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AI artwork featuring #Ensemble Stars! and #Mao Isara
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Mao Isara, Ensemble Stars!

AI art by Tomoda on PixAI. Made with Tsubaki.3 Flash.

#Ensemble Stars!#Mao Isara
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Tomoda

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character: isara_mao character: isara_mao 1boy, 2boys, male focus, isara_mao, short red hair, curtained hair, bangs pinned back, green eyes, half-lidded eyes, heavy blush, flushed face, sweat, trembling, biting lower lip, flustered, ashamed, distressed, looking at viewer, standing, facing viewer, Yumenosaki school uniform, white dress shirt, dark green blazer with gold trim, necktie, dark trousers, hands at sides, clenched fists, from outside, through glass, glass door reflection, crowded train interior, train interior, commuter train, strap hangers, train window with night city, faceless male, faceless businessman, young man, short black hair, grey suit, white shirt, dark tie, standing behind, chest pressed against back, hand on ass, hand on crotch, groping, molestation, clothed sex, hands on another's hips, body pressed together, sweat, heavy breathing, motion lines, trembling, seductive atmosphere, lewd atmosphere, pov through glass, medium shot, cowboy shot, depth of field, spoken_heart The camera sits outside a night train on the platform side, looking in through the closed glass door: the door frame's two vertical mullions cut the composition into panels and one mullion crosses just left of the standing boy's shoulder, a faint ghost of the viewer's own silhouette and the platform's fluorescent tubes reflected on the glass while everything beyond it stays clearly readable. Inside, the train is packed: commuters in dark coats and scarves fill the left and right edges of the car in soft focus, one strap hanger swings from the overhead rail, and the windows behind them hold streaks of city light and black tunnel. The boy stands dead centre facing the glass and the viewer, feet planted close together, weight rocking onto the balls of his feet as though he can't hold still; his short red hair, bangs pinned back off his forehead, sticks to his temple with sweat, and his green eyes are half-lidded and glossy, looking straight at the viewer through the glass. His face is deeply flushed from cheeks to ears, his brow knotted, his lower lip caught between his teeth and pulled slightly white at the pressure point, mouth wavering around a held breath. His white dress shirt is rumpled at the collar, the dark green blazer with gold trim riding crooked on one shoulder, his necktie pulled slightly loose and askew, both fists clenched at his sides, knuckles pale, arms rigid; a fine tremor runs through the fabric of his sleeves and shoulders, drawn as small repeated quiver lines along the lapels. Behind him the young businessman โ€” his face entirely cropped out above the boy's shoulder, only a shaved jaw, an ear and the back of a short black-haired head showing โ€” stands with his chest pressed flat to the boy's back, grey suit jacket wrinkled where it meets the blazer, his right hand splayed low over the boy's ass, fingers digging in and compressing the trousers' fabric into creases, his left hand reaching around the front and palming the crotch through the cloth, wrist emerging past the boy's hip. The boy's chin is tilted down, his gaze locked on the viewer's with the plea in it, and his shoulders flinch forward, away from the pressure, while his hips are held in place by the hand behind. Key light is the train's cool green-white ceiling tubes from above, casting the door mullions' thin shadow down the boy's face and chest, with a second warm amber source from the reflected platform lights glinting at the edge of the glass; the darkness sits at the frame's corners and in the packed bodies at the sides, and the glass gives a soft haze over everything inside without flattening it. Palette: sodium-free cool greys and pale green-white on the car interior, the boy's vivid red hair and flushed skin the single warm accent, the businessman in flat charcoal. In the pocket of air beside the boy's flushed face, a small hand-drawn heart in a speech bubble. The hand-drawn linework carries clean cel shading and crisp highlights on the glass, with no grain added. Tense, lewd.
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Original Prompt
character: isara_mao 1boy, 2boys, male focus, isara_mao, short red hair, curtained hair, bangs pinned back, green eyes, half-lidded eyes, heavy blush, flushed face, sweat, trembling, biting lower lip, flustered, ashamed, distressed, looking at viewer, standing, facing viewer, Yumenosaki school uniform, white dress shirt, dark green blazer with gold trim, necktie, dark trousers, hands at sides, clenched fists, from outside, through glass, glass door reflection, crowded train interior, train interior, commuter train, strap hangers, train window with night city, faceless male, faceless businessman, young man, short black hair, grey suit, white shirt, dark tie, standing behind, chest pressed against back, hand on ass, hand on crotch, groping, molestation, clothed sex, hands on another's hips, body pressed together, sweat, heavy breathing, motion lines, trembling, seductive atmosphere, lewd atmosphere, pov through glass, medium shot, cowboy shot, depth of field, spoken_heart The camera sits outside a night train on the platform side, looking in through the closed glass door: the door frame's two vertical mullions cut the composition into panels and one mullion crosses just left of the standing boy's shoulder, a faint ghost of the viewer's own silhouette and the platform's fluorescent tubes reflected on the glass while everything beyond it stays clearly readable. Inside, the train is packed: commuters in dark coats and scarves fill the left and right edges of the car in soft focus, one strap hanger swings from the overhead rail, and the windows behind them hold streaks of city light and black tunnel. The boy stands dead centre facing the glass and the viewer, feet planted close together, weight rocking onto the balls of his feet as though he can't hold still; his short red hair, bangs pinned back off his forehead, sticks to his temple with sweat, and his green eyes are half-lidded and glossy, looking straight at the viewer through the glass. His face is deeply flushed from cheeks to ears, his brow knotted, his lower lip caught between his teeth and pulled slightly white at the pressure point, mouth wavering around a held breath. His white dress shirt is rumpled at the collar, the dark green blazer with gold trim riding crooked on one shoulder, his necktie pulled slightly loose and askew, both fists clenched at his sides, knuckles pale, arms rigid; a fine tremor runs through the fabric of his sleeves and shoulders, drawn as small repeated quiver lines along the lapels. Behind him the young businessman โ€” his face entirely cropped out above the boy's shoulder, only a shaved jaw, an ear and the back of a short black-haired head showing โ€” stands with his chest pressed flat to the boy's back, grey suit jacket wrinkled where it meets the blazer, his right hand splayed low over the boy's ass, fingers digging in and compressing the trousers' fabric into creases, his left hand reaching around the front and palming the crotch through the cloth, wrist emerging past the boy's hip. The boy's chin is tilted down, his gaze locked on the viewer's with the plea in it, and his shoulders flinch forward, away from the pressure, while his hips are held in place by the hand behind. Key light is the train's cool green-white ceiling tubes from above, casting the door mullions' thin shadow down the boy's face and chest, with a second warm amber source from the reflected platform lights glinting at the edge of the glass; the darkness sits at the frame's corners and in the packed bodies at the sides, and the glass gives a soft haze over everything inside without flattening it. Palette: sodium-free cool greys and pale green-white on the car interior, the boy's vivid red hair and flushed skin the single warm accent, the businessman in flat charcoal. In the pocket of air beside the boy's flushed face, a small hand-drawn heart in a speech bubble. The hand-drawn linework carries clean cel shading and crisp highlights on the glass, with no grain added. Tense, lewd.
Mode
flash
Size
992 x 992
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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ๆŸš้‡Ž
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