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大人のプレミアムなひととき…
大人のプレミアムなひととき… AI art by サバサバ on PixAI. Tags: Bed, blush, Aged up, Huge Boobs, couple, Smile, Hetero. Made with Tsubaki.3.
ベッドの上で寄り添う二人の、少し大人な雰囲気にドキドキしちゃいます。彼女の照れた表情と、それを優しく見守る彼の姿がとても素敵で、私も思わず見入ってしまいました。気に入っていただけたら、いいねとフォローをお願いします！コメントで感想も聞かせてくださいね。
Show Parameters
- Original Prompt
- masterpiece, best quality, highly detailed, 1girl, 1boy, beautiful woman, voluptuous body, soft large breasts, wide hips, thick thighs, blonde hair, long hair, blue eyes, heavy blush, flushed face, aroused expression, excited erotic eyes, looking at the man's face with intense desire mixed with hesitation, slightly open mouth, breathing heavily, sitting on the edge of a bed side by side, close together, intimate atmosphere, 1boy, blonde hair, handsome face, playboy style, chara man, confident smirk, persuasive expression, one hand caressing her thigh or soft breast, other hand on her waist, leaning slightly toward her, pressuring her into becoming his mistress, seductive and dominant posture, bedroom interior, soft warm lighting, slightly messy bed sheets, thick erotic atmosphere, tension of forbidden relationship, detailed skin texture, detailed soft flesh being touched, sensual lighting, cinematic composition, intimate medium shot, 3d,スマイルプリキュアのママキュア、美しいダークピンクの髪色、巨乳、美女、熟女
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Sampling Method
- Euler
- Negative
- lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, artist name, multiple girls, multiple boys, young, loli, child, flat chest, small breasts, skinny, thin, ugly, deformed, extra limbs, fused fingers, long neck, mutated hands, poorly drawn face, bad proportions, extra arms, extra legs, missing arms, missing legs, floating limbs, disconnected limbs, out of frame, duplicate, morbid, mutilated, poorly drawn hands, mutation, bad face, bad eyes, cross-eyed, closed eyes, glasses, hat, overly shiny, plastic look, doll-like, stiff pose, standing, outdoor
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ベッドの上のふたり
ムラサメ
と
とろろ
tb
character: tsukishiro_yanagi
1girl, 1boy, 2 people, mature adult woman, mature adult man, pink hair, long hair, hair between eyes, sidelocks, pink-tipped sidelocks framing cheeks, violet eyes, rimless eyeglasses, gigantic breasts, curvy body, wide hips, wide thighs, cream knit sweater, deep v neckline, lots of cleavage, charcoal pleated skirt, cream sweater thigh highs, white hair, medium length hair, blue eyes, toned body, navy wool sweater, khaki pants, sitting next to each other, on couch, cuddling, leaning into each other, cowboy shot, from side, slight from below, looking at each other, light smile, half-closed eyes, head rest, arm around shoulder, hand on thigh, legs touching, sweater sleeves pushed to elbows, knee raised, sock cuff bunched at thigh, sofa cushion compressed under their weight, warm lamp light from the left, evening living room, soft knit texture, cream and charcoal and navy and khaki and warm amber palette, intimate, tender.
Viewed from the side at a slight low angle in a cowboy shot, the two sit close together on a low-cushioned couch, filling the frame from thigh to crown. The woman, an adult with long pink hair falling in the sidelocks and between-eyes fringe of her style, the strands ticked with deeper pink toward the tips, sits angled toward the man with her weight settled onto her right hip; her left leg is drawn up along the seat edge so the cream sweater-knit thigh high bunches at the cuff just above her knee, its vertical ribbing stretched across her wide thigh. She wears the cream knit sweater loose over her bust, its deep v neckline opened wide to bare a lot of cleavage, the knit strained taut across the fullest part; below it the short charcoal pleated skirt rides up over her wide hips and the pleats fan where her thigh presses the cushion. Rimless eyeglasses sit on her nose, the thin lens edge catching a fine bright line, and her violet eyes turn up and to her left toward his face. Her left arm drapes around his shoulders, her hand resting flat on his far shoulder over the navy wool; her right hand lies open on his khaki-clad thigh.
The man, adult and squarely built, his white hair of medium length falling back from his temples and a lock dropping over one brow, leans his head down toward hers so the crown of his head nearly meets the side of her hair; his blue eyes are on her face, lids lowered. The navy wool sweater is pushed to the elbows, its cuffs crumpled on his forearms, and his shoulders fill the knit with a toned breadth. His near arm comes around her waist and his hand presses into the small of her back, fingers spread against the cream knit; his far hand rests on his own knee. His right knee is up, his foot flat on the seat cushion, and her skirt falls against that raised leg.
Behind them the couch back runs in a soft diagonal across the frame's lower third, the cushion under them visibly dented and folded where their combined weight sinks it. A warm amber table lamp stands off-frame left at seat height, its light striking the left side of both faces, making the cream knit read gold and leaving their right contours in soft shadow; the room beyond falls to a dim blue-grey until a single dull window pane at the far right returns a faint cool reflection. The palette stays to cream, charcoal, navy, khaki and warm lamp amber, the pink of her hair the one saturated note. Small physical tell: where her sock cuff binds the fullest part of her thigh, the knit is pulled thinnest and the skin beneath shows a faint warm flush at the edge of the ribbing. The atmosphere is quiet and close, unhurried.
Trevor Belmont
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