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Red Spider Lily, white hair
AI art by 水流水花 on PixAI. Tags: Flower, bishounen, Flower field. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- 20歳くらいの中性的な男性。 腰までの白髪ストレートロング、前髪は右目が隠れるくらい。暗めの水色、ハイライトなし。儚げ。美男。 フリルカフス付き白ブラウス、黒のスラックス、優雅な服装。 赤の背景に白い彼岸花の花畑のみ。水色の彼岸花の花の部分だけが3輪、囲むように守るように浮いている。 表情は絶望したように苦しそうに泣きながら笑ってる。 構図は両手で胸を抑えてる、横たわってる。 漫画のようなタッチで。
- Mode
- flash
- Style
- Neon Poster
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
Style: Neon Poster
Prompt Helper
Model & LoRA used
Similar Images
Show more水
1boy, solo, androgynous young man, about 20 years old, bishounen, beautiful delicate face, fragile ephemeral appearance, waist-length straight white hair, hair with a dark muted pale blue tone, flat matte hair with no highlights, long bangs covering the right eye, pale blue eyes, white blouse with frilled cuffs, black slacks, elegant outfit, lying down, lying on his back, both hands clutching his chest, hands pressed to chest over the blouse, pained weeping expression, crying while smiling, tears on cheeks, trembling smile, despair, deep dark blue background, field of white spider lilies, higanbana, only white flowers, three pale blue spider lilies, floating flowers, blue lilies hovering around him in a protective enclosing arc, from above, dutch angle, close-up, manga style, monochrome ink linework, screentone, profile
The camera looks down from above at a slight dutch tilt, so the man's body runs diagonally across the frame, head toward the lower left and hips toward the upper right, his long white hair fanned out and pooled flat on the ground behind his head, strands splayed in dry thin ribbons with no shine anywhere along them. He lies on his back on a dense bed of white spider lilies; the flowers press and bend under his shoulders, his hips and the back of his skull, their curled petals crushed flat where his weight lands on them, and the stems crowd up around his silhouette so that the white blooms fill the frame edge to edge with no other ground and nothing but the lilies. His chin is tipped back, throat exposed, the right eye fully buried under the straight fall of his bangs while the left eye stays open and wet, lashes clumped, looking up past the viewer and off the top edge of the frame at nothing. His mouth is pulled into a smile that keeps breaking — corners lifted, lips parted and trembling, teeth barely showing — while tears run from the visible eye in two thin tracks over the cheekbone to the jaw and drip into the hair and petals below. Both arms fold in over his chest, elbows drawn tight to the ribs, fingers of both hands curled and pressing flat into the white blouse above his heart, knuckles pale and fabric bunched and creased under the pressure; the frilled cuffs spill loose over his wrists where they meet the ground.
Three pale blue spider lilies float unsupported in the air above him, their curled petals and long stamens the only cool pale-blue notes in the scene, arranged in a ring that encloses his head and chest — one hovering at the upper left, one directly over his collarbone, one lower right near his shoulder — none of them touching him, each casting a soft shadow down onto his face and the white petals beneath. The background is a deep dark blue that goes almost black at the corners, a flat field of night behind the lily bed rather than sky, and the white flowers glow out of it. Lighting is single and cold from directly above: it picks out the ridges of the lilies, the wet line of the tear track, the top plane of his cheek and the raised knuckles of his hands, while his eye sockets, the hollow under his jaw and the deep folds of the blouse sink into shadow. Palette is strictly the deep dark blue ground, white lilies and white blouse, black slacks, and the three pale-blue floating blooms; no warm tone anywhere. In the manga touch the shading is hatched and screentoned, the linework crisp, the beauty of the face held against the distress in it, quietly devastating.
水流水花
水
1boy, solo, androgynous male, 17 years old, bishounen, delicate fragile beauty, waist-length hair, long straight hair, white hair, pale dark-blue hair color, flat matte hair, no highlight, dull hair, long bangs, hair over one eye, bangs covering right eye, pale skin, crying, tears, teary eyes, streaming tears, smile, forced smile, pained smile, agonized expression, despair, suffering, open mouth, both hands on own chest, hands pressed to chest, clutching chest, trembling fingers, white blouse, frilled cuffs, lace cuffs, black slacks, elegant clothes, medieval graveyard, graveyard, tombstones, crosses, dead trees, red background, black background, red-black palette, floating flowers, three pale blue flowers, pale blue lycoris, spider lily blossoms only, no stems, no leaves, flowers surrounding him, protective composition, manga style, monochrome linework with limited palette, cel shading, cowboy shot, from above, dutch angle
The camera looks down from a high, slightly tilted angle: a slender androgynous youth of about seventeen stands alone among the headstones of an old medieval graveyard, seen from above and a little to his left, framed from mid-thigh up, so the tilt of his shoulders and the droop of his head both read against the ground. His hair is the first thing the picture gives away — a straight, heavy curtain of white falling unbroken to his waist, the strands flat and matte, each lock the same dead pale tone with no gleam, no sheen, no highlight band anywhere along its length; it is dyed a low, dim water-blue, and the long bangs hang straight down over the right side of his face, hiding his right eye completely. From this height the left eye is visible under the fringe, dark and wet, and he is weeping: clear tears run down his cheek in a continuous line, gathering at the jaw and dropping off. His mouth is pulled wide open in a laugh that is really a sob — the corners lifted, the teeth showing, the brows crushed together and the eyes still spilling — the whole face caught between grinning and breaking.
Both of his hands are pressed flat against his chest, one crossing over the other above the heart, the fingers curled in and the knuckles pale, the frilled cuffs of his white blouse bunched and crushed under his wrists where they meet the fabric. The blouse is clean and elegantly cut, a high collar, a soft fall of cloth over the shoulders, the black slacks below it slim and sharp; the only disturbance in the whole elegant silhouette is the grip of those two hands and the hunch he has folded into around them. His shoulders round forward, his weight sinks onto his left leg while the right knee bends, and behind his back the long hair slides over one shoulder and hangs free, its tips swinging slightly as if he had just stopped swaying.
The graveyard is old and cramped: leaning slabs, weathered crosses, a broken iron railing, all rendered in the deep dull reds and blacks of the background, the graves themselves little more than dark shapes against a red sky that has no sun in it. There is no light source in the sky, but a cold pale directionless glow picks out his white blouse and his white hair and leaves the rest of the world in shadow, so that he looks lit from within rather than from anywhere behind the stones. Three pale blue spider lily blossoms — blooms only, no stems and no leaves — float in the air around him in a loose ring, one above his left shoulder, one low near his right hip, one at his chest, each turned slightly toward him as though the flowers were standing guard; their petals are the same dim water-blue as his hair and they are the only cool, luminous color admitted into the red and black. Their faint inward light falls on his cheek and on the frill of his cuffs, and the tears on his face catch it as small bright beads. The palette is red, black and pale blue with his white figure at the center, and the mood is agonized grief held inside a smile.
水流水花
水
1boy, solo, androgynous male, 17 years old, slender delicate build, bishounen, fragile appearance, waist-length white hair, straight long hair, hair spread out around his head, long bangs covering right eye, left eye visible, pale blue eye, flat matte hair, no highlights, hair without shine, white blouse, frilled cuffs, black slacks, elegant outfit, lying on back, both hands pressed to chest, hands clutching own chest, crying, tears, tear tracks, tear droplets on lashes, pained smile, crying while smiling, despair, anguished expression, furrowed brows, open trembling smile, from above, high angle, close-up, field of white higanbana, red spider lily field, deep dark blue background, three pale blue higanbana floating around him, pale blue flowers encircling, monochrome ink-wash manga style, screentone shading, manga-like touch, no text
The camera looks straight down from above onto him as he lies on his back in the middle of the flower field, head slightly turned to his left, chin tipped back, the long white sheet of his hair fanned out and tangled into the white petals above and around his skull. His right eye is sealed away under the dense fall of his bangs; only his left eye lies open, pale blue and glassy, lashes clumped with tears, gaze cast up and off toward nothing beyond the frame edge. His brows are drawn up and pinched at the centre, and his mouth is pulled into an unsteady open smile while the tears keep sliding sideways along his cheekbones into his hairline — despair and laughter living in the same face at once, both hands pressed flat over his own heart, fingers knuckled and gripping the white fabric of the blouse until it creases and pulls taut across his knuckles.
His shoulders are lifted off the ground by the tension of the grip while his hips sink back into the flowers; his knees are slightly drawn up, black slacks creased at the hip and thigh. The white frilled cuffs splay loosely around his wrists, frill overlapping the back of each hand, and the black slacks read as the single dark mass against the white blossoms. Around him the red spider lilies are dense and identical, all white, their thin curled petals and long stamens crowding in from the frame edges and closing over the corners, with the palest green-white stems crossing under his shoulders and along his arms. Three pale blue higanbana float free of the field above him, one at his head, one at his hip, one beside his shoulder, each tilted toward him in a slow encircling ring, threadlike petals hanging downward, their soft blue the only cool colour admitted into the picture.
The light comes from directly overhead, the blue darkness pressing in at the edges of the frame the deeper the field goes; under it the white blossoms glow and the white blouse glows, while the shadows fall tight and small beneath his jaw, beneath his hands, and in the folds of the black slacks. His hair and the petals nearest his face take the same flat matte tone, receiving no shine at all. Black ink linework with dense screentone dot and hatch shading, sharp cel breaks, high-contrast white and dark blue value structure; a single tear caught at the corner of his mouth shines from the overhead light. Quiet, unbearable grief.
水流水花
A fragile and beautiful woman with white super long hair reaching the back of her knees, messy bangs, side bangs braided and tucked behind her ears, red drooping eyes, long white eyelashes, fair skin, red makeup at the corners of her eyes, wearing a white and red opposite-collar ruqun, red nails, and a necklace, lying down in a field of red spider lilies.
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