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AI artwork featuring #The Idolmaster, #Gakuen Idolmaster and #Katsuragi Lilja
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Katsuragi Lilja, The Idolmaster

AI art by 狐 on PixAI. Tags: Gakuen Idolmaster. Made with Tsubaki.3.

#The Idolmaster#Gakuen Idolmaster#Katsuragi Lilja
狐
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character: katsuragi_lilja 1girl, solo, katsuragi_lilja, grey hair, short hair, half-up braid, braid, blue hair ribbon, blue eyes, latex maid outfit, black latex maid dress, frilled apron, maid headdress, black latex elbow gloves, long gloves, gold paint, paint on body, gold paint on chest, gold paint on face, both hands rubbing gold paint, upper body close-up, facing forward, looking up at viewer, from below, wide open mouth, lewd mouth, tongue, embarrassed, blush, heavy blush, sweat, half-closed eyes, trembling, spoken_heart, latex sheen, glossy, studio light, The view is a tight upper-body close-up taken from slightly below, the camera close enough that the maid's collarbones and the tops of her shoulders fill the lower frame while her chin and lifted gaze sit near the upper third. She faces the camera dead-on, chest square to the lens, but her head tilts back a little so that her eyes roll up toward the viewer from under half-lowered lids, the classic upturned glance held and deliberate. Her grey hair is short at the nape and gathered into a half-up braid that loops back over her crown, tied with a blue ribbon; a second blue ribbon trims the braid and swings forward past her cheek as she moves. Her mouth is open very wide, jaw dropped, tongue visible at the front of the opening, the corners pulled in a way that reads as obscene rather than a smile; a deep flush spreads from her cheeks to her ears and down her throat. Both black latex-gloved hands are at work on her own chest: the right palm presses flat against her sternum, dragging a wet smear of gold paint upward, and the left hand curls lower, fingertips hooked under the edge of the latex bodice, spreading paint across the skin above the neckline. Gold paint is already smeared in streaks across her cheeks, one dab at the corner of her mouth, and a long run down her throat into the collar of the dress. Her elbows are bent and held slightly out from her body, shoulders raised and tense, weight shifted onto her back foot so her torso arches a little toward the lens. The latex maid outfit clings to her: a black glossy bodice with a white frilled apron bib, a small white headdress perched on the braid, puffed short sleeves ending where the long black latex gloves begin just above the elbow. The gloves shine and crease at the wrist and knuckles where the paint has not yet reached. Light comes from one soft studio source above and slightly in front, so the highlights run in hard white lines down the black latex along her arms, shoulders and the curve of the bodice, while the gold paint catches a warmer, dimmer gleam and the shadow side of her neck falls into deep matte darkness. The background is a seamless empty charcoal-grey field, no props, no set, everything pushed to the figure. The one piece of physics in the frame: the gold paint on her chest is still wet, its surface sitting in a soft pool that clings to the swell of skin before breaking into the run that slides down toward the neckline, and the glove's last stroke has left a thinning, tacky edge where the paint peels up under the latex. Beside her face, a small hand-drawn heart floats in a speech bubble. Intimate, obscene, embarrassingly hot.
Show Parameters
Original Prompt
葛城リーリヤ、ラテックスメイド服、黒ラテックスの長手袋、上半身アップ、両手で金の絵の具を塗り込む、赤面、恥ずかしがる、正面を向く、口を大きく開ける、上目遣い、口をエロく大きく開ける
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.57k

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AI artwork
狐
character: katsuragi_lilja 1girl, solo, upper body close-up, facing forward, looking up, from below, grey hair, short hair, half-up braid, braid, blue ribbon, blue eyes, latex maid outfit, black latex gloves, drinking through a straw, drinking gold paint, straw in mouth, gold paint on face, gold paint on hands, paint smeared on cheeks, paint dripping off chin, blush, embarrassed, furrowed brows, sweatdrop, wide-eyed, half-closed eyes, shoulders raised, hunched posture, elbows tucked in, holding glass, glass of gold paint, latex sheen, specular highlights, dark background, single light source The camera sits low and close, looking up at her from just below chest height, so the frame holds her head, shoulders, upper arms and the glass at her chin and nothing below the waist. She faces the lens dead-on, but her eyes roll up under her lashes toward the viewer while her chin stays lowered, a shy and flustered upward gaze. Her short grey hair frames a narrow face, the small braid at her crown pulled up into a half-up braid tied with a blue ribbon that sits just behind her ear; the ribbon's tails dip toward her shoulder. Her blue eyes are wide and watery, brows drawn together and slightly furrowed, a hot blush spread across both cheeks and the bridge of her nose, her lips sealed tight around a clear plastic straw. Behind her shoulders both arms are bent and pulled in close to her body, elbows tucked defensively toward her ribs. Her hands, in tight black latex gloves that gleam along the knuckles and reflect a long white highlight down each finger, wrap both sides of a short clear tumbler held level at her collarbone. She is drinking from that glass: the tumbler is half full of a heavy, opaque gold paint, and the straw runs from the liquid up into her mouth, the gold level in the straw visibly a hair higher than the level in the glass, the paint clinging to the straw's inner wall and slowly sliding back down. The maid outfit is black latex throughout, with a white latex apron across the chest, thin white latex frills along the shoulder straps and a white latex headband, every surface of it catching a hard gloss that runs down the apron's folds in one crisp streak. Her face is a mess of that same gold: gold paint smeared in streaks across both cheeks, daubed over her chin and the tip of her nose, one slashed smear across her left cheekbone, and thickened gold dripping in a slow bead off her jaw. Both black-gloved hands carry the gold too, gold paint smeared across the fingers and thumbs, paint pooled in the crease of one glove and a runnel sliding down her wrist toward the cuff. The lighting is one soft key from above and slightly to her right, so the gloss on the latex, the wet shine on the paint and the thin shine on her lower lip all align along the same highlight; a firm shadow drops under her chin and beneath the glass, and her cast shadowed jaw falls across the glossy apron. The background is a flat, dark, near-black warm brown, featureless, so the gold and the wet latex highlights are the only bright points in the frame. Palette restricted to black latex, white latex trim, the grey of her hair, the hot pink blush, and the single saturated gold of the paint; nothing else is admitted. The straw's slight upward bow of liquid against the glass's own level is the only thing moving. Flustered, glossy.
狐
#The Idolmaster#Gakuen Idolmaster#Katsuragi Lilja
AI artwork
狐
character: katsuragi_lilja 1girl, solo, upper body close-up, facing forward, looking up, from below, grey hair, short hair, half-up braid, braid, blue ribbon, blue eyes, latex maid outfit, black latex gloves, drinking through a straw, drinking gold paint, straw in mouth, gold paint on face, gold paint on hands, paint smeared on cheeks, paint dripping off chin, blush, embarrassed, furrowed brows, sweatdrop, wide-eyed, half-closed eyes, shoulders raised, hunched posture, elbows tucked in, holding glass, glass of gold paint, latex sheen, specular highlights, dark background, single light source The camera sits low and close, looking up at her from just below chest height, so the frame holds her head, shoulders, upper arms and the glass at her chin and nothing below the waist. She faces the lens dead-on, but her eyes roll up under her lashes toward the viewer while her chin stays lowered, a shy and flustered upward gaze. Her short grey hair frames a narrow face, the small braid at her crown pulled up into a half-up braid tied with a blue ribbon that sits just behind her ear; the ribbon's tails dip toward her shoulder. Her blue eyes are wide and watery, brows drawn together and slightly furrowed, a hot blush spread across both cheeks and the bridge of her nose, her lips sealed tight around a clear plastic straw. Behind her shoulders both arms are bent and pulled in close to her body, elbows tucked defensively toward her ribs. Her hands, in tight black latex gloves that gleam along the knuckles and reflect a long white highlight down each finger, wrap both sides of a short clear tumbler held level at her collarbone. She is drinking from that glass: the tumbler is half full of a heavy, opaque gold paint, and the straw runs from the liquid up into her mouth, the gold level in the straw visibly a hair higher than the level in the glass, the paint clinging to the straw's inner wall and slowly sliding back down. The maid outfit is black latex throughout, with a white latex apron across the chest, thin white latex frills along the shoulder straps and a white latex headband, every surface of it catching a hard gloss that runs down the apron's folds in one crisp streak. Her face is a mess of that same gold: gold paint smeared in streaks across both cheeks, daubed over her chin and the tip of her nose, one slashed smear across her left cheekbone, and thickened gold dripping in a slow bead off her jaw. Both black-gloved hands carry the gold too, gold paint smeared across the fingers and thumbs, paint pooled in the crease of one glove and a runnel sliding down her wrist toward the cuff. The lighting is one soft key from above and slightly to her right, so the gloss on the latex, the wet shine on the paint and the thin shine on her lower lip all align along the same highlight; a firm shadow drops under her chin and beneath the glass, and her cast shadowed jaw falls across the glossy apron. The background is a flat, dark, near-black warm brown, featureless, so the gold and the wet latex highlights are the only bright points in the frame. Palette restricted to black latex, white latex trim, the grey of her hair, the hot pink blush, and the single saturated gold of the paint; nothing else is admitted. The straw's slight upward bow of liquid against the glass's own level is the only thing moving. Flustered, glossy.
狐
#The Idolmaster#Gakuen Idolmaster#Katsuragi Lilja
AI artwork
狐
character: katsuragi_lilja 1girl, solo, katsuragi_lilja, grey hair, short hair, half up braid, braid, blue ribbon, ribbon braid, blue eyes, latex maid outfit, black latex elbow gloves, upper body close-up, facing forward, presenting palms, holding palms out toward viewer, open palms, palm up, blush, embarrassed, full-face blush, wide open mouth, open mouth, from front, from below, close-up, looking at viewer, sweatdrop, trembling, shaky hands, clenched teeth, shiny latex, latex sheen, high collar, maid headdress, apron, puffy short sleeves, warm interior light, empty background The camera looks up at her from slightly below, chest-up close-up, and she faces the viewer dead on: her shoulders square to the lens, her chin pulled back a little as if she wants to retreat, her upper body filling the frame so that the crop cuts her just under the ribs and the black latex of her maid bodice and its apron catch a tight hard sheen along every curve. Both arms are thrust forward at chest height, sleeves of glossy black latex running from her wrists up past her elbows in a single reflective tube that bunches in fine creases at the inner elbow, and both hands are turned palm to the viewer, fingers splayed wide and slightly apart, thumbs low, the gloved palms angled outward so the light slides across them as dark mirrors with a wet-looking white highlight; the near palm sits a little larger than the far one because of the upward camera. Her fingers tremble — the tips of the near hand are separated by a hair's width more than the far hand's, and the latex wrinkles in small radial folds at the base of each finger where the grip is fighting itself. Her face is fully in the red: an even flush covers cheeks, nose bridge and both ears, darkest across the cheekbones and fading to the jaw. Her mouth is open wide, an oval of dark interior with the upper teeth showing and the tongue lifted, caught at the top of a flustered protest rather than a word; her brows are pulled up and in at the inner ends, and her eyes are wide, wet at the lower lid, locked straight on the viewer with the embarrassment of someone caught doing exactly what she was told to do. Her grey hair is gathered in a half-up braid, the blue ribbon tied at the crown above the braid, the tail of the braid falling forward over her right shoulder and swinging slightly out from her neck because of the tilt of her head; short strands at her temples stick out from the sudden movement. Beyond her the room is held out of focus and dim, only a soft warm wall behind her shoulders, so that all the light sits on her: one warm lamp from the front-left, striking the latex in narrow highlights along her left collar, left sleeve and left palm, leaving the right side of her bodice in a deep soft falloff, and her face lit evenly enough that the blush is the warmest thing in the picture. Everything she wears is the black of the gloves and the maid dress, broken only by the blue ribbon, the flush and the white of her teeth. Flustered, caught off guard.
狐

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