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ๆฏ่่ ใซใผใซ
AI art by ๆฏ่่ ใซใผใซ on PixAI. Made with Tsubaki.3 Flash.
Show Parameters
- Mode
- flash
- Style
- Chibi
- Size
- 1632 x 1232
Style: Chibi
Model & LoRA used
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3girls, 1boy, multiple girls, man in the center, two brides flanking him, kiss on cheek, kissing both cheeks, heart-shaped eyes, heart-shaped pupils, love-struck expression, brides kissing his left and right cheek, cleavage, heart-shaped light frame, heart frame, floating hearts, hearts everywhere, hugging, arm around waist, closed eyes on brides, blush, wedding dress, veil, strapless dress, bouquet, from below, looking at viewer, cowboy shot, warm pastel palette, soft glow, sparkling, sticker-like composition, chibi.
Shot from slightly below in a tight cowboy framing, a young man stands at the exact center of the image, his shoulders squared to the camera, chin lifted a little, his head tipped back with bliss. A bride leans in on his left and a bride leans in on his right, the three of them pressed shoulder-to-shoulder; each bride's near hand cups the far side of his jaw so his head cannot turn, and each bride's lips are flattened against one of his cheeks, the cheek flesh dimpling softly under the pressure. The brides' eyes are shut in the middle of the kiss, lashes fanned down, mouths curved even while pressed to skin; the man's eyes are wide open and each iris has gone entirely heart-shaped, glossy, glowing faintly, both points aimed straight at the viewer. His own mouth is open in a small helpless laugh, brows drawn up and inner corners raised. On the left bride: a soft blonde updo with a short veil pinned at the crown, a strapless ivory gown whose sweetheart neckline sits low; on the right bride: dark hair in a loose side-swept chignon, the same strapless ivory bodice. Both necklines are cut low and their collarbones and the curve of their cleavage read clearly, shoulders bare, the skin warm and shaded across the upper chest. The man wears a plain white shirt with the top buttons open and a loose dark waistcoat. Behind the three of them a single huge heart is drawn in light -- a ring of soft rose-gold luminescence tracing a heart shape that encloses all three heads and shoulders, its interior brighter than the background, spilling a gentle rim-glow along the edges of their hair and the tops of their shoulders; small hearts of the same light float free around them, some dissolving into sparks at the tips, drifting up and outward, densest near the frame and thinning at the edges of the image. The light comes from that heart frame itself -- it is the only source, so every face is lit from behind-and-around, the two brides' cheeks glowing at the edge while their fronts fall slightly darker, and the man's face is brightest because he faces the frame's open center. His blush sits dark and saturated under the kisses, and the lipstick print left on each cheek is a distinct flattened oval, the left one slightly higher than the right. The ground behind is a seamless pastel gradient of cream and pale pink with no objects in it, and faint bokeh hearts hang in the far background. Palette locked to cream, blush pink, rose-gold and ivory, with the man's dark waistcoat the only cool-dark weight in the picture, nothing else admitted. Finely inked chibi proportions, oversized heads, small rounded hands, clean outlines and soft cel shading on a pastel ground. Warm, giddy, overflowing.
ๆฏ่่
ใซใผใซ
3girls, 1boy, multiple girls, man in the center, two brides flanking him, kiss on cheek, kissing both cheeks, heart-shaped eyes, heart-shaped pupils, love-struck expression, brides kissing his left and right cheek, cleavage, heart-shaped light frame, heart frame, floating hearts, hearts everywhere, hugging, arm around waist, closed eyes on brides, blush, wedding dress, veil, strapless dress, bouquet, from below, looking at viewer, cowboy shot, warm pastel palette, soft glow, sparkling, sticker-like composition, chibi.
Shot from slightly below in a tight cowboy framing, a young man stands at the exact center of the image, his shoulders squared to the camera, chin lifted a little, his head tipped back with bliss. A bride leans in on his left and a bride leans in on his right, the three of them pressed shoulder-to-shoulder; each bride's near hand cups the far side of his jaw so his head cannot turn, and each bride's lips are flattened against one of his cheeks, the cheek flesh dimpling softly under the pressure. The brides' eyes are shut in the middle of the kiss, lashes fanned down, mouths curved even while pressed to skin; the man's eyes are wide open and each iris has gone entirely heart-shaped, glossy, glowing faintly, both points aimed straight at the viewer. His own mouth is open in a small helpless laugh, brows drawn up and inner corners raised. On the left bride: a soft blonde updo with a short veil pinned at the crown, a strapless ivory gown whose sweetheart neckline sits low; on the right bride: dark hair in a loose side-swept chignon, the same strapless ivory bodice. Both necklines are cut low and their collarbones and the curve of their cleavage read clearly, shoulders bare, the skin warm and shaded across the upper chest. The man wears a plain white shirt with the top buttons open and a loose dark waistcoat. Behind the three of them a single huge heart is drawn in light -- a ring of soft rose-gold luminescence tracing a heart shape that encloses all three heads and shoulders, its interior brighter than the background, spilling a gentle rim-glow along the edges of their hair and the tops of their shoulders; small hearts of the same light float free around them, some dissolving into sparks at the tips, drifting up and outward, densest near the frame and thinning at the edges of the image. The light comes from that heart frame itself -- it is the only source, so every face is lit from behind-and-around, the two brides' cheeks glowing at the edge while their fronts fall slightly darker, and the man's face is brightest because he faces the frame's open center. His blush sits dark and saturated under the kisses, and the lipstick print left on each cheek is a distinct flattened oval, the left one slightly higher than the right. The ground behind is a seamless pastel gradient of cream and pale pink with no objects in it, and faint bokeh hearts hang in the far background. Palette locked to cream, blush pink, rose-gold and ivory, with the man's dark waistcoat the only cool-dark weight in the picture, nothing else admitted. Finely inked chibi proportions, oversized heads, small rounded hands, clean outlines and soft cel shading on a pastel ground. Warm, giddy, overflowing.
ๆฏ่่
ใซใผใซ
3girls, 1boy, multiple girls, man in the center, two brides flanking him, kiss on cheek, kissing both cheeks, heart-shaped eyes, heart-shaped pupils, love-struck expression, brides kissing his left and right cheek, cleavage, heart-shaped light frame, heart frame, floating hearts, hearts everywhere, hugging, arm around waist, closed eyes on brides, blush, wedding dress, veil, strapless dress, bouquet, from below, looking at viewer, cowboy shot, warm pastel palette, soft glow, sparkling, sticker-like composition, chibi.
Shot from slightly below in a tight cowboy framing, a young man stands at the exact center of the image, his shoulders squared to the camera, chin lifted a little, his head tipped back with bliss. A bride leans in on his left and a bride leans in on his right, the three of them pressed shoulder-to-shoulder; each bride's near hand cups the far side of his jaw so his head cannot turn, and each bride's lips are flattened against one of his cheeks, the cheek flesh dimpling softly under the pressure. The brides' eyes are shut in the middle of the kiss, lashes fanned down, mouths curved even while pressed to skin; the man's eyes are wide open and each iris has gone entirely heart-shaped, glossy, glowing faintly, both points aimed straight at the viewer. His own mouth is open in a small helpless laugh, brows drawn up and inner corners raised. On the left bride: a soft blonde updo with a short veil pinned at the crown, a strapless ivory gown whose sweetheart neckline sits low; on the right bride: dark hair in a loose side-swept chignon, the same strapless ivory bodice. Both necklines are cut low and their collarbones and the curve of their cleavage read clearly, shoulders bare, the skin warm and shaded across the upper chest. The man wears a plain white shirt with the top buttons open and a loose dark waistcoat. Behind the three of them a single huge heart is drawn in light -- a ring of soft rose-gold luminescence tracing a heart shape that encloses all three heads and shoulders, its interior brighter than the background, spilling a gentle rim-glow along the edges of their hair and the tops of their shoulders; small hearts of the same light float free around them, some dissolving into sparks at the tips, drifting up and outward, densest near the frame and thinning at the edges of the image. The light comes from that heart frame itself -- it is the only source, so every face is lit from behind-and-around, the two brides' cheeks glowing at the edge while their fronts fall slightly darker, and the man's face is brightest because he faces the frame's open center. His blush sits dark and saturated under the kisses, and the lipstick print left on each cheek is a distinct flattened oval, the left one slightly higher than the right. The ground behind is a seamless pastel gradient of cream and pale pink with no objects in it, and faint bokeh hearts hang in the far background. Palette locked to cream, blush pink, rose-gold and ivory, with the man's dark waistcoat the only cool-dark weight in the picture, nothing else admitted. Finely inked chibi proportions, oversized heads, small rounded hands, clean outlines and soft cel shading on a pastel ground. Warm, giddy, overflowing.
ๆฏ่่
ใซใผใซ
3girls, 1boy, multiple girls, man in the center, two brides flanking him, kiss on cheek, kissing both cheeks, heart-shaped eyes, heart-shaped pupils, love-struck expression, brides kissing his left and right cheek, cleavage, heart-shaped light frame, heart frame, floating hearts, hearts everywhere, hugging, arm around waist, closed eyes on brides, blush, wedding dress, veil, strapless dress, bouquet, from below, looking at viewer, cowboy shot, warm pastel palette, soft glow, sparkling, sticker-like composition, chibi.
Shot from slightly below in a tight cowboy framing, a young man stands at the exact center of the image, his shoulders squared to the camera, chin lifted a little, his head tipped back with bliss. A bride leans in on his left and a bride leans in on his right, the three of them pressed shoulder-to-shoulder; each bride's near hand cups the far side of his jaw so his head cannot turn, and each bride's lips are flattened against one of his cheeks, the cheek flesh dimpling softly under the pressure. The brides' eyes are shut in the middle of the kiss, lashes fanned down, mouths curved even while pressed to skin; the man's eyes are wide open and each iris has gone entirely heart-shaped, glossy, glowing faintly, both points aimed straight at the viewer. His own mouth is open in a small helpless laugh, brows drawn up and inner corners raised. On the left bride: a soft blonde updo with a short veil pinned at the crown, a strapless ivory gown whose sweetheart neckline sits low; on the right bride: dark hair in a loose side-swept chignon, the same strapless ivory bodice. Both necklines are cut low and their collarbones and the curve of their cleavage read clearly, shoulders bare, the skin warm and shaded across the upper chest. The man wears a plain white shirt with the top buttons open and a loose dark waistcoat. Behind the three of them a single huge heart is drawn in light -- a ring of soft rose-gold luminescence tracing a heart shape that encloses all three heads and shoulders, its interior brighter than the background, spilling a gentle rim-glow along the edges of their hair and the tops of their shoulders; small hearts of the same light float free around them, some dissolving into sparks at the tips, drifting up and outward, densest near the frame and thinning at the edges of the image. The light comes from that heart frame itself -- it is the only source, so every face is lit from behind-and-around, the two brides' cheeks glowing at the edge while their fronts fall slightly darker, and the man's face is brightest because he faces the frame's open center. His blush sits dark and saturated under the kisses, and the lipstick print left on each cheek is a distinct flattened oval, the left one slightly higher than the right. The ground behind is a seamless pastel gradient of cream and pale pink with no objects in it, and faint bokeh hearts hang in the far background. Palette locked to cream, blush pink, rose-gold and ivory, with the man's dark waistcoat the only cool-dark weight in the picture, nothing else admitted. Finely inked chibi proportions, oversized heads, small rounded hands, clean outlines and soft cel shading on a pastel ground. Warm, giddy, overflowing.
ๆฏ่่
ใซใผใซ
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