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LOCK NO
AI art by LOCK NO on PixAI. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- วาดให้เหมือนคนวาด ตัดเส้นขอบดำทุกครั้ง เอฟเฟคงดงาม,solo,cyberpunk,หญิงสาวตีเหล็กผมแดง,ไม่ตีเหล็ก,หน้าตาดูมั่นใจสาวหล่อเท่,ทอมบอย,ภาพงดงามสวยงามคมชัด,หน้าอกใหญ่ชุดเซ็กซี่ระบายความร้อน,full body,เหมือนคนวาดตัดเส้นดำชัดเจน,ไม่มีพื้นหลังใดๆ,ตัวละครในเกม,เสื้อผ้าน้อยชิ้น ใส่ชุดแจ็กเก็ต ใส่บราดำโชว์เต็มที่ ใส่กางเกงขายาว ,ไม่ได้กอดอก,ถือค้อนแบกค้อนไว้ด้วยสองมืออ้อมหลังบริเวรคอหลัง
- Mode
- flash
- Size
- 992 x 992
Prompt Helper
Model & LoRA used
Similar Images
Show moreln
solo, 1girl, full body, red hair, tomboy, cool handsome woman, large breasts, black bra, open jacket, cropped jacket, long pants, holding hammer, arms crossed, confident expression, smug, half-closed eyes, cyberpunk, game character, plain empty background, white background, simple background, hand-drawn, black lineart, sharp clean outlines, gorgeous glowing effects, from below, cowboy shot framing into full body, standing, weight on one hip, looking down at viewer, parted lips
The camera sits low, tilted slightly up at her: one figure alone in a completely empty off-white field, nothing behind her, no scenery, no props on the ground, the plain ground and empty air meeting without a horizon line. She stands with her weight sunk into her left hip, right knee loose and angled outward, shoulders squared but pelvis tilted off-axis, so the pose reads as a relaxed swagger rather than a parade rest. Both forearms are folded across her chest, the left wrist laid over the right forearm, the fingers of her right hand curled around the haft of a heavy blacksmith's hammer that rests diagonally across her ribs with its head up beside her left shoulder; the hammer's cross-peen head is scuffed gunmetal with a faint warm sheen along the striking face, and her gloved fingers grip just under it, knuckles taut. A cropped black leather jacket hangs open off her shoulders, the sleeves shoved to the elbows and the collar flipped up, worn over a black bra whose cups are fully exposed across her chest below the collarbone, the underwire catching a thin bright edge; the jacket's hem stops high at her ribs, and long dark trousers ride low on her hips, one thigh thrust forward and creasing the fabric, a heavy belt and hanging strap at the waist. Her red hair is a shoulder-length mess caught in a cyberpunk updraft, strands whipping across her jaw and lifting away from the crown, a few shaved-short strands at the temple; her head is tipped down and slightly to her right, chin tucked, so she looks along the line of her shoulder, one eye half-lidded and the other wide, one brow arched, the corner of her mouth pulled into a lopsided confident smirk with her teeth just showing, and she holds the viewer's gaze dead-on through the lowered lashes. Light comes from below and camera-left: a cool cyan underglow from the empty air rolls up the underside of her jaw, the inner edges of her arms and the plated panel of the hammer head, while a hot magenta rim picks out the hair tips and the jacket's shoulder seams; the front of her torso is cross-lit, the black fabric deepening to true black at the waist, and her shadow drops sharp and small directly beneath her boots onto the blank ground. Fine luminous circuitry traces a vein of light along the jacket's zipper line and a thin glow strip down the outer seam of her trousers, and a scatter of magenta sparks drifts up around the hammer head, each spark trailing a soft bloom that only lights the surfaces facing it. Every edge is closed with crisp black lineart, hair strands, fabric folds and the hammer's machined ridges all drawn as clean inked contours with flat cel shadows and hard highlight shapes, glossy bloom reserved for the glow lines and the metal. Effortlessly stylish, coolly defiant.
LOCK NO
ln
solo, 1girl, full body, red hair, tomboy, cool handsome woman, large breasts, black bra, open jacket, cropped jacket, long pants, holding hammer, arms crossed, confident expression, smug, half-closed eyes, cyberpunk, game character, plain empty background, white background, simple background, hand-drawn, black lineart, sharp clean outlines, gorgeous glowing effects, from below, cowboy shot framing into full body, standing, weight on one hip, looking down at viewer, parted lips
The camera sits low, tilted slightly up at her: one figure alone in a completely empty off-white field, nothing behind her, no scenery, no props on the ground, the plain ground and empty air meeting without a horizon line. She stands with her weight sunk into her left hip, right knee loose and angled outward, shoulders squared but pelvis tilted off-axis, so the pose reads as a relaxed swagger rather than a parade rest. Both forearms are folded across her chest, the left wrist laid over the right forearm, the fingers of her right hand curled around the haft of a heavy blacksmith's hammer that rests diagonally across her ribs with its head up beside her left shoulder; the hammer's cross-peen head is scuffed gunmetal with a faint warm sheen along the striking face, and her gloved fingers grip just under it, knuckles taut. A cropped black leather jacket hangs open off her shoulders, the sleeves shoved to the elbows and the collar flipped up, worn over a black bra whose cups are fully exposed across her chest below the collarbone, the underwire catching a thin bright edge; the jacket's hem stops high at her ribs, and long dark trousers ride low on her hips, one thigh thrust forward and creasing the fabric, a heavy belt and hanging strap at the waist. Her red hair is a shoulder-length mess caught in a cyberpunk updraft, strands whipping across her jaw and lifting away from the crown, a few shaved-short strands at the temple; her head is tipped down and slightly to her right, chin tucked, so she looks along the line of her shoulder, one eye half-lidded and the other wide, one brow arched, the corner of her mouth pulled into a lopsided confident smirk with her teeth just showing, and she holds the viewer's gaze dead-on through the lowered lashes. Light comes from below and camera-left: a cool cyan underglow from the empty air rolls up the underside of her jaw, the inner edges of her arms and the plated panel of the hammer head, while a hot magenta rim picks out the hair tips and the jacket's shoulder seams; the front of her torso is cross-lit, the black fabric deepening to true black at the waist, and her shadow drops sharp and small directly beneath her boots onto the blank ground. Fine luminous circuitry traces a vein of light along the jacket's zipper line and a thin glow strip down the outer seam of her trousers, and a scatter of magenta sparks drifts up around the hammer head, each spark trailing a soft bloom that only lights the surfaces facing it. Every edge is closed with crisp black lineart, hair strands, fabric folds and the hammer's machined ridges all drawn as clean inked contours with flat cel shadows and hard highlight shapes, glossy bloom reserved for the glow lines and the metal. Effortlessly stylish, coolly defiant.
LOCK NO
ln
solo, 1girl, full body, red hair, blacksmith, holding hammer, arms crossed, confident expression, smug, tomboy, large breasts, sexy heat-dissipation cooling outfit, cyberpunk, hand-drawn style, bold black outlines, gorgeous effects, standing, looking at viewer, from below, dutch angle, cowboy shot framing extended to full body, head tilt, asymmetrical pose, hip cocked, hammer resting against shoulder, black-rimmed goggles on forehead, fingerless gloves, soot smudges on cheek, glowing forge sparks, neon rim light, high contrast, sharp focus
The view is a low, upward-tilted dutch-angle full-body shot of a single young woman standing alone in a cramped cyberpunk workshop, the camera near hip height so her whole figure from boots to hair crests the frame and the ceiling pipes converge behind her head. She is caught mid-swagger: weight loaded on her left leg with the left hip pushed out, right knee bent and right boot toe resting on the crossbar of a scrap-metal anvil at the frame's lower left, her torso turned three-quarters away from the studio axis while her shoulders stay square to the lens. Both forearms are folded tightly across the top of her ribcage, the left forearm laid over the right, each fingerless-gloved hand clamped around a heavy blacksmith's hammer held horizontally against her chest — the ash handle runs parallel to the ground under the head of the hammer, the right hand grips a palm's width from the eye, the left hand closes around the shaft near the flared butt; the hammer head is a blunt, scarred steel block with a chipped chamfer and a faint heat-blued face, angled slightly forward and up past her right shoulder so its mass catches the brightest edge of light. Her chin lifts, jaw raised and set, one brow arched higher than the other over a level, half-lidded stare aimed straight down the lens, mouth pulled into a lopsided closed-lip smirk with the corner tugging on her scarred side; her only other motion is her hair — a thick, chopped mane of red, undercut close at the left temple and swept long and shaggy over the right side, strands lifting and drifting sideways in the heat draft. Clothing is the complete sexy heat-dissipation cooling outfit worn as the only thing on her: a cropped sleeveless vest of perforated black technical fabric left fully unzipped and hanging open, its mesh vents glowing faintly at the seams, under it a bare midriff and a thin strapped bralette of charcoal knit barely containing her large breasts, the hem cut high and stretched across the underside so a band of pale skin shows between it and the low waistband; wide-legged cargo shorts rolled to the knee with vented side panels, an open tool belt slung loose on one hip with loops and no tools but the hammer's sister weight missing, black-rimmed welding goggles pushed up into the crest of her hair with a smeared amber lens, fingerless gloves reaching the wrist bones leaving every knuckle bare except dark soot pressed into the creases, and steel-capped boots laced tight to mid-shin. Every contour is drawn with a thick, confident black outline, uniform in weight on the silhouette, tapering slightly on interior detail, inked by hand and layered over flat fills and cel-banded shading. The environment is one cluttered back room of a cyber forge: a riveted wall panel behind her right shoulder threaded with sparking cables, the dark mouth of a cold forge to her left whose interior is entirely empty of flame, an anvil under her boot, a tangle of hanging chains and a single swinging bare bulb above. Light source is exclusive — one high, hard bulb at the top right plus its cold neon reflection: warm white throws a hard-edged highlight along the top of the hammer, the bridge of her nose, the upper curve of her chest and the left shoulder, while the entire left side of her face, throat and the underside of the hammer fall into deep saturated shadow; a magenta-to-cyan neon rim frays along the right edge of her hair and the hammer's blunt face, and grinding sparks bloom at the far background as glowing specks that cool from orange to dull red as they drift. The palette is disciplined to black, red and hot metal: red only in her hair and the reflected heat in the forge mouth, black in the vents, shorts, gloves and the inked outlines, everything else a sooty warm grey. Physical note: a single loose chain hangs straight and motionless while the bulb's edge swings behind it, and the fine ash that settled on the hammer's upturned face stays there while her hair moves. Gorgeous, sharp, effortlessly stylish.
LOCK NO
ln
solo, 1girl, full body, red hair, blacksmith, holding hammer, arms crossed, confident expression, smug, tomboy, large breasts, sexy heat-dissipation cooling outfit, cyberpunk, hand-drawn style, bold black outlines, gorgeous effects, standing, looking at viewer, from below, dutch angle, cowboy shot framing extended to full body, head tilt, asymmetrical pose, hip cocked, hammer resting against shoulder, black-rimmed goggles on forehead, fingerless gloves, soot smudges on cheek, glowing forge sparks, neon rim light, high contrast, sharp focus
The view is a low, upward-tilted dutch-angle full-body shot of a single young woman standing alone in a cramped cyberpunk workshop, the camera near hip height so her whole figure from boots to hair crests the frame and the ceiling pipes converge behind her head. She is caught mid-swagger: weight loaded on her left leg with the left hip pushed out, right knee bent and right boot toe resting on the crossbar of a scrap-metal anvil at the frame's lower left, her torso turned three-quarters away from the studio axis while her shoulders stay square to the lens. Both forearms are folded tightly across the top of her ribcage, the left forearm laid over the right, each fingerless-gloved hand clamped around a heavy blacksmith's hammer held horizontally against her chest — the ash handle runs parallel to the ground under the head of the hammer, the right hand grips a palm's width from the eye, the left hand closes around the shaft near the flared butt; the hammer head is a blunt, scarred steel block with a chipped chamfer and a faint heat-blued face, angled slightly forward and up past her right shoulder so its mass catches the brightest edge of light. Her chin lifts, jaw raised and set, one brow arched higher than the other over a level, half-lidded stare aimed straight down the lens, mouth pulled into a lopsided closed-lip smirk with the corner tugging on her scarred side; her only other motion is her hair — a thick, chopped mane of red, undercut close at the left temple and swept long and shaggy over the right side, strands lifting and drifting sideways in the heat draft. Clothing is the complete sexy heat-dissipation cooling outfit worn as the only thing on her: a cropped sleeveless vest of perforated black technical fabric left fully unzipped and hanging open, its mesh vents glowing faintly at the seams, under it a bare midriff and a thin strapped bralette of charcoal knit barely containing her large breasts, the hem cut high and stretched across the underside so a band of pale skin shows between it and the low waistband; wide-legged cargo shorts rolled to the knee with vented side panels, an open tool belt slung loose on one hip with loops and no tools but the hammer's sister weight missing, black-rimmed welding goggles pushed up into the crest of her hair with a smeared amber lens, fingerless gloves reaching the wrist bones leaving every knuckle bare except dark soot pressed into the creases, and steel-capped boots laced tight to mid-shin. Every contour is drawn with a thick, confident black outline, uniform in weight on the silhouette, tapering slightly on interior detail, inked by hand and layered over flat fills and cel-banded shading. The environment is one cluttered back room of a cyber forge: a riveted wall panel behind her right shoulder threaded with sparking cables, the dark mouth of a cold forge to her left whose interior is entirely empty of flame, an anvil under her boot, a tangle of hanging chains and a single swinging bare bulb above. Light source is exclusive — one high, hard bulb at the top right plus its cold neon reflection: warm white throws a hard-edged highlight along the top of the hammer, the bridge of her nose, the upper curve of her chest and the left shoulder, while the entire left side of her face, throat and the underside of the hammer fall into deep saturated shadow; a magenta-to-cyan neon rim frays along the right edge of her hair and the hammer's blunt face, and grinding sparks bloom at the far background as glowing specks that cool from orange to dull red as they drift. The palette is disciplined to black, red and hot metal: red only in her hair and the reflected heat in the forge mouth, black in the vents, shorts, gloves and the inked outlines, everything else a sooty warm grey. Physical note: a single loose chain hangs straight and motionless while the bulb's edge swings behind it, and the fine ash that settled on the hammer's upturned face stays there while her hair moves. Gorgeous, sharp, effortlessly stylish.
LOCK NO
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