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AI artwork featuring #Scenery, #Ruins, #Architecture and #The Fantasy City
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Scenery, Ruins

AI art by 安藤タケル on PixAI. Made with Tsubaki.3 Flash.

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I Want to See a Fantasy City!#The Fantasy City
#Scenery#Ruins#Architecture
安

安藤タケル

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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Mio.2
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安
no humans, scenery, vast abandoned machinery hall deep inside a megastructure, dead industrial machines the size of office buildings, turbine housings, valve clusters, pressure tanks, riveted plates bolted to the floor and walls, rust streaks bleeding into ink darkness, cable bundles snaking across the floor and up the walls in tangled rivers, cables entering machines through open panels with splayed ends, elevator shafts as black rectangular mouths in the far wall, guide rails glinting in thin pale light, high grates casting pale light, volumetric haze, oppressive industrial scale, dense ink linework, high-contrast black and white manga shading, monochrome grayscale, film grain, wide shot, from below, dutch angle, one-point perspective, vanishing point centered on the elevator mouths, extreme depth of field, heavy shadow, dead stillness The camera sits low on the hall floor and tilts up, a wide shot in slight dutch angle with one-point perspective whose vanishing point sits dead center on the far elevator mouths, so every line of the hall converges there and the machines lean in over the viewer. In the foreground, bottom left, a toppled cable bundle lies thick as a fallen tree, its severed ends splayed open on the riveted floor plates, individual strands fanned and flattened. Midground right, a turbine housing the size of an office block rests on a bolted plinth, its casing split along a seam, and a valve cluster crowds beside it, handwheels at three heights, each wheel locked at a different angle as though abandoned mid-turn. Midground left, a pressure tank stands on stubby legs, its riveted plates running in horizontal bands, rust bleeding from every seam in long vertical streaks that thin into the ink darkness below the tank's shadow line. Cable rivers cross the floor between them, bending around bolt heads, climbing the wall in tangled vertical runs, and one bundle dives into an open panel on the turbine's flank, ends splayed against the inner darkness. The far wall is punched with three elevator shafts, black rectangular mouths stacked in a vertical rank, and their guide rails catch a thin pale glint along one edge each. High above, grates in the ceiling admit thin pale shafts of light that drop through the volumetric haze in soft cones, striking the top faces of the tanks and the upper rims of the valve wheels while the undersides and the floor between the light pools stay near-solid black. The palette is grayscale only, black ink and white paper with the rust streaks reading as the densest, darkest gray, and the haze softening every distant edge into fog. High grates are the only light source; beyond their cones the darkness is total. Haze drifts in the light shafts and stands still, dust suspended and never falling. Dense crosshatched ink linework with high-contrast manga shading and a fine film grain over everything; the hall reads as a cave hollowed from dead metal. Oppressive, silent.
安藤タケル
#Scenery#Ruins#Building

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