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greynico
AI art by greynico on PixAI. Made with Tsubaki.3.
Contest Entry
Your OC in The Apothecary Diaries#The Apothecary Diaries Contest
Show Parameters
- Original Prompt
- A detailed full-body anime-style photo, cell shading style, showing the young anime girl with dark black hair in double high buns with pink bunny clips, straight bangs, and expressive purple eyes from the reference image, standing inside an empty, quiet supermarket. She is positioned right next to the large automatic glass sliding exit doors, standing ready to walk out. She wears her exact outfit: a short black ultra-glossy latex lace-up crop top bustier exposing her midriff and navel, a black choker, a high-waisted long black shiny latex maxi skirt, and high-gloss black leather boots with intense white specular highlights. She holds a plastic shopping bag in her hand. The supermarket interior around her is completely empty with no other people or shoppers visible. Daylight and the outdoor parking lot are clearly visible through the glass doors right beside her. Natural perspective, full-body view, masterpiece, sharp focus, intense shiny latex texture, clear background.
- Mode
- pro
- Quality Tag
- ๏นPrompts๏น
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show more1girl, solo, full-body, dark black hair, double high buns, straight bangs, pink bunny hair clips, purple eyes, expressive eyes, short black latex lace-up crop top bustier, bare midriff, navel, black choker, high-waisted long black latex maxi skirt, high-gloss black leather boots, shiny boots, holding plastic shopping bag, standing, ready to leave, empty supermarket interior, automatic glass sliding doors, daylight through doors, parking lot visible through glass, no other people, clear background, natural perspective, cell shading, high-gloss latex, sharp focus, from side, dutch angle, full-body view
A slight low dutch-angle full-body shot, camera tilted a few degrees and set at hip height, framing one young woman from boot soles to the top of her buns, the automatic glass exit doors filling the right third of the frame. She stands at natural perspective beside the door's sensor frame, weight sunk into her right leg with the left hip pushed out, her torso already angled a quarter-turn toward the opening glass; her chin is lifted a little and her purple eyes look out past the door line toward the bright asphalt, narrowed against the glare, one brow faintly raised, lips closed and loose โ a face caught in the second before the step. Her left hand hooks the handles of a white plastic shopping bag, the bag hanging heavy and stretched into a taut teardrop, its strained bottom edge bulging under the weight and dragging the sleeve of her fist down; her right hand hangs open at her hip, fingers just brushing the latex of the skirt as though about to swing forward. The glossy black bustier is laced up the front with a criss-cross cord, its ultra-glossy latex pulled tight across the ribs and throwing two hard white specular streaks that curve with the body; the bare midriff between bustier hem and skirt waist catches a soft daylight sheen and the navel sits in a small shadowed depression. The high-waisted latex maxi skirt falls unbroken to her ankles, its shiny surface running a long vertical highlight down the front of the thigh and flaring a hair as her weight shifts. The black leather boots carry enormous blown-out white highlights across the toe caps and insteps, and one boot heel is already lifted off the tile, toe pressing down.
Behind and to the left of her the supermarket aisle stretch is completely empty and quiet: cold white ceiling strip lights running away in perspective over unpeopled shelves, polished pale-grey floor tiles reflecting a long smeared vertical echo of her glossy skirt and boots, not one shopper or clerk anywhere in the store. The only strong light comes from the daylight through the glass exit doors on her right โ cool bright outdoor light washing the right side of her face, arm, hip and skirt with a broad soft edge, throwing a fainter dark shadow across her left side and a cast shadow angling left over the tile, while the supermarket's own cold fluorescent lighting fills the aisle behind her in flat even blue-white. Through the glass the outdoor parking lot is bright and crisp โ white bay lines, a couple of parked cars cut by the door frame, a strip of blue sky โ curved and slightly warped by the thickness of the glass, with a greenish tint along the door edges and the rubber sealing strip where the panels meet. Palette held to black latex, cold white fluorescent, and the pale bright grey-white of daylight, with the small pink accents of the bunny clips as the only warm colour, cool throughout. Cell-shaded rendering with clean hard-edged shadow shapes, crisp linework and flat unmodulated fills on the tile reflections. Clear, sharp focus on her, softly deep background. Effortlessly cool.
greynico
1girl, solo, full-body, dark black hair, double high buns, straight bangs, pink bunny hair clips, purple eyes, expressive eyes, short black latex lace-up crop top bustier, bare midriff, navel, black choker, high-waisted long black latex maxi skirt, high-gloss black leather boots, shiny boots, holding plastic shopping bag, standing, ready to leave, empty supermarket interior, automatic glass sliding doors, daylight through doors, parking lot visible through glass, no other people, clear background, natural perspective, cell shading, high-gloss latex, sharp focus, from side, dutch angle, full-body view
A slight low dutch-angle full-body shot, camera tilted a few degrees and set at hip height, framing one young woman from boot soles to the top of her buns, the automatic glass exit doors filling the right third of the frame. She stands at natural perspective beside the door's sensor frame, weight sunk into her right leg with the left hip pushed out, her torso already angled a quarter-turn toward the opening glass; her chin is lifted a little and her purple eyes look out past the door line toward the bright asphalt, narrowed against the glare, one brow faintly raised, lips closed and loose โ a face caught in the second before the step. Her left hand hooks the handles of a white plastic shopping bag, the bag hanging heavy and stretched into a taut teardrop, its strained bottom edge bulging under the weight and dragging the sleeve of her fist down; her right hand hangs open at her hip, fingers just brushing the latex of the skirt as though about to swing forward. The glossy black bustier is laced up the front with a criss-cross cord, its ultra-glossy latex pulled tight across the ribs and throwing two hard white specular streaks that curve with the body; the bare midriff between bustier hem and skirt waist catches a soft daylight sheen and the navel sits in a small shadowed depression. The high-waisted latex maxi skirt falls unbroken to her ankles, its shiny surface running a long vertical highlight down the front of the thigh and flaring a hair as her weight shifts. The black leather boots carry enormous blown-out white highlights across the toe caps and insteps, and one boot heel is already lifted off the tile, toe pressing down.
Behind and to the left of her the supermarket aisle stretch is completely empty and quiet: cold white ceiling strip lights running away in perspective over unpeopled shelves, polished pale-grey floor tiles reflecting a long smeared vertical echo of her glossy skirt and boots, not one shopper or clerk anywhere in the store. The only strong light comes from the daylight through the glass exit doors on her right โ cool bright outdoor light washing the right side of her face, arm, hip and skirt with a broad soft edge, throwing a fainter dark shadow across her left side and a cast shadow angling left over the tile, while the supermarket's own cold fluorescent lighting fills the aisle behind her in flat even blue-white. Through the glass the outdoor parking lot is bright and crisp โ white bay lines, a couple of parked cars cut by the door frame, a strip of blue sky โ curved and slightly warped by the thickness of the glass, with a greenish tint along the door edges and the rubber sealing strip where the panels meet. Palette held to black latex, cold white fluorescent, and the pale bright grey-white of daylight, with the small pink accents of the bunny clips as the only warm colour, cool throughout. Cell-shaded rendering with clean hard-edged shadow shapes, crisp linework and flat unmodulated fills on the tile reflections. Clear, sharp focus on her, softly deep background. Effortlessly cool.
greynico
1girl, solo, full-body, dark black hair, double high buns, straight bangs, pink bunny hair clips, purple eyes, expressive eyes, short black latex lace-up crop top bustier, bare midriff, navel, black choker, high-waisted long black latex maxi skirt, high-gloss black leather boots, shiny boots, holding plastic shopping bag, standing, ready to leave, empty supermarket interior, automatic glass sliding doors, daylight through doors, parking lot visible through glass, no other people, clear background, natural perspective, cell shading, high-gloss latex, sharp focus, from side, dutch angle, full-body view
A slight low dutch-angle full-body shot, camera tilted a few degrees and set at hip height, framing one young woman from boot soles to the top of her buns, the automatic glass exit doors filling the right third of the frame. She stands at natural perspective beside the door's sensor frame, weight sunk into her right leg with the left hip pushed out, her torso already angled a quarter-turn toward the opening glass; her chin is lifted a little and her purple eyes look out past the door line toward the bright asphalt, narrowed against the glare, one brow faintly raised, lips closed and loose โ a face caught in the second before the step. Her left hand hooks the handles of a white plastic shopping bag, the bag hanging heavy and stretched into a taut teardrop, its strained bottom edge bulging under the weight and dragging the sleeve of her fist down; her right hand hangs open at her hip, fingers just brushing the latex of the skirt as though about to swing forward. The glossy black bustier is laced up the front with a criss-cross cord, its ultra-glossy latex pulled tight across the ribs and throwing two hard white specular streaks that curve with the body; the bare midriff between bustier hem and skirt waist catches a soft daylight sheen and the navel sits in a small shadowed depression. The high-waisted latex maxi skirt falls unbroken to her ankles, its shiny surface running a long vertical highlight down the front of the thigh and flaring a hair as her weight shifts. The black leather boots carry enormous blown-out white highlights across the toe caps and insteps, and one boot heel is already lifted off the tile, toe pressing down.
Behind and to the left of her the supermarket aisle stretch is completely empty and quiet: cold white ceiling strip lights running away in perspective over unpeopled shelves, polished pale-grey floor tiles reflecting a long smeared vertical echo of her glossy skirt and boots, not one shopper or clerk anywhere in the store. The only strong light comes from the daylight through the glass exit doors on her right โ cool bright outdoor light washing the right side of her face, arm, hip and skirt with a broad soft edge, throwing a fainter dark shadow across her left side and a cast shadow angling left over the tile, while the supermarket's own cold fluorescent lighting fills the aisle behind her in flat even blue-white. Through the glass the outdoor parking lot is bright and crisp โ white bay lines, a couple of parked cars cut by the door frame, a strip of blue sky โ curved and slightly warped by the thickness of the glass, with a greenish tint along the door edges and the rubber sealing strip where the panels meet. Palette held to black latex, cold white fluorescent, and the pale bright grey-white of daylight, with the small pink accents of the bunny clips as the only warm colour, cool throughout. Cell-shaded rendering with clean hard-edged shadow shapes, crisp linework and flat unmodulated fills on the tile reflections. Clear, sharp focus on her, softly deep background. Effortlessly cool.
greynico
g2
A detailed full-body anime-style photo, cell shading style, showing the beautiful anime girl from the reference image with long jet-black hair tied in a high ponytail with a red hair tie, side-swept bangs framing her face, and expressive deep reddish-brown eyes, standing inside an empty, quiet supermarket near the exit doors.
She wears a tight shiny black latex crop top bustier with thin shoulder straps exposing her midriff and navel, high-waisted shiny black latex long bermuda shorts with a central front button closure, knee-high high-gloss black leather boots, and a simple plain black fabric ribbon collar choker necklace (not latex). All latex and leather garments feature intense white specular highlights and shiny vinyl reflections, contrasting with the matte texture of the fabric ribbon choker. She is holding a plastic shopping bag filled with groceries in her hand.
The supermarket interior around her is completely empty with no other people or shoppers visible, showing only clean shelves and a tiled floor. Large automatic glass sliding doors are located right beside her, with daylight, cars, and a parking lot visible through the glass.
Natural perspective, full-body view, masterpiece, best quality, sharp focus, vibrant colors, intense shiny latex texture throughout her outfit, detailed facial features.
grey23
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