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AI artwork featuring #Hatsune Miku and #Vocaloid
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Hatsune Miku, Vocaloid

AI art by cho1yul on PixAI. Made with Tsubaki.3.

#Hatsune Miku#Vocaloid
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character: hatsune_miku 1girl, hatsune miku, solo, full body, full-body concert shot, wide shot, from below, low angle, dutch angle, twintails, very long hair, floor-length twintails, twin tails reaching down to her feet, aqua hair, teal hair, hair between eyes, hair ornament, teal eyes, aqua eyes, looking up, open mouth, wide-eyed, grin, dazzling performance, singing, arm outstretched, outstretched arm, holding microphone, holding microphone stand, gray shirt, collarless shirt, long sleeves, gray pleated skirt, teal necktie, thigh-high boots, teal nail polish, painted fingernails, manicure, stage, concert, stage lights, turquoise lighting, bright turquoise stage lighting, spotlight, lens flare, floating particles, confetti, dynamic pose, looking at viewer, arms up The camera sits low on the stage floor and tilts up at a dutch angle, so the girl towers over the lens with the truss rig and a bank of turquoise lamps fanning out behind her shoulders. Her weight is on her back right leg, left leg stepped forward with the boot's sole planted flat and the heel lifted just off the deck; her torso twists at the waist toward the audience and her left arm sweeps out and up, palm open, while her right hand grips a microphone stand at chest height, fingers wrapped around the shaft, one fingertip of teal-lacquered nail pressed to the metal. Her chin is lifted, eyes wide and looking up past the lamps into the dark of the hall, mouth open mid-note, a bright grin pulling one corner higher than the other. Her teal twin tails are enormous, gathered high on her head in two ornaments and falling in a single uninterrupted line past her hips and knees all the way down to her ankles, the ends sweeping the stage floor and drifting sideways with the air pushed off the monitor speakers. Between the tails, strands fall over her forehead down to her brows. Her gray shirt is collarless โ€” the neckline is a plain bare round of fabric at the throat with nothing knotted there but the teal necktie, which hangs straight down the shirt front and flips its tip as she moves. The gray pleated skirt flares and the pleats separate in a fan as the twist carries through her hips, each fold catching the turquoise light on one face and going deep cool shadow on the other. The thigh-high boots climb her legs to mid-thigh, their tops leaving a bare band of skin between boot and skirt hem. The turquoise lamps are the only light: hard beams from below and behind lay turquoise along the underside of her jaw, her forearms, the crests of her boots and the leading edges of the pleats, while a thin cool rim traces the outside of either tail. Her cast shadow is thrown long and low up the back wall of the stage, and the haze in the air is visible only where the beams cut through it โ€” a fine drifting scatter of dust and confetti that brightens as it crosses each beam. The floor is dark glossy stage deck, and the turquoise pools on it, doubled and broken by her boots. Palette held to two families: turquoise in light, hair, tie and nails; neutral gray in shirt, skirt and the shadow side of everything, over near-black deck. Her hair and the lamps are the only saturated chroma in the frame, and the nails catch the smallest pinpoints of it. Radiant, electric.
Show Parameters
Original Prompt
ํ•˜์ธ ๋„ค ๋ฏธ์ฟ , ๋ฐœ๋๊นŒ์ง€ ๋‹ฟ๋Š” ์ฒญ๋ก์ƒ‰ ํŠธ์œˆํ…Œ์ผ๊ณผ ์ฒญ๋ก ๋ˆˆ๋™์ž, ์ฒญ๋ก ๋งค๋‹ˆํ์–ด๊ฐ€ ํŠธ๋ ˆ์ด๋“œ๋งˆํฌ์ธ ๊ฐ€์ƒ ์•„์ด๋Œ ์†Œ๋…€๊ฐ€, ํšŒ์ƒ‰ ์นผ๋ผ๋ฆฌ์Šค ์…”์ธ ์™€ ํ”Œ๋ฆฌ์ธ  ์Šค์ปคํŠธ, ์ฒญ๋ก ๋„ฅํƒ€์ด์™€ ์‚ฌ์ดํ•˜์ด ๋ถ€์ธ  ์ฐจ๋ฆผ์œผ๋กœ ๋ฐ์€ ํ„ฐํ‚ค์ƒ‰ ๋ฌด๋Œ€ ์กฐ๋ช…์„ ๋ฐ›์œผ๋ฉฐ ๋ˆˆ๋ถ€์‹  ํ’€๋ฐ”๋”” ์ฝ˜์„œํŠธ ์ƒท์— ๋‹ด๊ฒจ ์žˆ์Šต๋‹ˆ๋‹ค.
Mode
pro
Quality Tag
๏นPrompts๏นž
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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AI artwork
mh
character: hatsune_miku 1girl, solo, hatsune miku, aqua hair, very long hair, floor-length twintails, aqua eyes, aqua nails, painted fingernails, grey shirt, collarless shirt, necktie, aqua necktie, pleated skirt, thighhighs, boots, thigh boots, full body, from below, dutch angle, wide shot, concert, stage, stage lights, turquoise lighting, singing, holding microphone, arm up, head tilt, looking up, open mouth, :d, dynamic pose, hair between eyes, hair ornament, detached sleeves, bare shoulders, sleeveless shirt, backlighting, rim lighting, lens flare, depth of field Low-angle wide shot skewed on a slight dutch tilt, the whole figure of the singer standing full length from the toes of her boots to the tips of her twintails in one frame against the concert stage. She is caught mid-note, spine arched a little back, weight loaded on her right leg while the left boot pushes forward onto the ball of the foot; her right arm is flung up and out toward the bank of stage lights, fingers splayed so the aquamarine nails catch the glow, and her left hand grips a microphone at chest height, forearm crossing her ribcage. Her chin lifts, one side of her jaw catching the light, open-mouthed grin with the upper teeth showing, both eyes angled up along the light beam rather than at the lens. The two aquamarine twintails fall nearly to the stage floor, the one on the far side swinging across her back and out of the frame edge, the near one caught in the rising air so it bellies away from her hip; loose strands lift at the crown. The grey collarless shirt is open at the throat with nothing at the neck but the aquamarine necktie hanging slightly askew in motion, its knot pulled a touch to the left; the pleated skirt flares out to her right as she turns against it, pleats splaying and stacking. Thigh-high boots climb past the knee, their tops compressed very slightly where the skirt hem grazes them. The lighting is the whole world of the picture: a bank of turquoise stage lights behind and above her right shoulder is the only source, so the rim of her hair, the edge of the shirt shoulder and the top plane of the boots glow aquamarine while her front falls into a cool deep-teal shadow, her face lit only by the bounce coming up off the stage floor. Light spills through the haze of theatrical fog in visible cones and picks out drifting dust motes. Behind her, the dark stage recedes into unlit blackness with only the faintest suggestion of scaffolding and a curved rig of unlit lamps, deliberately illegible. Turquoise bleeds into deep cyan and near-black; no other hue is admitted except the white of the stage haze and the grey of the shirt. A single detail holds the physics: her thrown-back shadow lands on the stage floor stretched long and narrow by the low angle, its edge pooling where the fog has settled closest to the boards. Electric, uplifting.
Matheus Henrique
AI artwork
mh
character: hatsune_miku 1girl, solo, hatsune miku, aqua hair, very long hair, floor-length twintails, aqua eyes, aqua nails, painted fingernails, grey shirt, collarless shirt, necktie, aqua necktie, pleated skirt, thighhighs, boots, thigh boots, full body, from below, dutch angle, wide shot, concert, stage, stage lights, turquoise lighting, singing, holding microphone, arm up, head tilt, looking up, open mouth, :d, dynamic pose, hair between eyes, hair ornament, detached sleeves, bare shoulders, sleeveless shirt, backlighting, rim lighting, lens flare, depth of field Low-angle wide shot skewed on a slight dutch tilt, the whole figure of the singer standing full length from the toes of her boots to the tips of her twintails in one frame against the concert stage. She is caught mid-note, spine arched a little back, weight loaded on her right leg while the left boot pushes forward onto the ball of the foot; her right arm is flung up and out toward the bank of stage lights, fingers splayed so the aquamarine nails catch the glow, and her left hand grips a microphone at chest height, forearm crossing her ribcage. Her chin lifts, one side of her jaw catching the light, open-mouthed grin with the upper teeth showing, both eyes angled up along the light beam rather than at the lens. The two aquamarine twintails fall nearly to the stage floor, the one on the far side swinging across her back and out of the frame edge, the near one caught in the rising air so it bellies away from her hip; loose strands lift at the crown. The grey collarless shirt is open at the throat with nothing at the neck but the aquamarine necktie hanging slightly askew in motion, its knot pulled a touch to the left; the pleated skirt flares out to her right as she turns against it, pleats splaying and stacking. Thigh-high boots climb past the knee, their tops compressed very slightly where the skirt hem grazes them. The lighting is the whole world of the picture: a bank of turquoise stage lights behind and above her right shoulder is the only source, so the rim of her hair, the edge of the shirt shoulder and the top plane of the boots glow aquamarine while her front falls into a cool deep-teal shadow, her face lit only by the bounce coming up off the stage floor. Light spills through the haze of theatrical fog in visible cones and picks out drifting dust motes. Behind her, the dark stage recedes into unlit blackness with only the faintest suggestion of scaffolding and a curved rig of unlit lamps, deliberately illegible. Turquoise bleeds into deep cyan and near-black; no other hue is admitted except the white of the stage haze and the grey of the shirt. A single detail holds the physics: her thrown-back shadow lands on the stage floor stretched long and narrow by the low angle, its edge pooling where the fog has settled closest to the boards. Electric, uplifting.
Matheus Henrique

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