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crisleo2019
AI art by crisleo2019 on PixAI. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- 1 grown girl, black hair, short wavy hair, black eyes, white long-sleeved shirt, red sleeveless suetee, down hoodie, black baggy pants with white stripes, red and white sneakers,
- Mode
- flash
- Size
- 1408 x 1408
Prompt Helper
Model & LoRA used
Similar Images
Show more1girl, solo, adult woman, black hair, short hair, wavy hair, black eyes, white long-sleeved shirt, red sleeveless sweater, sleeveless sweater over long sleeves, down hoodie, unzipped hoodie, black baggy pants, white stripes on pants, red and white sneakers, standing, weight on one leg, hands in pockets, head tilt, from below, cowboy shot, dutch angle, looking down at viewer, smug, one eyebrow raised, :d, rooftop, night, city lights below, cold air, breath visible, collar of hoodie turned up, wind lifting short wavy hair, sweater hem over shirt, sneaker toes at edge of ledge,
The camera looks up from below at a sharp dutch angle, cropping her at mid-thigh, so the night sky and the dark faces of the buildings behind her lean over the frame instead of sitting level. One grown woman stands on the top step of a concrete stair that comes up onto the roof; she has shifted her weight onto her left leg, right knee loose and slightly forward, one red-and-white sneaker planted flat and the other set a half-step down so the ledge edge cuts across the sole. Her hands are pushed deep into the front pockets of the black baggy pants, thumbs hooked at the seam, pulling the fabric into wide slack folds that break over the sneakers; the white stripes run down the outside of each leg, interrupted at the knee crease and at the pocket bulge. The white long-sleeved shirt is buttoned to just under the jaw and its cuffs show at her wrists where the sleeves of the down hoodie stop short; the red sleeveless sweater is pulled on over the shirt, its ribbed hem bunching at her hips, and the down hoodie is worn open and unzipped over both, quilted channels swelling in the cold and its collar turned up against the wind. Her black hair is short and wavy, cropped above the jaw, strands lifted and blown across her temple, and the hood lies flat down her back, unfilled. Her chin is tipped down toward the camera, black eyes fixed on the lens from under her brow, one eyebrow arched higher than the other, and a lopsided open grin pulls one corner of her mouth wide while the other stays lower; a thin curl of breath leaves her lips and dissolves. The only light comes from the city below and behind her: warm sodium and cool LED glow rising from the street far under the ledge, rimming the outer edge of her jaw, the top of the quilted shoulder, the white stripes and the sneakers' white toe caps, while the fronts of her clothes and her face fall into soft shadow broken only by that upward bounce; no lamp exists on the roof itself. Below her, the railing on the roof's far edge, the water tank and the antenna masts read as flat silhouettes, and beyond them the windows of other towers repeat in diminishing scale, small and indistinct. Palette: black, white and red only -- black in the hair, pants and hoodie shell, white in the shirt, the stripes and the sneaker panels, red in the sweater, the sneaker accents and the city's sodium haze -- with the cool blue-grey of night air filling the negative space. Effortlessly cool, with a flicker of mischief.
crisleo2019
l
26.11.07
Louen
1girl, solo, black hair, short hair, wavy hair, black eyes, white shirt, long sleeves, red sweater, sleeveless sweater, hoodie around waist, clothes tied around waist, black pants, baggy pants, striped pants, white stripes, red footwear, white footwear, sneakers, high-top sneakers, from below, low angle, cowboy shot, standing, one leg forward, weight on one hip, hands in pockets, head tilt, looking down at viewer, sideways glance, raised eyebrow, lopsided smirk, wind, hair blowing, outdoors, empty street, overcast
The camera sits low and close, tilted up from knee height so the girl's red-and-white sneakers plant huge in the near foreground on rain-dark asphalt, the striped seams of her baggy black pants converging up toward her hips. She stands three-quarter to the lens with one trainer planted flat and the other heel lifted, all her weight riding the back hip, both hands shoved deep in her pant pockets so the red sleeves of the sleeveless sweater pull taut across her shoulders and the white long sleeves bunch at her wrists. The hoodie is knotted around her waist by its sleeves, its slack body hanging behind her hip like a little skirt; the wind snaps its empty hood sideways and pushes her short black waves across one temple. Her chin is tipped down toward the low lens, brows cocked unevenly, mouth pulled into a one-sided smirk, a sliver of dark eye catching the flat grey light from under her lashes.
Above her the sky is a low lid of cloud, so the light is wide and soft and shadowless except where it pools brightest on the white shirt cuffs, the red of the sweater, and the wet stripes down her trousers; a thin film of water in the gutter mirrors her sneakers a shade darker and softer than the real soles. Behind her the empty street recedes into pale grey haze with only illegible shop lettering, keeping every edge of the frame quiet so her black, white and red silhouette owns the picture. Left trouser cuff is soaked to the ankle from a puddle she just cleared, its ripple rings still widening. Effortlessly cool, quietly defiant.
crisleo2019
рr
character: mashiro_meme, copyright: nijisanji
1girl, solo, mashiro meme, short black hair, yellow eyes, hair ornament, femboy unisex clothes, loose oversized white shirt worn open over a plain tank top, soft knit longline cardigan, slim black tapered trousers cropped above the ankle, chunky sneakers, red scarf loosely looped at the open collar, standing, full-body vertical portrait, centered in frame, close-up framing, cowboy shot depth, night, twilight sky, evening city intersection, japanese cityscape, mid-rise buildings, traffic lights, street lamps, cars, road markings, overhead power lines, warm city lights against cool blue tones, atmospheric lighting, detailed urban background, looking down, downcast gaze, calm tired expression, subtle blush, relaxed posture, contrapposto, hands in pockets, shoulders slightly dropped, from below, dutch angle, solo focus, anime illustration, semi-realistic style, expressive linework, soft painterly shading, melancholic city mood
Seen from a low angle tilted slightly off level, the single figure stands centered on the pedestrian island of an evening Japanese city intersection, her full body running from the chunky sneakers planted on the wet asphalt up through the frame. Her weight rests on her left leg, the right knee eased forward and the right hip dropped, both hands pushed loosely into the cardigan pockets so the oversized white shirt hangs open; the shirt's loose tail lifts a little at one corner in the crosswind. Her chin is tipped down, yellow eyes cast toward the road markings at her feet rather than the lens, eyelashes low, a faint warmth of blush sitting on the cheekbones; the corners of her mouth stay soft and level in a calm, tired line, one brow a fraction higher than the other. The red scarf is looped once at the open collar, its short end hanging still.
Behind and around her the intersection opens out: mid-rise buildings stacked in receding depth on both corners, their windows lit in small warm rectangles, a pedestrian signal and a three-lamp traffic light glowing on the near pole, street lamps dropping warm pools onto the crossing, two cars waiting at the stop line with headlights smeared low across the tarmac, white road markings stretching toward the vanishing point, and overhead power lines crossing the twilight sky in taut black lines that sag between poles. The sky above the rooftops is deep cool blue fading to a thin band of dusk warmth, and the city's artificial light — amber signage, sodium lamps, tail lights — burns warm against that blue, so every lit surface reads gold-orange while the shadows and the sky hold blue. The lamps are the scene's light; they throw a short soft shadow from the figure across the wet ground, and the reflection of the traffic lights in the puddles is dimmer and softer than the lamps themselves.
The palette holds to cool blue-grey in the sky, buildings and shadow, warm amber in every lamp, window, headlight and sign, the red scarf as the one saturated accent at her throat, and the white of her shirt catching the nearest lamp. Linework is expressive, the contours clean against the painterly shading, and the background is rendered in fine detail until it softens into the blue distance. Quiet, melancholic, softly luminous.
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