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Oโค
AI art by Oโค on PixAI. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- The image shows a person sitting at a table in front of a window, with a cup of coffee in their hand. On the table there are a few objects, and behind them there are lights illuminating the scene. The image is in black and white, giving it a mysterious and eerie atmosphere. 1girl, solo, holding, sitting, ponytail, indoors, glasses, from side, cup, window, night, chair, glowing, steam, smoke, dark, screen, hunched over
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
Similar Images
Show more1girl, solo, sitting, hunched over, from side, profile, ponytail, high ponytail, glasses, thick-rimmed glasses, holding cup, cup, coffee, steam, smoke, indoors, window, night, chair, screen, glowing, dark, monochrome, greyscale, black and white, table, objects on table, backlighting, rim light, long hair, oversized sweater, cable knit sweater, ribbed cuffs, fingers wrapped around cup, both hands, elbows on table, shoulders drawn in, head lowered, looking down at cup, half-closed eyes, tired, quiet, still, motionless air, no text,
Seen in flat side profile from the left, a single girl sits hunched over a plain table, spine curved forward, both forearms resting on the tabletop so that her elbows carry her weight and her shoulders are pulled up toward her ears; her chin is dipped and her eyes are angled down into the cup rather than out the window. A high ponytail rises from the top of her head and falls behind her shoulder, its loose end hanging into the unlit air; thick black-rimmed glasses sit low on the bridge of her nose, one lens catching a thin crescent of the backlight. Both hands wrap the white ceramic cup, fingers interlaced around its body, thumbs resting along the rim; the cup is lifted just clear of the table so that a thread of steam rises from it and bends toward the glass behind her, drifting apart into a faint haze of smoke that hangs in the still room.
She sits in a wooden chair whose slatted back crosses behind her shoulders, hips settled against the seat, stockinged feet presumably flat on the floor below the frame's edge. On the table in front of her, a few objects keep the pale light: a small stack of papers squared at the corner, a saucer rim, and a flat rectangular screen standing on a low stand, its face turned slightly away from her so only its dark edge and one glowing strip of light are visible; the screen's light is cold and small, and it does not reach her face.
Behind her, the tall window is a black rectangle of glass at night, and beyond it a scatter of out-of-focus lights bloom into soft white halos, the only real illumination in the room. That backlight strikes the window frame, the edge of the table, the rim of the cup, the curve of her glasses and the loose strands of her ponytail, leaving her face and the front of her oversized charcoal cable-knit sweater deep in shadow; the sweater's cable pattern is legible only where the rim light grazes her shoulder, and its ribbed cuff bunches at her wrist above the cup. Below the table the darkness is absolute. The palette is pure black, mid-greys and blown-out whites, nothing else admitted.
The room's only motion is the steam: it thins as it rises and flattens where it meets the cold glass, a thin film of condensation blooming on the pane just behind her cup, while the rest of the glass stays clear. The composition holds her low and left of centre, the window's vertical bars rising behind her shoulder, the empty chair-back space above her hunched spine carrying the negative weight of the frame. Quiet dread, solitary.
Oโค
1girl, solo, sitting, hunched over, from side, profile, ponytail, high ponytail, glasses, thick-rimmed glasses, holding cup, cup, coffee, steam, smoke, indoors, window, night, chair, screen, glowing, dark, monochrome, greyscale, black and white, table, objects on table, backlighting, rim light, long hair, oversized sweater, cable knit sweater, ribbed cuffs, fingers wrapped around cup, both hands, elbows on table, shoulders drawn in, head lowered, looking down at cup, half-closed eyes, tired, quiet, still, motionless air, no text,
Seen in flat side profile from the left, a single girl sits hunched over a plain table, spine curved forward, both forearms resting on the tabletop so that her elbows carry her weight and her shoulders are pulled up toward her ears; her chin is dipped and her eyes are angled down into the cup rather than out the window. A high ponytail rises from the top of her head and falls behind her shoulder, its loose end hanging into the unlit air; thick black-rimmed glasses sit low on the bridge of her nose, one lens catching a thin crescent of the backlight. Both hands wrap the white ceramic cup, fingers interlaced around its body, thumbs resting along the rim; the cup is lifted just clear of the table so that a thread of steam rises from it and bends toward the glass behind her, drifting apart into a faint haze of smoke that hangs in the still room.
She sits in a wooden chair whose slatted back crosses behind her shoulders, hips settled against the seat, stockinged feet presumably flat on the floor below the frame's edge. On the table in front of her, a few objects keep the pale light: a small stack of papers squared at the corner, a saucer rim, and a flat rectangular screen standing on a low stand, its face turned slightly away from her so only its dark edge and one glowing strip of light are visible; the screen's light is cold and small, and it does not reach her face.
Behind her, the tall window is a black rectangle of glass at night, and beyond it a scatter of out-of-focus lights bloom into soft white halos, the only real illumination in the room. That backlight strikes the window frame, the edge of the table, the rim of the cup, the curve of her glasses and the loose strands of her ponytail, leaving her face and the front of her oversized charcoal cable-knit sweater deep in shadow; the sweater's cable pattern is legible only where the rim light grazes her shoulder, and its ribbed cuff bunches at her wrist above the cup. Below the table the darkness is absolute. The palette is pure black, mid-greys and blown-out whites, nothing else admitted.
The room's only motion is the steam: it thins as it rises and flattens where it meets the cold glass, a thin film of condensation blooming on the pane just behind her cup, while the rest of the glass stays clear. The composition holds her low and left of centre, the window's vertical bars rising behind her shoulder, the empty chair-back space above her hunched spine carrying the negative weight of the frame. Quiet dread, solitary.
Oโค
1girl, solo, sitting, hunched over, from side, profile, ponytail, high ponytail, glasses, thick-rimmed glasses, holding cup, cup, coffee, steam, smoke, indoors, window, night, chair, screen, glowing, dark, monochrome, greyscale, black and white, table, objects on table, backlighting, rim light, long hair, oversized sweater, cable knit sweater, ribbed cuffs, fingers wrapped around cup, both hands, elbows on table, shoulders drawn in, head lowered, looking down at cup, half-closed eyes, tired, quiet, still, motionless air, no text,
Seen in flat side profile from the left, a single girl sits hunched over a plain table, spine curved forward, both forearms resting on the tabletop so that her elbows carry her weight and her shoulders are pulled up toward her ears; her chin is dipped and her eyes are angled down into the cup rather than out the window. A high ponytail rises from the top of her head and falls behind her shoulder, its loose end hanging into the unlit air; thick black-rimmed glasses sit low on the bridge of her nose, one lens catching a thin crescent of the backlight. Both hands wrap the white ceramic cup, fingers interlaced around its body, thumbs resting along the rim; the cup is lifted just clear of the table so that a thread of steam rises from it and bends toward the glass behind her, drifting apart into a faint haze of smoke that hangs in the still room.
She sits in a wooden chair whose slatted back crosses behind her shoulders, hips settled against the seat, stockinged feet presumably flat on the floor below the frame's edge. On the table in front of her, a few objects keep the pale light: a small stack of papers squared at the corner, a saucer rim, and a flat rectangular screen standing on a low stand, its face turned slightly away from her so only its dark edge and one glowing strip of light are visible; the screen's light is cold and small, and it does not reach her face.
Behind her, the tall window is a black rectangle of glass at night, and beyond it a scatter of out-of-focus lights bloom into soft white halos, the only real illumination in the room. That backlight strikes the window frame, the edge of the table, the rim of the cup, the curve of her glasses and the loose strands of her ponytail, leaving her face and the front of her oversized charcoal cable-knit sweater deep in shadow; the sweater's cable pattern is legible only where the rim light grazes her shoulder, and its ribbed cuff bunches at her wrist above the cup. Below the table the darkness is absolute. The palette is pure black, mid-greys and blown-out whites, nothing else admitted.
The room's only motion is the steam: it thins as it rises and flattens where it meets the cold glass, a thin film of condensation blooming on the pane just behind her cup, while the rest of the glass stays clear. The composition holds her low and left of centre, the window's vertical bars rising behind her shoulder, the empty chair-back space above her hunched spine carrying the negative weight of the frame. Quiet dread, solitary.
Oโค
ใๅๅผท
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