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荒木比奈 & 速水奏 & 鷺沢文香

荒木比奈 & 速水奏 & 鷺沢文香 AI art by しお on PixAI. Tags: Sagisawa Fumika, Hina Araki, Kanade Hayami, The Idolmaster. Made with Tsubaki.3.

#The Idolmaster #The Idolmaster Cinderella Girls #Sagisawa Fumika #Hina Araki #Kanade Hayami #THE IDOLM@STER CINDERELLA GIRLS STARLIGHT STAGE

Published on Nov 13, 2026

しお

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character: sagisawa_fumika, hayami_kanade, araki_hina, fumika, copyright: idolmaster 3 girls, multiple girls, indoors, library, grand library, tall bookshelves, organizing, holding book, bookshelf, from below, dutch angle, cowboy shot, short hair, brown hair, messy hair, ahoge, brown eyes, black lace top, black lace dress, ruffles, black ribbon at cuffs, blue gemstone necklace, blue belt, chain belt accent, black hair ribbon, gothic, sophisticated, long black hair, hair between eyes, blue eyes, deep green dress, gold embroidery, white and lavender ruffled underskirt, gold-trimmed beret, gemstone on beret, belt with potions and scrolls, puffed sleeves, gold and white sleeve accents, ribbon-decorated shoes, short blue-black hair, parted bangs, yellow eyes, sheer black blouse, rose pattern, ruffled sleeves, lavender skirt, pencil skirt, geometric earrings, gold earrings, amethyst earrings, soft light, glowing, looking at book, open mouth, light smile, reaching up, arm support, tiptoe, floating book, dust motes, warm lamplight, high ceiling, arched windows, book cart Seen from below at a slight dutch tilt, the camera sits low in the aisle of a grand library and looks up: three tall wooden shelves recede in sharp perspective toward a vaulted ceiling, arched windows high on the far wall letting thin grey daylight fall across the upper galleries, while a low brass reading lamp on the book cart throws the warm key light. Hina Araki stands on the left, left foot lifted on tiptoe on the lower shelf rail, right hand stretched high pushing a thick book into the top row, her whole body leaning up and tilted to the right so the black ribbon bow in her short messy brown hair swings off her temple; the ahoge curls forward. Her black lace top is lace through and through, its ruffles catching the lamp light, black ribbons knotted at both cuffs hanging loose as her forearm rises, and the blue gemstone necklace drops from her throat into the open air above her collarbone as she stretches; the blue belt with its chain accent cinches her waist and the chain hangs slack on the low side. Her chin is up, her brown eyes fixed on the gap between the spines she is filling, lips parted in a small open-mouthed effort. In the centre foreground, closer to the lens and made large by the low angle, Fumika Sagisawa crouches over the book cart with one knee near the floor, both hands cradling a book she has just pulled from the pile, head tipped down so the gold-trimmed beret with its gemstone seats low over her long black hair and the strand between her eyes falls forward. Her deep green dress pools around her knees, the gold embroidery along the bodice and sleeve catching the lamp, the white and lavender ruffled underskirt spilling from beneath the hem onto the floor; the puffed sleeves are banded in gold and white at the shoulders. On the belt at her waist, glass potion vials clink against a rolled scroll tucked through the leather, and one ribbon-decorated shoe shows at the edge of the frame where her toe presses the floor. Her blue eyes are lowered to the spine, brows drawn in quiet concentration. Kanade Hayami stands on the right, at the head of the cart, half-turned away and reaching up to slide a book onto a middle shelf; her short blue-black hair with parted bangs falls over one cheek and only the corner of her yellow eye shows as she glances sideways at the book in her hand. Her sheer black blouse, patterned all over with roses, lets the lamplight pass through the fabric so her silhouette reads faintly against it, and the ruffled sleeves bunch at her lifted elbow. The lavender skirt fits close to her hips and a delicate chain belt sits at her waist, one end hanging; geometric earrings of gold and amethyst swing at her ears, catching the lamp. A soft, gentle light clings around her — a pale halo of glow with no hard edge that rims her shoulders and blouse, spreading onto the shelf behind her and fading before it reaches the other two. All three look at the books they handle, and none look at the lens. Dust motes drift in the lamp's cone above the cart; a shadow of the shelf ladder lies across the floorboards, and the lamp is nearly the only warm source, so beyond its pool the deep shelves fall to brown-black and the vaulted ceiling recedes into darkness. Palette: warm amber lamp light, deep green and lavender, black lace with blue and gold accents. Busy, hushed, absorbed.

荒木比奈 & 速水奏 & 鷺沢文香

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