shelves of folded knitwear and a low display table recede toward the back wall, softening into depth-of-field blur; the floor tiles run in straight lines away from the camera, giving the shot its recession. Light comes from a grid of recessed fluorescent panels in the ceiling, cool and slightly green-white, falling from directly overhead: the tops of the beret and the clerk's hair catch the brightest values, shadows sit compact and soft beneath chins, hems and the display table, and the tall woman's coat drapes in broad flat planes of navy with only a faint sheen along the shoulder. The palette is held to navy, cream, black and the cool grey-white of the shop, with the single pale blue of the earring and the pale blue of the hanging promo sheets answering each other. Quiet, everyday winter shopping, with a little comic warmth in the size of her beside the little clerk.
吉田晴樹
AI artwork
吉
two-shot, 2girls, 1boy, tall female, very tall, height difference, long black hair, black hair, beret, navy blue coat, cream-colored knit top, necklace, light blue pierced earrings, short skirt, tights, very long legs, long legs, stylish clothing store, storefront, winter, outdoors, hugging from behind, arms around waist, crossed arms, over shoulders, pulling close, couple, standing, from side, full body, looking at each other, light smile, blush, snow, breath vapor, daylight, overcast sky, cinematic lighting, detailed clothing, fashion, stylish The camera stands at a low three-quarter angle from the couple's left, tilted slightly upward so the full length of both figures fits in frame. In the foreground, the tall woman—200 cm, a long-legged college student with a striking figure—stands close behind a 170 cm man, her chest pressed lightly against his back. Her arms cross over his shoulders and chest, hands gripping his upper arms; her chin hovers just above the shoulder line, cheek almost touching his hair. She wears a navy blue wool coat falling below her knees, a cream-colored knit top visible at the open collar, a delicate necklace resting on the knit, and light blue pierced earrings catching the sky. A fashion-forward beret sits tilted on her long black hair, which spills over her shoulders and coat. Below the coat, a short skirt and dark tights cover her very long legs, ending in ankle boots. The man, 26, stands facing forward with a slight backward lean into her embrace, head turned toward her, wearing a dark charcoal wool overcoat over a gray scarf and straight trousers. Both stand on a snow-dusted pavement in front of a stylish clothing store: large glass windows, warm light spilling from inside, a minimal wooden sign, and mannequins in the display. It is winter; the overcast daylight is cool and diffuse. Snow rests on upward-facing surfaces—the beret crown, her shoulders, the sign's top edge—while vertical surfaces stay clear. Their breath forms faint vapor in the cold air. Her black hair moves slightly in the breeze, and his scarf end lifts. Both look at each other with light smiles and faint blush from the cold. The store's warm interior light spills onto the pavement, contrasting with the cool blue-gray exterior. Palette: navy, cream, charcoal, cool gray, and light blue accents. Serene, intimate.
吉田晴樹

Explore more

Recommended Creators

You might like

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
HomeModelsGenerateRecipeProfile