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AI artwork featuring #The King of Fighters and #Kyo Kusanagi
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Kyo Kusanagi, The King of Fighters

AI art by Ryo Shiratake on PixAI. Made with Tsubaki.3 Flash.

#The King of Fighters
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character: kusanagi_kyou from behind, rear view, solo, 1boy, male focus, looking back, head turned back, over shoulder, embarrassed, blush, sweatdrop, averted gaze, looking down, handsome young man, 18 years old, short brown hair, curtained hair, brown eyes, white shirt, open jacket, jacket, black jacket with white sleeves, fingerless gloves, black gloves, armband, black pants, belt, slim waist, wide hips, huge buttocks, thick thighs, tight pants, fabric strain, hands on own butt, hands behind back, standing, weight on one leg, slight knee bend, cowboy shot, from slightly below, three-quarter rear angle, outdoor urban rooftop at night, city lights, warm rim light, cool ambient shadow, anime cel shading, crisp lineart, flat color blocks, dramatic lighting, embarrassed, flustered The camera sits low and behind, a three-quarter rear angle that puts the viewer squarely at his back while a head-turn over the right shoulder lets his flushed face show in profile — brown eyes cast down and away, a hot blush spread across his cheeks and the tips of his ears, one sweatdrop trailing at his temple. Short brown hair falls in curtains over his brow and neck, the band of his headband pinning it at the back. He wears the KOF outfit: black jacket with white sleeves worn open over a white shirt, black fingerless gloves on both hands, armband on his upper left arm, black pants cinched at a belt. The waist is slim and narrow, and the black pants pull taut over buttocks that are huge and high and firm — the fabric strains into horizontal creases and a bright stitching seam across the seat, one belt loop tugging out of line. He stands with his weight shifted onto his left leg and the right knee slightly bent, hips canting to one side; both gloved hands have come around behind him, palms pressed flat over the seat of his pants, fingers splayed in a futile attempt to cover it, the black glove leather dimpled against the strained cloth. His shoulders round inward and his chin is tucked low in a flinch. His gaze goes down and to the side, toward the ledge below and away from the lens, refusing to look. He stands near the edge of a rooftop parapet at night; the low wall crosses the frame at hip height in front of him, and beyond it the city drops away into scattered lit windows and a haze of distant streetlight, small and out of focus. The only light is a warm light source off-frame at his right and slightly above, striking the right side of his turned face, the right shoulder, and the top of the seat of his pants; the left side of his body and the front of the ledge fall into cool blue shadow. His cast shadow stretches left along the rooftop concrete, compressed against the parapet. A night breeze moves the loose hem of his open jacket and the cuffs of his white sleeves, and lifts a few strands of the curtained hair at his neck. Palette: black, white, warm amber light, cool indigo shadow, and the hot pink of his blush. Flustered, quietly mortified.
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Original Prompt
後ろ姿、18歳のイケメンのKOFのキャラクター草薙京(ウエストが細く、顔が整っていて、容姿端麗、KOFの服装、尻が巨大で張りがある)、尻が巨大すぎて恥ずかしがる草薙京。
Mode
flash
Size
768 x 1280

Model & LoRA used

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AI artwork
Avatar image of Ryo Shiratake
character: kusanagi_kyou from behind, rear view, solo, 1boy, male focus, looking back, head turned back, over shoulder, embarrassed, blush, sweatdrop, averted gaze, looking down, handsome young man, 18 years old, short brown hair, curtained hair, brown eyes, white shirt, open jacket, jacket, black jacket with white sleeves, fingerless gloves, black gloves, armband, black pants, belt, slim waist, wide hips, huge buttocks, thick thighs, tight pants, fabric strain, hands on own butt, hands behind back, standing, weight on one leg, slight knee bend, cowboy shot, from slightly below, three-quarter rear angle, outdoor urban rooftop at night, city lights, warm rim light, cool ambient shadow, anime cel shading, crisp lineart, flat color blocks, dramatic lighting, embarrassed, flustered The camera sits low and behind, a three-quarter rear angle that puts the viewer squarely at his back while a head-turn over the right shoulder lets his flushed face show in profile — brown eyes cast down and away, a hot blush spread across his cheeks and the tips of his ears, one sweatdrop trailing at his temple. Short brown hair falls in curtains over his brow and neck, the band of his headband pinning it at the back. He wears the KOF outfit: black jacket with white sleeves worn open over a white shirt, black fingerless gloves on both hands, armband on his upper left arm, black pants cinched at a belt. The waist is slim and narrow, and the black pants pull taut over buttocks that are huge and high and firm — the fabric strains into horizontal creases and a bright stitching seam across the seat, one belt loop tugging out of line. He stands with his weight shifted onto his left leg and the right knee slightly bent, hips canting to one side; both gloved hands have come around behind him, palms pressed flat over the seat of his pants, fingers splayed in a futile attempt to cover it, the black glove leather dimpled against the strained cloth. His shoulders round inward and his chin is tucked low in a flinch. His gaze goes down and to the side, toward the ledge below and away from the lens, refusing to look. He stands near the edge of a rooftop parapet at night; the low wall crosses the frame at hip height in front of him, and beyond it the city drops away into scattered lit windows and a haze of distant streetlight, small and out of focus. The only light is a warm light source off-frame at his right and slightly above, striking the right side of his turned face, the right shoulder, and the top of the seat of his pants; the left side of his body and the front of the ledge fall into cool blue shadow. His cast shadow stretches left along the rooftop concrete, compressed against the parapet. A night breeze moves the loose hem of his open jacket and the cuffs of his white sleeves, and lifts a few strands of the curtained hair at his neck. Palette: black, white, warm amber light, cool indigo shadow, and the hot pink of his blush. Flustered, quietly mortified.
Ryo Shiratake
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Avatar image of Ryo Shiratake
character: ookurikara from behind, back view, solo, 1girl, dark-skinned male, medium hair, brown hair, two-tone hair, multicolored hair, yellow eyes, narrow waist, firm buttocks, incredibly huge buttocks, wide hips, standing, looking back over shoulder, head turned, profile, arms at sides, black gloves, dark coat, standing in back alley, alley, night, dim light, vertical, cowboy shot, from below, dutch angle, depth of field, looking to the side, serious expression, half-closed eyes A single dark-skinned young man stands with his back squarely to the viewer, seen from a low, slightly tilted upward angle in a narrow back alley at night. His medium-length two-tone brown hair, streaked with a paler shade, falls to his nape with the ends stirring faintly in a draft that runs down the alley; his head is turned just enough that a sliver of his yellow eye catches the light at the corner of a sharp profile, gaze fixed down the passage ahead rather than at the camera. He wears a dark coat hanging open at the back, gloves dark on both hands, arms loose at his sides with one hand grazing the wall of the alley by his hip. The silhouette is the statement: the coat tapers hard into a narrow waist that reads as firm and tightly drawn-in, then the line flares wide across the seat of his trousers into an improbably enormous, high, rounded rear that fills the lower center of the frame, the fabric pulled taut across it and creasing in radiating folds from the tension. Weight rests on his right leg, hip cocked slightly so the left side of the huge curve catches the light and the right falls into shadow, the whole mass pushing the coat's hem outward to either side. The alley closes in around him: damp brick and concrete walls, a rusted pipe running vertically behind his shoulder, a stack of crates in the midground left, shallow puddles on the broken asphalt underfoot that catch a single dim overhead bulb. That bulb is the only light source, hanging high and behind the viewer's left, so it lays a warm rim down his left shoulder and left hip and drags a long soft shadow of him forward into the alley ahead; beyond the pool of its glow the far end of the passage goes fully dark. The puddles hold a darker, softer, broken reflection of the bulb and his legs, and the far wall is legible only as faint texture. Palette confined to cool wet greys, mossy brick reds and the warm amber of the single bulb against his dark skin. Low upward camera makes the walls converge over him and the crates sit small and far below his eyeline, foreshortening his legs. Quiet, tense, heavy atmosphere.
Ryo Shiratake

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