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Gintoki Sakata, Gintama
Show Parameters
- Original Prompt
- 銀魂、月詠と銀さん、朝銀さんが目を覚ますと月詠が優しい笑顔で朝食を作って待っていた
- Mode
- pro
- Size
- 768 x 1280
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
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m
character: tsukuyo_(gintama), copyright: gintama
2girls, 1boy, 2 characters, sitting facing each other, across a table from each other, eating breakfast, breakfast table, smiling, closed-mouth smile, open smile, blonde hair, medium hair, sidelocks, bangs pinned back, purple eyes, eyelashes, pale skin, black kimono, black shirt, detached sleeves, hoop earrings, earrings, hair ornament, tassel hair ornament, side view, profile, from side, eye-level, indoor, morning light, shoji window, tatami floor, low wooden table, miso soup, rice bowl, grilled fish, chopsticks, steam, teacup, warm palette, slice of life, candid, tender
The camera sits low at table height, in near-profile, so the two of them face each other across the short end of a low dark-wood table and the frame reads as one continuous span of morning. On the right side of the image, in profile turned toward the left, a blonde woman with pale skin and medium-length hair cut in a neat Japanese style, sidelocks falling in front of her ears and her bangs pinned back off her forehead; a tassel hair ornament hangs at the side of her head and swings slightly forward as she leans in. She wears a black kimono with a black under-shirt, the sleeves detached at the shoulder and baring her forearms, a silver hoop through each earlobe. She is kneeling on a cushion at the table, weight settled on her left hip, one knee angled out under the black hem. Her right hand lifts a bowl of white rice to chest height, chopsticks held in the same hand, the rice steaming in the cool air; her left hand rests flat on the tabletop beside her teacup, fingers spread for balance. Her head tilts down and toward him, eyes half-lowered at the bowl, and the corners of her mouth are pulled into a small, genuine closed-lip smile.
On the left side of the image, in profile turned toward the right, a man with silver-white hair cropped short and a light-colored kimono with a dark sash, kneeling across from her on a cushion, one leg tucked and one knee up. His right hand holds a chopstick pair pinched over the grilled fish on his plate, the other hand braced against the edge of the table; his chin is up and he is grinning at her across the plates, mouth open, eyes crinkled at the corners. His gaze lands straight on her face.
Between them, the table top carries the breakfast in a close-to-far arrangement: a dark lacquer tray, two miso bowls, a plate of grilled fish, an open rice pot, two teacups, and a small dish of pickles, arranged along the depth axis so the near bowl sits closest to the lens. Steam rises from the soup and rice in a faint column that bends slightly toward the open shoji, which is the only light source: cool, pale morning light spilling in from behind the man's shoulder on the left, catching the rim of his bowl and the edge of her silver hoop, leaving the near side of the table in soft shade; the woman's face is lit from the side, her far cheek in gentle darkness, and the steam goes bright against the shoji angle. The atmosphere is warm, quiet and domestic, in a muted palette of black, cream, silver, and warm lacquer-brown, with a suggestion of gold in the tassel and the fish.
mizukisiho
m
銀魂：銀時と月詠の添い寝
mizukisiho
m
character: sakata_gintoki, tsukuyo_(gintama), copyright: gintama
2girls, 1boy, 2girls, sakata_gintoki, tsukuyo_(gintama), blonde hair, medium hair, nihongami, sidelocks, bangs pinned back, tassel hair ornament, hair ornament, purple eyes, long eyelashes, pale skin, black kimono, detached sleeves, black sleeves, hoop earrings, jewelry, japanese clothes, shorts hair, white hair, hair between eyes, red eyes, white kimono, black shirt under kimono, standing, crying, tears, tears streaming down face, crying with eyes open, trembling lip, looking down, looking at another, profile, from side, cowboy shot, medium shot, night, wooden veranda, rain-wet wood, sad, quiet grief
Seen from the side in a medium cowboy shot, Tsukuyo stands on a rain-wet wooden veranda, her body turned three-quarters away from the camera, shoulders drawn up hard. Her blonde hair is pinned back beneath a tasseled hair ornament, sidelocks falling forward as she cries: tears run in steady lines from her purple eyes past her lashes, one drop breaking free and hitting the veranda plank below her chin, where it darkens the wet wood in a spreading spot. Her black kimono hangs over detached black sleeves, white feet braced apart on the planks, weight settled on her back leg while her hands are clenched at her sides, not raised to her face. Her chin is tipped slightly downward; her gaze falls toward the veranda floor at Gintoki's feet, not at his face.
At screen right, Gintoki stands facing her, his white hair catching the moonlight from above and his red eyes on her, head tilted as he holds his posture — one hand fixed at his side, the other half-raised but not yet touching her. The space between them is small but real, his shadow falling across the planks toward her.
The scene is lit only by a cold moon behind and above the veranda edge; it picks out the white of Gintoki's kimono and the wet shine of Tsukuyo's tears and earrings, while the interior behind them falls into deep darkness. The palette is blue-black wood, bone-white fabric and Tsukuyo's pale skin, with her tears the only bright points. Quiet grief, held breath.
mizukisiho
m
character: sakata_gintoki, tsukuyo_(gintama), copyright: gintama
two characters, sakata gintoki, tsukuyo, facing each other, slap, open hand striking cheek, tsukuyo slapping gintoki, head jerked to the side, impact, motion blur on gintoki's head, kiseru, pipe in mouth, holding pipe between teeth, clenched teeth on pipe, blonde hair, medium hair, nihongami, bangs pinned back, sidelocks, purple eyes, long eyelashes, pale skin, black kimono, detached sleeves, bare shoulders, hoop earrings, tassel hair ornament, white hair, short hair, hair between eyes, red eyes, black shirt, white kimono, japanese clothes, profile, from side, cowboy shot, dutch angle, looking at another, gritted teeth, wince, narrowed eyes, raised eyebrow, furrowed brow, clenched hands, motion lines, wind, dramatic, intense
The camera sits low and off-axis in a slight dutch tilt, framing the two figures from the side so their profiles face each other across the chest-up to knee range. On the left of the frame stands the blonde woman: medium-length blond hair pulled into a high nihongami updo with her bangs pinned back and long sidelocks falling along both cheeks, a tassel hair ornament swinging at the knot of the updo. Her purple eyes are fixed hard on the man's cheek, lashes low and steady over pale skin, brows drawn flat in cold concentration, mouth clamped shut around the stem of a kiseru pipe so the bowl juts out past her lips and the pipe's long shaft angles down across her chest. She twists from the hip, weight driven onto her front foot, right shoulder whipped forward, her open right palm landing flat and hard on the man's left cheek, fingers spread, the heel of her hand crushed into his jaw, contact compressing his cheek so the skin bunches against her palm. Her black kimono is a wide-sleeved garment whose sleeves are cut away at the upper arm, so her bare shoulders and bare forearms are exposed, hoop earrings swinging with the turn; her left arm is thrown back for balance, elbow bent, hand curled loose.
On the right, the white-haired man's head snaps sideways from the blow, chin driven toward his far shoulder, whole upper body torqued after it while his feet stay planted. His short white hair with a strand falling between his eyes whips across his face, his red eyes pulled wide then squeezed shut at the far corner, a gritted grimace opening one side of his mouth, the struck cheek flattened and pushed out of shape under her palm. He wears a white kimono over a black shirt, collar sitting open at the throat, the kimono's shoulder and sleeve dragging back with the turn of his neck. One of his hands is half-raised, palm open, caught mid-recoil, fingers not quite closing.
Her palm and his cheek are the anchor of the frame: the impact point sits near the center, her forearm and the pipe's shaft making two crossing diagonal lines. The pipe is the revealer of force -- its bowl gives a tiny jolt in her clamped teeth even as it stays gripped, and the tassel on her hair ornament swings a beat behind her hair. Behind them a wooden alley wall with a dark horizontal beam and a suggestion of tiled eaves, kept plain and shallow out of focus so nothing competes with the contact. Low evening key light comes from the upper left, raking across her back and shoulder and catching the flat of her striking hand bright, throwing her shadow across his white kimono and leaving the far side of his face and the wall behind him in deep shadow. Palette: pale blond and white hair against black kimono and black shirt, warm skin, the pipe's dark wood, the alley's muted brown and amber, nothing saturated beyond the street's dusk warmth. Crisp cel-shaded linework with hard-edged shadows and flat color blocks. Sharp, electric.
mizukisiho
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