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Kafka, Honkai Series
AI art by user-2055381332073734889 on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- 卡芙卡（崩坏星穹铁道），保留原有衣物，背景为纯白色。面向镜头，一条腿蹲着，另一条腿从侧面伸直，一只手扶着身后的白墙，另一只手撑地，面向镜头，表情英勇十分有气场。人物皮肤和衣物十分有光泽。
- Mode
- ultra
- Size
- 1408 x 1408
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail
1girl, solo, long purple hair, hair between eyes, purple eyes, black shorts, white shirt, black jacket, purple gloves, pantyhose, black eyewear resting on top of head, glossy skin, shiny clothes, squatting, one leg bent deep under her, other leg extended straight out to the side and resting on the floor, three arms, one arm braced flat on the floor beneath her, another arm propped on the floor at her side, third hand placed flat against a plain white wall directly behind her, facing viewer, looking at viewer, head lifted, chin raised, calm commanding stare, slightly lowered brows, thin confident smirk, heroic presence, pure white background, seamless white void, from below, wide stance composition, glossy specular highlights
Low three-quarter view from slightly below eye level, so the figure reads tall and dominant despite being crouched: she faces the camera squarely, torso opened toward the lens, spine angled back on the support of the wall behind her. Her right leg folds deep under her hip, knee down, shin flat along the flawless white floor, weight sunk into that folded thigh; her left leg is thrown straight out to the side, heel and outer calf resting on the same white floor, toe pointed, forming a long horizontal line from her hip toward the frame edge. Of her three arms, one braces palm-flat on the floor in front of her folded knee with the elbow softly bent, one props on the floor further out toward the extended leg with the arm straight and the shoulder locked down, and the third reaches back behind her with the palm pressed flat against the plain white wall rising behind her shoulders -- all five fingers of that rear hand spread and slightly compressed against the wall's surface. Her head is level and turned straight at the viewer, chin up, eyes half-lit and steady on the lens with no smile, only one corner of the mouth pulled a fraction higher; the heroic authority comes from stillness, the square set of the shoulders and that unbroken stare rather than from any grin. Long purple hair falls past her shoulders, a few strands lifted away from her jaw and shoulder line as if from a slow forward motion, the rest hanging heavy and catching a hard sheen.
The pure white background is total: a seamless white floor meeting a plain white wall behind her, no horizon line, no furniture, no lettering anywhere, nothing but the pale gradation where the two surfaces meet. A single large soft key light comes from upper front-left, striking her face, shoulder tops, the fronts of her thighs and the backs of her hands; a cooler fill lifts from the white floor itself and bounces under her chin and along the extended leg. Skin and clothes carry a wet, gleaming polish -- sharp narrow highlights down the bridge of her nose, on both cheekbones, across her collarbones and on the knuckles and shins, and the black jacket, black shorts and white shirt break into long curling specular streaks along every fold, so the fabric reads like lacquer rather than matte cloth. Where her three hands bear weight, the white floor shows only the faintest tonal densification under each palm, and her only cast shadow is a low soft pool tucked under her folded leg and behind the extended one -- the single physical tell that the entire scene stands on a real surface. Palette restricted to purple, black, white and the pale pink of her skin. Cinematic, commanding.
user-2055381332073734889
u8
character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail
1girl, solo, kafka, purple hair, long hair, hair between eyes, purple eyes, purple gloves, eyewear on head, sunglasses, white shirt, black jacket, shorts, pantyhose, facing viewer, looking at viewer, full body, crouching, one knee down, other leg extended straight to the side, side lunge stretch, both hands on ground, fingertips on ground, hands close together, one hand forward one hand behind, upper body leaning forward, glossy skin, shiny skin, shiny clothes, glossy clothing, heroic, confident, commanding presence, serious, pure white background, white void, studio lighting, from side, ground level, dutch angle, no text
The camera sits at ground level, angled slightly from below and tipped a few degrees off level, so the white floor reads as a bright plane receding behind her and she bears down on the frame from it. A single woman kneels on that seamless pure-white ground: her right knee and right shin take her weight flat against the floor, the hip above it dropped low, while her left leg shoots out straight to the side, sole turned up, the long line of it running almost level along the floor and pointing off past the left edge of frame. Both arms are down in front of her torso, hands planted close together on the white surface with only the fingertips touching — the forward hand landing just ahead of the crouched knee, the rear hand set a palm's width behind and a little outside it, so her wrists lift off the floor and her fingers splay and press. Her upper body tips slightly forward over those fingertips, shoulders rolled a touch down, chest open; her head lifts against that forward pitch and she looks straight down the lens at the viewer, chin level, eyes narrowing under a flat-arched brow, lips closed and set in one hard confident line, a look that neither smiles nor asks. Long purple hair falls forward over one shoulder and hangs, its tips just clearing the floor, the strands nearest the camera catching the key light; her oversized black jacket rides up at the back of the collar and the hem drags to one side on the ground, the white shirt front creasing between her arms, the shorts and the dark pantyhose drawn tight over the hip that carries her weight and along the stretched leg, the purple gloves ending at the wrists with the fingertips bare. Lighting is a large soft source high in front of her, so the shine lives on the upward-facing planes — her brow, the bridge of her nose, both shoulders, the swell of the extended thigh, the leather of the gloves, the slick fold ridges of the jacket — while the undersides of her arms and the inside of the crouched knee fall into a cool neutral shadow that stains the white floor only faintly and briefly before it dies out. The world beyond her is blank white with no horizon and no shadow-caster, and against it the whole figure is the only colour: black, white, deep violet hair, purple gloves and eyes, warm skin glowing with a clean wet-looking sheen from the highlight down the front of her chest to the stretched line of the extended leg, and the one thing you can catch her doing is breathing — the shirt pulls and the fingertips spread a hair wider under the weight she is putting on them. Effortlessly dominant, cool and electric.
usermio8368
character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail
1girl, solo, kafka_(honkai:_star_rail), purple hair, long hair, hair between eyes, purple eyes, sidelocks, from side, profile, squatting, one leg extended, one knee up, hand on wall, other hand on ground, looking at viewer, looking back, head turned to viewer, purple gloves, white shirt, black jacket, shorts, pantyhose, sunglasses on head, round eyewear, glossy skin, shiny skin, very glossy clothes, latex sheen, specular highlights, pure white background, white wall, empty white field, aura, glowing aura, purple aura, dramatic presence, dutch angle, low angle, from below, close-up, cowboy shot, cool expression, half-closed eyes, smirk, parted lips
A low, slightly tilted camera looks up at her from knee height, and she is seen in profile: her left side faces the lens, hip sunk low, knees folded so that her right leg is thrust straight out toward the right edge of the frame with the boot's heel planted and the toe pointed, while her left leg is folded under her with the knee lifted and the calf tucked back under her thigh. Her weight rides on that left hip and the left knee, not on the extended leg. The extended leg is a clean straight line from the sunk hip to the heel, and it reads the length of her body against the white. Her right palm is flat on the floor beside her folded knee, wrist bent, fingers spread and pressing down so the tendons stand up along the back of her hand; her left arm reaches across and up, the flat of her glove pressed to the white wall that rises at the left behind her shoulder, elbow slightly bent and shoulder lifted into the push. The wall is a plain flat white plane meeting the white floor along a faint seam that runs behind her folded knee; the floor and the wall and the void beyond are the same seamless white, so she is the only thing in the picture, with no horizon, no furniture, no shadow beyond the small soft contact shadows pooled under her right hand and her planted heel.
Her torso leans a little away from the wall, chest open, jacket falling open over the white shirt so the collar and the top buttons show, the tails of the jacket hanging down past her hip and the long ends dragging on the white floor behind her folded leg. Her right glove is bunched slightly at the wrist from the pressure on the ground; her left glove is flat and pale against the white wall, and the wall gives back nothing but the cool rim of the light on the backs of her fingers.
Her head is turned back over her left shoulder toward the lens -- a true over-the-shoulder turn, chin tucked a little and jawline hard against the white -- so the profile of her nose and the long fan of her lashes are visible and both purple eyes are fixed directly on the viewer, half-lidded, cool. Her mouth is slightly parted in a small, knowing curl at one corner, not a smile but the beginning of one, and one brow is lifted a fraction higher than the other. Long purple hair falls forward over the shoulder that turns toward the lens, the hair between her eyes hanging loose against the cheek, and the rest of it slides back over the far shoulder into the white. Round dark glasses sit pushed up on the crown of her head, their lenses catching two small hard white highlights.
The lighting is a single soft, very large key from the upper front-left, and it is the only light: it lays long continuous specular streaks down the glossy black of her jacket sleeve, the front of her shorts, the pantyhose stretched over the extended thigh, and the curve of her cheek, her shoulder, and the back of her grounded hand -- every surface of skin and cloth carrying a wet, lacquered sheen with the highlights running in one direction. Where the light does not fall, the darks on her jacket sit deep and cool, and the small contact shadows under her hand and heel are the only darkness the white ground admits. A faint violet glow hugs the outline of her shoulders, the crown of her head and the line of her extended leg, bleeding a soft halo into the white so that her presence presses outward from the silhouette. She is all saturated purple, black and pale skin against an absolute white field, and she holds the frame without haste -- effortlessly dominant, cold and magnetic.
长生
天种
character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail
1girl, solo, full body, crouching, facing viewer, head slightly up, expressionless, blank stare, side view, purple hair, long hair, hair between eyes, purple eyes, white shirt, jacket, shorts, pantyhose, purple gloves, eyewear on head, round eyewear, sunglasses, one leg extended, foot on ground, one hand on wall, one hand on ground, shiny skin, shiny clothes, glossy, pure white background, solid white background, from side, dutch angle, foreshortening
The shot is a low three-quarter side view of a single woman crouched directly in front of the lens, her whole body inside the frame from crown to boots, the camera set slightly below her hip and angled up so that her raised chin sits over the lens and the near knee comes forward toward the viewer. She is in profile to the frame but her torso and face twist back to look straight down the barrel of the camera: the far shoulder and far hip turn away, the near shoulder rolls forward, and the front of her white shirt and open jacket face the viewer while her long purple hair falls behind the near shoulder, a few strands crossing the cheek. Her crouch is low and controlled: the leg nearer the wall is thrust out and away, boot sole flat on the floor, the knee locked almost straight; the other leg folds deep under her, its knee high in front of her chest. One arm reaches across her body to the white wall behind her far side, the palm and spread fingers pressed flat to the wall, the elbow soft; the other arm drops straight down, the palm planted flat on the floor beside the folded knee, wrist taking weight, shoulder pressed up around the ear.
Her face is empty: lids level and half-lowered over pale purple eyes fixed on the viewer, brows flat, lips closed and unsmiling, jaw slack but held high. The chin lift means the underside of her jaw catches the light and her eyes look down their line at the lens while the head is tipped back. The pose reads as a coiled, patient authority -- she is not straining, she is waiting.
Lighting is a single hard key from high and slightly behind her lifted chin, one crisp broad light with no visible lamp; it rakes the white shirt, the glossed skin of her face, throat and the hand on the floor, and puts tight bright highlights along her jaw, collarbone, shoulder and the knuckles of the wall hand. Because the key rakes from behind her head, a soft-edged shadow of her own torso and thighs is thrown forward onto the white floor beneath her and up the base of the white wall, the only dark shape in the frame. Everything glossy in the scene behaves like lacquer: the skin and the fabric each carry a small hard specular bead, and the reflections on the floor-side of her boot mirror the light dimmer and softer than its source. The background and the floor are the same seamless pure white with no seam, horizon or shadow gradient except her cast shadow.
Palette: white field and white garments as the base, with electric violet in the long hair and the eyes, deep black in the shorts, jacket lining and boots, and one thin crimson accent in the coat's inner detail -- nothing else admitted. The composition is a tight vertical of the crouched figure, the extended leg leading from the lower left up to her planted right hand and the wall, the negative white space on the opposite side opening around her turned shoulder and empty face.
天种
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