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東雲彰人與青柳冬彌・Project SEKAI

這是《世界計畫》中 Vivid BAD SQUAD 的彰人與冬彌！看著他們在微光下如此貼近的瞬間，那種為了音樂共同燃燒的靈魂羈絆真的讓我心動不已。如果你也喜歡這對搭檔，請別忘了按讚追蹤，並在評論區跟我分享你的感想喔！

#Yaoi #Mole under eye #Hatsune Miku: Colorful Stage!#Akito Shinonome #Toya Aoyagi #split-color hair #2 Boys

Published on Nov 13, 2026

momo

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character: aoyagi_touya, shinonome_akito 2boys, yaoi, shinonome akito, aoyagi touya, orange hair, short hair, multicolored hair, streaked hair, hair between eyes, green eyes, yellow eyes, earrings, jewelry, blue hair, split-color hair, two-tone hair, grey eyes, blue eyes, mole under eye, dark alley, alley, night, from side, close-up, dutch angle, embracing, hands on another's waist, hand on another's face, parted lips, half-closed eyes, heavy breathing, blush, shirt lifted, bare hips, pressing close, wall, brick wall, looking at another, male focus, cinematic lighting, low-key lighting, raking light, cool shadow, warm rim light, tense, intimate A tight, slightly tilted side view from a low angle in a narrow dead-end alley, the two young men pressed together against the brick wall — composition opens on the man with short streaked orange hair and a green-yellow gaze: he leans in with his forearm braced flat on the bricks above the other's shoulder, the fabric of his jacket sleeve bunched at the elbow, the fingers of his free hand splayed warm along the other man's jaw and neck, thumb at the corner of that jaw. The other, shorter blue-haired man with a two-tone fringe and a mole under one eye, is backed half a step into the corner of the wall, shoulders raised, back and one hip flush against the brick that presses a flattened crease into his shirt; his hand grips the front of the orange-haired man's shirt at the chest, knuckles whitening into the cloth, the other palm braced behind him on the rough brick wall for balance, fingertips finding a mortar seam. Both shirts are pushed up and open, hems caught in the crease of their hips, belts loosened; their hips are pressed nearly flush with only a sliver of shadow between them, and both are breathing hard — mouths half open an inch apart, eyes half-lidded and locked on each other's face, no one looking at the lens. The orange-haired man's chin dips toward the crook of the other's throat; the blue-haired man's head tips back against the bricks, throat bared, one eye squinting slightly. A single sodium streetlamp at the mouth of the alley is the only light source: it rakes in from behind and to the left, laying a hard warm rim down the shoulders, the side of the orange hair and the edge of one cheek, while the blue hair falls into cool shadow and the alley beyond them collapses into absolute blackness; a thin blade of light slips through a gap in the two bodies and falls on the brickwork between their hips. Beyond that lit blade the alley is soot-black and dusty. A pair of cast shadows climb the wall and swing across the mortar lines, and their two shadows merge into one. Palette: burnt orange and dirty sodium amber in the lit edges, cold midnight blue and charcoal in the shadow, the raw red-brown of the brick; nothing else admitted. Grainy 35mm street-photo grain and a soft shallow depth of field blurring the alley further back, sweat sheen on both temples. Stifled, feverish.

東雲彰人與青柳冬彌・Project SEKAI

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