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AI art "インストール" featuring #figure from behind, #Cat, #Laptop, #Guitar, #Musical Instrument, #Black cat, #Animal and #Indoors
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インストール

中の人、Cubese15を16にアップデート中です。

#figure from behind#Cat#Laptop#Guitar#Musical Instrument#Black cat#Animal#Indoors
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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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wide shot, 1girl, solo, girl with headphones, bulky matte-black over-ear headphones, shoulder-length dark brown hair, messy bun, loose strands framing face, oversized cream cable-knit sweater, sleeves over hands, sitting at cluttered desk, seen from behind at three-quarter angle, looking out window, from behind, window at night, large window, rain-streaked glass, raindrops on glass, glowing monitors, dual monitors, small lamp, warm lamp light, desk clutter, coffee cup, steam rising from coffee cup, cat sleeping on windowsill, calico cat, curled up cat, paws tucked under chin, dense futuristic megacity, holographic advertisements floating between towers, neon signs, kanji signage, skyscrapers, elevated walkways, purple and cyan neon glow, warm room light, muted colors, neon accents, soft grainy lofi texture, night, relaxed, dreamy, cozy, cinematic wide shot, off-center subject, night city bokeh seen through wet glass, cool-warm contrast. A cinematic wide shot frames a small, cluttered room from behind and slightly to the left of the girl, so that she, her desk and the window all sit off-center to the right while the left of the frame holds the dark shelving and the blank darkened wall — she occupies under a quarter of the image, a dark-haired shape against the cold bright glass, her back to us and only the curve of her cheek and one lowered lash catching the monitor light. She is hunched forward on an old office chair with one knee drawn up toward her chest and the other foot flat on the floor, her weight tipped onto the chair's left arm; both sweater sleeves pulled down over her palms, one hand curled around the warm ceramic mug on the desk beside the keyboard, the other resting under her chin. Her messy bun sits at the back of her skull with three loose strands fallen forward past her jaw, and the bulky matte-black headphone band presses a soft dent into her hair. Through the headphone cup nearest the window a thin line of cyan neon reflects. The desk runs along the window wall, buried: two glowing monitors angled towards her, their cool light spilling over an open notebook, a scatter of pens, a tangle of cables, a stack of books, a small white ceramic pot, and an old film camera lying on its side. The small lamp at the desk's far end throws a low warm pool that reaches only the mug, her sleeve and the near page of the notebook, leaving the room's corners in deep shadow — the monitors and the lamp are the only interior lights, everything beyond their pools black. Beside her, the coffee cup sits in the lamp's amber edge, and a single thin thread of steam rises straight up, then bends toward the cold glass as it crosses the draft — the one thing in the room that shows the temperature of the window. On the windowsill at the left of the pane a small calico cat is curled into a tight comma, paws tucked under its chin, its side rising and falling slowly, back warmed by a thin spill of monitor light; the sill is the only horizontal band of warmth in the cold frame. Beyond the rain-streaked glass the megacity stacks in receding layers: near towers hung with vertical neon signs in purple and cyan, mid-distance blocks veined with lit windows, and far away a haze of light where holographic advertisements turn above the rooftops — an advertising figure and a column of glyphs glowing translucent, softened and fractionally doubled by the wet glass. Rain has drawn long beaded streaks down the pane, each drop holding a pinprick of magenta or cyan, and where the streaks pass in front of a sign the colour smears thinner and brighter at the bead and disappears between them. The window's lower edge carries a faint reflection of the desk lamp, warmer and dimmer than its source. The palette is disciplined: everything inside is muted — cream, charcoal, dust brown, warm amber — while purple and cyan enter only through the glass and the monitor halos, bleeding onto her cheek, her shoulder and the rim of the headphones. Light comes from three sources only: the cold monitors from her right, the warm lamp from her left, and the neon city behind the glass, cool and diffuse. No horizon glow, no ceiling fixture. Fine grain sits over everything and the softest bloom on the brightest neon. Quiet, dreamy, unhurried.
KAMIDA

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