Sign up free, get 10,000 credits
Starter credits added when you sign up.
Sign up and create 8 images for free
Starter credits added when you sign up.
Yuri
Show Parameters
- Original Prompt
- Physical Appearance & Style • Features & Hair: He has a soft, aristocratic face with long, feathery eyelashes, warm hazel eyes, and a faint dusting of rosy color across his cheekbones. His hair is a soft, glossy chestnut brown, worn at chin-length in loose, romantic waves with a side part clipped back with a vintage pearl-and-ribbon barrette. • Makeup: His makeup is soft, luminous, and porcelain-inspired. He wears dewy highlighter on the bridge of his nose and cheekbones, soft rose-taupe eyeshadow blended gently along his lower lash line, curled lashes with brown mascara, and a glossy, petal-pink tinted lip balm. • Wardrobe: His palette sticks to ivory, ballet-slipper pink, antique cream, and muted sage. A signature outfit features a crisp white silk blouse with a ruffled jabot collar and puffed bishop sleeves, tucked into high-waisted, tailored cream pleated trousers, paired with white lace-trimmed ruffle ankle socks and glossy, buckled brown leather Mary Jane shoes. • Accessories: He wears a delicate strand of freshwater pearls, a thin blush-pink satin ribbon tied in a neat bow at his throat, and vintage cameo rings on his slender fingers.
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
Similar Images
Show more1girl, solo, soft aristocratic face, long feathery eyelashes, warm hazel eyes, rosy blush on cheekbones, chestnut brown hair, chin-length hair, loose romantic waves, side part, vintage pearl-and-ribbon barrette, porcelain makeup, dewy highlighter, rose-taupe eyeshadow along lower lash line, brown mascara, glossy petal-pink lips, white silk blouse, ruffled jabot collar, puffed bishop sleeves, high-waisted cream pleated trousers, white lace-trimmed ruffle ankle socks, brown leather Mary Jane shoes, buckled shoes, freshwater pearl strand, blush-pink satin ribbon bow at throat, cameo rings, slender fingers, from below, cowboy shot, dutch angle, head tilt, looking down at viewer, faint closed-lip smile, one hand raised, arm support, window light,
Shot from a low angle looking up, the frame tilts slightly on a dutch roll: a slender young man stands with his weight sunk into his right hip, left knee softened and turned in, so the high-waisted cream pleated trousers break into long vertical folds over his thigh and the cuffs sit just above the lace ruffle of his ankle socks. His head tips down and to one side toward the lens, chin lowered, the loose chestnut waves swinging forward off his cheek and gathering at his jaw; a side part runs clean across the crown, and the pearl-and-ribbon barrette clips the heavier fall of hair back above his left ear, its ribbon tail hanging free and swaying slightly. The lowered head catches the light along the bridge of his nose, where the dewy highlighter sits as a narrow bright line, and again on the tops of his cheekbones above the rosy blush; the soft rose-taupe shadow lies in a thin blended band along his lower lash line, and the brown-mascaraed lashes sweep down over warm hazel irises that stay fixed on the viewer. His mouth is closed in a faint, lopsided smile, the glossy petal-pink tint catching one small specular dot on the lower lip.
His right arm is bent up, the back of the wrist resting lightly against the door frame beside his shoulder, so the puffed bishop sleeve bunches and folds at the elbow and the ruffled jabot collar rides up against the blush-pink satin bow at his throat; the freshwater pearl strand lies over the white silk and slips into the shadow of the collar. His left hand hangs relaxed at his thigh, fingers loosely curled, and the vintage cameo rings sit in a row across the slender knuckles, their oval faces turned toward the light. The white silk blouse is tucked in tightly at the waist, the fabric pulled taut into the waistband so the pleats fan out cleanly beneath it.
He leans in the tall embrasure of a window in an empty pale room; the only light is the daylight coming through that window from his left and slightly behind him, so it rims the edge of his jaw, the loose wave at his temple and the shoulder of the blouse, throws a soft gradient down the front of the silk, and leaves the right side of his face and the far leg in cool creamy shadow, with his long shadow falling across the floorboards to the right of frame. The palette holds strictly to ivory, ballet-slipper pink, antique cream and muted sage -- sage only in the faint cool of the shadowed wall -- against the chestnut of his hair and the glossy brown of the buckled shoes, whose toes catch a thin reflected highlight from the floor. On the sill behind him, fine dust motes hang in the light shaft and drift, the only moving thing in the still air. Quiet, self-possessed.
Yuri
1girl, solo, soft aristocratic face, long feathery eyelashes, warm hazel eyes, rosy blush on cheekbones, chestnut brown hair, chin-length hair, loose romantic waves, side part, vintage pearl-and-ribbon barrette, porcelain makeup, dewy highlighter, rose-taupe eyeshadow along lower lash line, brown mascara, glossy petal-pink lips, white silk blouse, ruffled jabot collar, puffed bishop sleeves, high-waisted cream pleated trousers, white lace-trimmed ruffle ankle socks, brown leather Mary Jane shoes, buckled shoes, freshwater pearl strand, blush-pink satin ribbon bow at throat, cameo rings, slender fingers, from below, cowboy shot, dutch angle, head tilt, looking down at viewer, faint closed-lip smile, one hand raised, arm support, window light,
Shot from a low angle looking up, the frame tilts slightly on a dutch roll: a slender young man stands with his weight sunk into his right hip, left knee softened and turned in, so the high-waisted cream pleated trousers break into long vertical folds over his thigh and the cuffs sit just above the lace ruffle of his ankle socks. His head tips down and to one side toward the lens, chin lowered, the loose chestnut waves swinging forward off his cheek and gathering at his jaw; a side part runs clean across the crown, and the pearl-and-ribbon barrette clips the heavier fall of hair back above his left ear, its ribbon tail hanging free and swaying slightly. The lowered head catches the light along the bridge of his nose, where the dewy highlighter sits as a narrow bright line, and again on the tops of his cheekbones above the rosy blush; the soft rose-taupe shadow lies in a thin blended band along his lower lash line, and the brown-mascaraed lashes sweep down over warm hazel irises that stay fixed on the viewer. His mouth is closed in a faint, lopsided smile, the glossy petal-pink tint catching one small specular dot on the lower lip.
His right arm is bent up, the back of the wrist resting lightly against the door frame beside his shoulder, so the puffed bishop sleeve bunches and folds at the elbow and the ruffled jabot collar rides up against the blush-pink satin bow at his throat; the freshwater pearl strand lies over the white silk and slips into the shadow of the collar. His left hand hangs relaxed at his thigh, fingers loosely curled, and the vintage cameo rings sit in a row across the slender knuckles, their oval faces turned toward the light. The white silk blouse is tucked in tightly at the waist, the fabric pulled taut into the waistband so the pleats fan out cleanly beneath it.
He leans in the tall embrasure of a window in an empty pale room; the only light is the daylight coming through that window from his left and slightly behind him, so it rims the edge of his jaw, the loose wave at his temple and the shoulder of the blouse, throws a soft gradient down the front of the silk, and leaves the right side of his face and the far leg in cool creamy shadow, with his long shadow falling across the floorboards to the right of frame. The palette holds strictly to ivory, ballet-slipper pink, antique cream and muted sage -- sage only in the faint cool of the shadowed wall -- against the chestnut of his hair and the glossy brown of the buckled shoes, whose toes catch a thin reflected highlight from the floor. On the sill behind him, fine dust motes hang in the light shaft and drift, the only moving thing in the still air. Quiet, self-possessed.
Yuri
み
1girl, solo, noble daughter, ruffled blouse, a-line skirt, inside mansion, from below, dutch angle, cowboy shot, looking down at viewer, head tilt, half-closed eyes, smug, light smile, one eyebrow raised, arms crossed, hand at chin, standing, weight on one leg, crossed ankles, long wavy hair, hair ribbon, puffy sleeves, high collar, lace trim, corseted waist, ankle-length skirt, patterned wallpaper, marble floor, tall windows, chandelier, potted fern, oil painting frame
The view is from below at a slight dutch tilt, cowboy framing from mid-thigh up, so the girl looms in the lower-left quadrant and the mansion's ceiling rises away above her shoulder. She stands with her weight thrown onto her left leg, right ankle crossed lightly behind the left, right hip pushed out; her right hand is at her chin, knuckles just under her jaw, the sleeve's lace cuff grazing her cheek, while her left arm folds under it, elbow resting on the back of that forearm. She tilts her head toward the camera and looks down at the viewer along her nose, eyelids half lowered, one brow lifted higher than the other, one corner of her mouth pulled up in a lopsided smirk. Her long wavy hair falls off the raised shoulder and slides forward over the ruffled collar; the ribbon at the back of her head lifts slightly as though she has just turned.
She wears the ruffled blouse in ivory silk, its high collar closed to the throat with a small knotted tie, a double row of ruffles running down the placket and a wide ruffle foaming over each shoulder, the puffy sleeves gathered at a lace cuff; the a-line skirt in deep teal wool falls in a clean flare from a defined waist, one soft fold catching the light at the hem. Behind her, patterned damask wallpaper in faded olive and cream rises to a molded cornice, a marble floor of inlaid lozenges recedes in perspective under her skirt's hem, and a tall window with leaded panes stands out of frame to the right, its light raking across the room. A brass chandelier hangs in the upper middle distance, well above her head, its tiers of candles dark.
The window is the only light source: cool daylight strikes the right side of her face, the ruffle at that shoulder and the leading fold of the skirt, and leaves the left side of her jaw and the wall behind her left shoulder in soft olive shadow; her cast shadow stretches long across the marble toward the lower-left corner of the frame. The palette stays inside ivory, deep teal, brass and faded olive, nothing else admitted. Her shadow shortens and thickens at the base of the wall where the floor meets the skirting. Quietly imperious.
みちりゅん
jw j
Explore more
Recommended Creators
You might like
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
5
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
2
...
Tofu
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Comments