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AI art "Gobbo" featuring #Female goblin
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Gobbo

Gobbo AI art by GGFF on PixAI. Made with Tsubaki.3.

#Female goblin
Avatar image of GGFF

GGFF

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1girl, solo, full body, very wide shot, distant camera, from behind, looking back, looking at viewer, goblin, petite, 90cm tall, 5-head proportions, smooth shiny green skin, long messy red hair, ahoge, large pointed ears, elf ears, cat-like eyes, red eyes, yellow pupils, extremely voluptuous, massive breasts, wide hips, thick thighs, gray sports bra, long coat, red and black leather coat, asymmetric zippers, black and red camouflage cargo pants, camo pants, scrap metal knee pads, black tool belt, fingerless gloves, metal knuckles, black boots, calf-length boots, reinforced work boots, goggles on head, biker goggles, mischievous smile, grin, gripping, large monkey wrench, holding wrench, paused, standing, scrap wagon, patchwork iron wagon, engines, pipes, canned food, wasteland, ruins, post-apocalyptic, abandoned vehicles, debris, truck, large truck, overcast, heavy clouds, cloudy sky, cinematic lighting, glossy skin, depth of field, halftone, thick outlines, graffiti marks, punchy neon accents, A very wide full-body shot taken from a distant camera more than fifteen metres away, so the whole figure sits small and centred in the lower-middle of the frame with a broad band of sky and ruined town above her. She stands three-quarter turned away from the lens, weight sunk into her right hip and right boot planted flat, left boot angled out on the cracked asphalt, torso twisted so her head can come back over her right shoulder: chin tipped down, one brow arched, cat-like red eyes with yellow pupils cutting straight at the viewer, the corner of her mouth pulled up in a lopsided mischievous smile with a hint of tooth. Her left arm hangs low and forward, fingers of the fingerless glove with its riveted metal knuckles closed around the haft of a large monkey wrench whose head rests near her knee; her right hand sits hooked in the black tool belt at her hip. The long messy red hair spills past her shoulder blades, one thick strand swung across her cheek by the turn of her head, and the ahoge springs up and curls forward off the crown; the vintage biker goggles ride pushed up on her head with the strap denting the hair. Her large pointed ears stand clear of the hair, the near one catching the light along its edge. The coat, long red and black leather with its asymmetric zippers running off-centre down the front, hangs open and swings back off her wide hips in the direction of her turn, the tail of it flaring behind her thighs; beneath it the gray sports bra and the black and red camouflage cargo pants, the scrap-metal knee pads strapped over the knees and the calf-length reinforced black work boots scuffed grey at the toes. Her build is tiny against the setting, ninety centimetres and five heads tall, with an extremely voluptuous figure, massive breasts and thick thighs exaggerated by the low distant angle. Immediately to her left, close enough that her coat hem nearly brushes it, stands the patchwork iron scrap wagon: welded plate and bolted scrap, wooden spoked wheels sunk slightly into the grit, the bed heaped and overflowing with stripped engine blocks, bundles of rusted pipe and stacked canned food, a tarred rope lashed over the load. Behind her the ruined post-apocalyptic town recedes: broken facades with their windows punched out, heaps of debris, a burned-out car lying on its side in the midground, and far back along the road a massive five-metre-tall truck standing over the rooftops, its cab and tall exhaust stack reading as the scale anchor of the whole street. The overcast sky is a heavy low ceiling of grey cloud, one slightly brighter patch behind the truck. The light is diffuse and shadowless from that ceiling, cool grey overall, so the only strong colour in the frame is the red of her hair and coat and the wet gloss of her green skin, which throws a soft narrow highlight along her shoulder, the swell of her chest and the curve of her hip; the chrome of the wrench and the wagon's scrap catch thin bright lines, and the puddles between the paving stones mirror the sky brighter than the sky itself. Everything behind the truck softens into haze with the deep depth of field, while she stays sharp. High-contrast anime rendering with bold halftone dots in the cloud bank and the shadow sides, thick outlines, graffiti-like scuff marks on the wagon and the walls, and punchy neon accents on the wagon's paint and her zipper pulls. Quiet swagger, end-of-the-world cool.
Show Parameters
Original Prompt
A very wide full body shot from a distant camera angle more than 15 meters away depicts Gabura, a petite goblin girl, standing centrally in a desolate wasteland. She is 90cm tall with 5-head proportions, featuring smooth shiny green skin, long messy red hair with a prominent ahoge, large pointed elf ears, and cat-like red eyes with yellow pupils. She has an extremely voluptuous figure with massive breasts, wide hips, and thick thighs. She wears a gray sports bra, a long red and black leather coat with asymmetric zippers, black and red camouflage cargo pants, scrap metal knee pads, a black tool belt, fingerless gloves with metal knuckles, and calf-length black reinforced work boots, with vintage biker goggles on her head. She is paused, looking back at the viewer with a mischievous smile, gripping a large monkey wrench in her hand. Beside her is a patchwork iron scrap wagon piled with engines, pipes, and canned food. The background is a ruined post-apocalyptic town with debris and abandoned vehicles, featuring a massive 5-meter-tall truck in the distance. The sky is overcast with heavy clouds. Cinematic lighting with glossy skin textures, sharp focus, and deep depth of field.
Mode
ultra
Style
Neon Poster
Quality Tag
﹝Prompts﹞
Size
720 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Neon Poster
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.51k

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