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AI art "Serena as a mermaid" featuring #Bikini, #Breasts, #brown hair, #from above, #Lamia, #blue eyes, #Jewelry, #Girl, #Indoors, #Serena and #Closed mouth
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Serena as a mermaid

Serena as a mermaid AI art by michi schueb on PixAI. Tags: brown hair, from above, Lamia, blue eyes, Jewelry, Indoors. Made with Tsubaki.3.

#Breasts#brown hair#from above#Lamia#blue eyes#Jewelry#Girl#Indoors#Serena#Closed mouth
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character: serena_(pokemon) 1girl, solo, serena_(pokemon), long brown hair, very long hair, low-tied long hair, blue eyes, long eyelashes, mermaid, sitting, sitting on floor, corner, room corner, two walls meeting, smiling, looking at viewer, at camera, closed mouth smile, 20 metres long tail, enormous fish tail, mermaid tail, scales, tail coiled around the room, tail filling the floor, from above, high angle, three-quarter view, head tilted up, hands on floor, arm support, bare shoulders, seashell top, bare arms, looking up, warm smile, soft blush, dutch angle, wide shot Shot from above and slightly behind her left shoulder, the camera looks down into a bare room's corner where two pale walls meet at a clean vertical seam. Serena sits on the floor with her back fitted into that corner, hips settled against the angle of the two walls, shoulders not quite touching either surface, one hand flat on the floorboards for balance and the other resting loose on her own hip above where skin gives way to scale. She is a mermaid below the waist: a blue-green scaled tail as thick as a barrel at the join and tapering over an absurd twenty metres, and the room cannot hold it politely โ€” it sweeps out of the corner, bends along the baseboard of the left wall, crosses the floor, doubles back along the right wall and disappears under the frame of the shot, so the size reads not from her but from how many times the tail's length leaves and re-enters the picture. A single dorsal ridge of fin runs the whole visible length, and the flat of the tail presses the boards so its weight shows as a broad contact shadow. Her head tips back and up toward the lens, chin lifted by the high camera, brown hair โ€” very long, tied low at the nape โ€” falling over one shoulder and pooling on the floor behind her hip, loose strands sticking to the wall seam. Her blue eyes are aimed straight down the lens, both of them, and her smile is warm, closed, genuinely pleased rather than posed: cheeks lifted, lashes low at the outer corners, one brow a fraction higher than the other. Her shoulders are bare, a simple dark seashell top the only garment, and the red of a hat is nowhere in frame โ€” no hat, no sunglasses, no white frames, nothing on her head but hair. The light is a single hard window source from the upper right, out of frame: it strikes the crown of her head, the tops of her shoulders and the upper curve of the tail, throws a crisp diagonal of brightness across the floorboards, and leaves the corner's lower wedge and the far coils of the tail in deep cool shade. Palette is restricted to the blue-green of the scales, the warm brown of her hair, the ivory of the walls and the honey of the lit floor. The tail's scales catch a narrow specular band only along the ridge where the light grazes them, flat and dark everywhere the light does not reach. Quiet, sunlit, gently absurd.
Show Parameters
Original Prompt
Serena from pokemon 20metres Long tail Smiling in the Camera sitting in the corner as an mermaid
Mode
ultra
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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AI artwork
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character: serena_(pokemon) giant, size_contrast, enormous, tall female, 1girl, solo, mermaid, long hair, brown hair, blonde highlights in hair, very long hair, low-tied long hair, blue eyes, long eyelashes, red hat, white-framed sunglasses on headwear, sleeveless, red skirt, black thighhighs, sitting, sitting in corner, corner of room, knees up, tail curled around, fish tail, scales, smiling, smile, looking at viewer, at camera, from below, wide shot, cowboy shot, dutch angle, towering, ceiling framing, indoor, room corner, walls converging, hard light The view is a low, tilted wide shot from just above floor level, the camera aimed up at a diagonal so the two walls of an empty room's corner converge behind her and the ceiling line cuts in at the top edge. Serena sits on the floor wedged deep into that corner, her back against the two meeting walls, her bare shoulders and upper back pressed into the seam, the red hat still on her head with the white-framed sunglasses pushed up onto its brim, her long light-brown hair with its blonde-tinged strands spilling out from the low tie and pooling across the floorboards on both sides of her. Her face fills the upper half of the frame and tips down toward the lens, blue eyes meeting the camera directly, lips parted in an open, sunny smile, a single strand of hair falling across one cheek, her head tilted slightly with one shoulder hitched higher against the wall. She is two thousand centimetres tall and the room has been built around that fact: her sleeveless torso rises the full height of the wall, her head close under the ceiling, and the scale is read in the small things at the bottom of the frame โ€” a normal-height door frame far off to the left that reaches only her waist, a light switch impossibly tiny beside it, the floorboards running away in exaggerated perspective. Where her hips meet the floor the red skirt bunches against the skirting board, her black thighhighs disappear beneath it, and from below the skirt line a single enormous mermaid tail sweeps out of the corner and curls forward across the floor in a wide arc toward the viewer, its scales catching the light in overlapping blue-green plates, the fluke lying flat and heavy half a room away. One hand rests palm-down on the curve of the tail near her hip, fingers spread; the other is braced flat on the floor beside her, elbow locked to hold her upright in the corner. The only light comes from a high window out of frame on the right: it rakes down the right-hand wall, strikes the right side of her face and the right shoulder, glints along the top ridge of the tail's scales, and leaves the corner seam behind her and the left side of her hair in deep shadow; the cast shadow of her shoulder and the hat brim falls down the wall to her left. The palette stays cool and close โ€” shadowed grey-blue walls, warm skin, the red of hat and skirt as the single saturated note, and the teal-green of the scales repeating it quietly. Her tail's tip, resting where the sun reaches it, throws a soft green reflection up onto the baseboard. Warm, playful, oversized presence.
michi schueb

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