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C9I
AI art by C9I on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- A majestic black raven perched on a bare, twisted tree branch looking down at a beautiful red fox sitting in the deep snow below. The raven and the fox are looking at each other. They both represent creatures of the twilight and misunderstood animals. The scene is very quiet, peaceful, and atmospheric. Mood: nondual, dark fairytale, silent alliance. Cinematic wide shot, deep blacks, white snow, and vivid red fur, 8k, film grain. No text, no watermark. --ar 16:9
- Mode
- pro
- Size
- 992 x 992
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show more2 animals, black raven, red fox, raven looking down, fox looking up, eye contact, mutual gaze, bare twisted tree branch, perched, sitting in deep snow, snow field, twilight, cinematic wide shot, from below, dutch angle, deep blacks, white snow, vivid red fur, black plumage, film grain, no text, no watermark, no signature, dark fairytale, quiet, peaceful, silent alliance, 16:9
A cinematic wide shot taken from a low camera close to the snow, tilted a few degrees off level so the horizon runs slightly oblique across the frame and the twisted branch rises diagonally against the sky. In the upper left third, a black raven perches on a bare, twisted tree branch that enters from the left edge and forks out over open air; the bird's toes wrap the gnarly wood, its tail feathers hang below the branch line, and its head is tipped sharply down, one eye fixed on the animal below. In the lower right third, a red fox sits upright in deep snow, its hindquarters pressed into a drift that swallows its paws and lower legs, its brush curled around its right flank, its muzzle lifted and its eyes locked up onto the raven. The two gazes meet along an unobstructed diagonal across the empty middle of the frame; in that cleared air the fox's warm breath condenses into a small hanging plume that drifts and thins as it rises toward the branch -- the one moving thing in the stillness. The tree's trunk is a dark vertical at the far left, the branch overhanging the fox without touching it; snow rests only on the upward-facing surfaces of the branch and the tree's crotch, never on its undersides, and the snow around the fox shows the soft depression where it settled, its surface otherwise unbroken and blue-shadowed. Beyond them, a sparse stand of black bare trunks recedes into a low mist that eats the treeline, and the field of snow runs pale to the horizon with no footprints or tracks anywhere. Twilight is the only light source: a cold blue-violet dome with a thin band of dull amber remaining low behind the trees at the right, rimming the fox's ears, back and the top of the raven's head with a faint warm edge while both bodies stay close to silhouette, the fox's fur vivid red where the rim light catches it, the snow reading white in the open field and deep indigo in every hollow. Palette is restricted to deep black, white and blue-shadowed snow, and the single saturated red of the fox, with the thin amber twilight band as the only other warmth. Detail budget sits on the raven's grip and lowered head, the fox's lifted muzzle and breath plume, and the two lines of sight; the distant trees reduce to softer, simplified shapes that keep their scale. Fine film grain sits over the whole frame, heaviest in the twilight sky and the shadows. Quiet, dark fairytale stillness, a silent alliance.
C9I
2 animals, black raven, red fox, raven looking down, fox looking up, eye contact, mutual gaze, bare twisted tree branch, perched, sitting in deep snow, snow field, twilight, cinematic wide shot, from below, dutch angle, deep blacks, white snow, vivid red fur, black plumage, film grain, no text, no watermark, no signature, dark fairytale, quiet, peaceful, silent alliance, 16:9
A cinematic wide shot taken from a low camera close to the snow, tilted a few degrees off level so the horizon runs slightly oblique across the frame and the twisted branch rises diagonally against the sky. In the upper left third, a black raven perches on a bare, twisted tree branch that enters from the left edge and forks out over open air; the bird's toes wrap the gnarly wood, its tail feathers hang below the branch line, and its head is tipped sharply down, one eye fixed on the animal below. In the lower right third, a red fox sits upright in deep snow, its hindquarters pressed into a drift that swallows its paws and lower legs, its brush curled around its right flank, its muzzle lifted and its eyes locked up onto the raven. The two gazes meet along an unobstructed diagonal across the empty middle of the frame; in that cleared air the fox's warm breath condenses into a small hanging plume that drifts and thins as it rises toward the branch -- the one moving thing in the stillness. The tree's trunk is a dark vertical at the far left, the branch overhanging the fox without touching it; snow rests only on the upward-facing surfaces of the branch and the tree's crotch, never on its undersides, and the snow around the fox shows the soft depression where it settled, its surface otherwise unbroken and blue-shadowed. Beyond them, a sparse stand of black bare trunks recedes into a low mist that eats the treeline, and the field of snow runs pale to the horizon with no footprints or tracks anywhere. Twilight is the only light source: a cold blue-violet dome with a thin band of dull amber remaining low behind the trees at the right, rimming the fox's ears, back and the top of the raven's head with a faint warm edge while both bodies stay close to silhouette, the fox's fur vivid red where the rim light catches it, the snow reading white in the open field and deep indigo in every hollow. Palette is restricted to deep black, white and blue-shadowed snow, and the single saturated red of the fox, with the thin amber twilight band as the only other warmth. Detail budget sits on the raven's grip and lowered head, the fox's lifted muzzle and breath plume, and the two lines of sight; the distant trees reduce to softer, simplified shapes that keep their scale. Fine film grain sits over the whole frame, heaviest in the twilight sky and the shadows. Quiet, dark fairytale stillness, a silent alliance.
C9I
2 animals, black raven, red fox, raven looking down, fox looking up, eye contact, mutual gaze, bare twisted tree branch, perched, sitting in deep snow, snow field, twilight, cinematic wide shot, from below, dutch angle, deep blacks, white snow, vivid red fur, black plumage, film grain, no text, no watermark, no signature, dark fairytale, quiet, peaceful, silent alliance, 16:9
A cinematic wide shot taken from a low camera close to the snow, tilted a few degrees off level so the horizon runs slightly oblique across the frame and the twisted branch rises diagonally against the sky. In the upper left third, a black raven perches on a bare, twisted tree branch that enters from the left edge and forks out over open air; the bird's toes wrap the gnarly wood, its tail feathers hang below the branch line, and its head is tipped sharply down, one eye fixed on the animal below. In the lower right third, a red fox sits upright in deep snow, its hindquarters pressed into a drift that swallows its paws and lower legs, its brush curled around its right flank, its muzzle lifted and its eyes locked up onto the raven. The two gazes meet along an unobstructed diagonal across the empty middle of the frame; in that cleared air the fox's warm breath condenses into a small hanging plume that drifts and thins as it rises toward the branch -- the one moving thing in the stillness. The tree's trunk is a dark vertical at the far left, the branch overhanging the fox without touching it; snow rests only on the upward-facing surfaces of the branch and the tree's crotch, never on its undersides, and the snow around the fox shows the soft depression where it settled, its surface otherwise unbroken and blue-shadowed. Beyond them, a sparse stand of black bare trunks recedes into a low mist that eats the treeline, and the field of snow runs pale to the horizon with no footprints or tracks anywhere. Twilight is the only light source: a cold blue-violet dome with a thin band of dull amber remaining low behind the trees at the right, rimming the fox's ears, back and the top of the raven's head with a faint warm edge while both bodies stay close to silhouette, the fox's fur vivid red where the rim light catches it, the snow reading white in the open field and deep indigo in every hollow. Palette is restricted to deep black, white and blue-shadowed snow, and the single saturated red of the fox, with the thin amber twilight band as the only other warmth. Detail budget sits on the raven's grip and lowered head, the fox's lifted muzzle and breath plume, and the two lines of sight; the distant trees reduce to softer, simplified shapes that keep their scale. Fine film grain sits over the whole frame, heaviest in the twilight sky and the shadows. Quiet, dark fairytale stillness, a silent alliance.
C9I
wide shot, two animals only, massive black wolf, large black raven, wolf standing in deep snow, raven perched on twisted bare branch above the wolf, mutual gaze, eye contact, wolf looking up, raven looking down, dark winter forest at night, thick fog, full moon, moonlight, clouds, bare trees, snow-covered ground, deep blacks, silver and blue palette, cinematic composition, film grain, no text, no letters, no watermark, no signature, clean image surface
Cinematic wide shot at eye level with the wolf's chest, both animals small enough that the frozen forest dwarfs them: the wolf stands in three-quarter profile facing left-to-right in the lower middle of the frame, its weight sunk chest-deep in snow, all four legs buried to mid-shin, the snow ridged and crusted around each foreleg where the weight has packed it down. Its head is tilted up and back, muzzle raised, yellow eyes fixed on the raven; thick black fur stands off the shoulders in a coarse ruff, breath pluming faintly from the nostrils in the cold. Directly above it a bare twisted branch juts from a leaning trunk at the right, snow lying only along its upward-facing ridge, and on that branch the raven grips with scaled feet, body angled down and forward, head lowered, one glossy eye locked on the wolf's eye in a straight unbroken line of sight between them โ iridescent blue-violet sheen sliding along its black wing coverts as it shifts. Neither looks at the viewer. Thick fog drifts in bands between the trunks, swallowing the ground line twenty metres back so the midground trees stand as flat grey silhouettes and the far forest is a soft white void; a pale full moon hangs high in the upper left, breaking through torn cloud, its halo the only large bright shape. Light is cold and single in direction, silver-blue from the moon, striking the crown of the wolf's back, the raven's head and the moonward side of every trunk while their undersides and the hollows between roots hold near-solid black; the moon casts no crisp shadow through the fog, only a wide diffuse sheet of pale blue snow, and the wolf's eyes catch two small warm amber points that are the only non-blue colour in the frame. Palette is deep blacks, silver, and blue, nothing else admitted. Hyper-detailed coarse fur and ruffled feather barbs against the soft fog, 35mm film grain across the whole frame. Sacred, quiet.
C9I
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