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Me and my boy 💗
Me and my boy 💗 AI art by OverNoob on PixAI. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- Two femboys of different heights stand by a machine in a factory. They are wearing blue tops and black trousers. The taller one has long, fluffy hair reaching his shoulder blades, while the shorter one has a ponytail that reaches his ankles. The taller one has red hair, and the shorter one has brown hair.
- Mode
- pro
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper
Model & LoRA used
Similar Images
Show moreMe and my boy💓
OverNoob
character: makinami_mari_illustrious, souryuu_asuka_langley, copyright: neon_genesis_evangelion
2girls, souryuu_asuka_langley, makinami_mari_illustrious, asuka, mari, wide shot, cinematic composition, from below, cowboy shot scaled small within vast interior, medium two-shot inside large environment, red plugsuit, pink and green plugsuit, red-framed glasses, twintails, brown hair, long hair, hair between eyes, blue eyes, mari twintails, hairband, hand holding, holding hands, pulled close, foreheads nearly touching, hand on waist, arm at waist, leaning in, looking down, looking at another, flustered, blush, light smile, closed mouth, half-closed eyes, backlighting, rim light on hair, evangelion hangar, night, dim vast industrial interior, enormous cage gantries, two evangelion units, mecha in shadow, orange warning beacons, power cables on floor, glass-walled control booths, elevated catwalk, narrow catwalk, railing, work lamp, warm light, light shafts, diagonal light shafts, god rays, dust motes, cool blue-green palette, blue and green industrial gloom, warm amber highlights, lens flare, haze, no text, bare unadorned ears, empty hands free of accessories
Wide cinematic shot from below, the camera sitting low at gantry-foot level and looking up so the hangar's ribs converge overhead; the two figures stand far off in the middle distance on a narrow elevated catwalk that crosses the frame horizontally, small against an interior that swallows them. At the left edge, an enormous cage gantry of bolted steel lattice runs floor to ceiling; a second one answers it at the right, and behind them, half-sunk in shadow, two Evangelion units hang slack in their restraint cradles, only the jaw plates, shoulder pylons and one long shin catching a thin blue-green edge of light — their mass reads as dark architecture rather than detail. Orange warning beacons sit at intervals along the gantry uprights, each lamp in a wire cage, pulsing softly so the nearest ones glow saturated amber and the far ones sink to a dull coal-red; their slow rhythm is the only motion besides the dust. Thick power cables snake across the smooth concrete floor at the very bottom of frame, bundled, drooping off the catwalk's underside and looping away into darkness, their rubber sheathing picking up a wet amber highlight along the top of each curve. High above, glass-walled control booths glow a cold pale blue, their window grids tiny and sharp, and their light does not reach the floor. Everything else is a deep cool blue-green industrial gloom, hazy with suspended dust.
On the catwalk, the pair stand in the one pool of warm work-lamp light: a caged lamp clamped to the railing just above them throws amber down onto their shoulders, hair and hands, leaving their lower bodies and the catwalk grating to fall away into the blue. Asuka has been caught mid-turn — her weight is still on her back foot, her free shoulder pulled slightly away as if she had been walking past, and Mari has taken her right hand and drawn it in, so that Asuka's arm crosses her own body. Asuka's twintails are lit from behind by a second, cooler source deeper in the hangar, each tail rimmed in a fine bright line against the dark while her face stays in warm shadow; she has tilted her head down, chin tucked, eyes lowered and half-closed away from Mari's face, and her flustered smile is a small closed-lip curve with a visible blush across the cheekbones and one brow drawn up and inward. She looks down and slightly to the side, at the gap between their shoulders, not at the viewer. Mari stands taller in the frame, weight forward on her front foot, leaning in so her forehead hovers a hand's width from Asuka's, foreheads nearly touching but not meeting; her hips are turned in past the railing line, her left hand rests flat at Asuka's waist with the fingers spread over the red plugsuit's seam, and her right hand still holds Asuka's. Mari's own twintails swing forward past her shoulder with the lean, her red-framed glasses catching a thin horizontal streak of the lamp, and her eyes are on Asuka's lowered face, a slow pleased curl at one corner of her mouth. The pink and green panels of Mari's plugsuit and the flat red of Asuka's are the only saturated colours in the middle of the frame.
Diagonal shafts of light cut from high left down to low right, born at the control-booth windows and the gaps in the roof trusses, made visible by the haze, laying pale blue-green bands across the catwalk grating, the gantry uprights and the mecha's shoulders; where a shaft grazes the warm lamp pool it turns faintly gold. Dust motes drift thickest in the beam between the catwalk and the giant machines, tiny lit points at slightly different depths. A lens flare runs as a chain of small pale hexagons from the upper-left shaft down across the frame, fading before it reaches the pair so their faces stay clean. The warm lamp is the only warm source at their level; outside its pool and the cold booths, darkness is nearly absolute. Composition: the catwalk line cuts the middle distance, the two gantries bracket the edges, and the vast empty air above the figures does the work of showing scale — the tender moment is a small warm knot in an enormous cold room. Cool blue-green industrial gloom against warm amber highlights throughout. Quiet romantic, dwarfed.
ヤマダ太郎
character: kamui_\(gintama\). A medium shot at eye level captures two young coworkers meeting for the first time inside a large futuristic production facility, rendered as a high-quality anime illustration. On the left stands a slender 12-year-old girl with fair skin and voluminous, disheveled (medium-length wavy curly hair:1.5) — (voluminous layered black hair:1.4) with a (bright neon yellow underlayer:1.5), (black hair with yellow inner strands:1.5), (thick side-swept wavy bangs:1.4), (large loose curls:1.5) and (soft S-shaped waves:1.6) framing her face, glossy (soft bouncy curls:1.4) with wavy curly ends. She has cute round yellow eyes with long eyelashes and a nervous, shy expression, head slightly lowered, shoulders hunched, holding a digital work tablet against her chest with both hands. On the right stands the cheerful boy kamui_(gintama), a 13-year-old with long red hair in a single braid, an ahoge, and blue eyes; he wears a playful confident smile, leaning forward slightly with one hand resting on his hip and the other raised in a friendly greeting, relaxed body language. Both wear matching dark gray futuristic industrial worker uniforms with structured high collars, long sleeves, fitted waists, metallic identification badges on the chest, and slightly oversized gloves — standardized, immaculate, subtly unsettling in their perfection. The background shows a sterile factory interior with metallic workstations, industrial equipment, storage containers, and glowing blue control panels, lit by soft cinematic lighting that contrasts the boy's warmth with the girl's timid uncertainty.
gaxyqilstdyh
character: kamui_\(gintama\). An anime-style illustration presents a medium shot at eye level of two 12-year-old coworkers, a boy and a girl, standing side by side in a large futuristic industrial production facility. On the left, a shy girl with fair skin, short, very curly, voluminous layered black hair with a bright neon yellow underlayer and thick side-swept wavy bangs, and large round yellow eyes stands awkwardly. Her head is slightly lowered as she nervously clutches a digital work tablet against her chest with both hands, her shoulders slightly hunched. On the right, a cheerful boy with long, orange hair tied in a single braid, a prominent ahoge, and bright blue eyes stands confidently in front of her. He has a playful smile, with one hand resting on his hip and the other raised in a friendly greeting, leaning forward slightly. Both wear matching dark gray retro-futuristic worker uniforms with structured high collars, long sleeves, fitted waists, straight trousers, concealed zippers, and subtle geometric paneling, each with a metallic identification badge on the chest. They stand before a metallic workstation with glowing blue control panels, surrounded by storage containers and industrial equipment. The soft cinematic lighting highlights the contrast between their nervous and confident expressions, creating a natural character interaction within the sterile dystopian environment.
wptdoaobskhe
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