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AI artwork featuring #Komi Can't Communicate
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Komi Can't Communicate

AI art by Suto Sara on PixAI. Made with Tsubaki.3 Flash.

#Komi Can't Communicate
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character: osana_najimi_(komi-san_wa_komyushou_desu) 1girl, solo, femboy, feminine boy, purple hair, short hair, purple eyes, standing, full body, full height, from below, looking down at viewer, skirt, red skirt, striped necktie, red necktie, white shirt, long sleeves, school uniform jacket, upskirt, visible underwear under skirt, hands at sides, head tilted down, light smile, one eyebrow raised, blush, Shot from a low angle near floor height, looking up the length of one slight, feminine-bodied boy who stands at his full height with his feet planted shoulder-width apart, knees straight, chin dipped so his purple eyes look down the line of the camera with a lopsided, teasing half-smile and one brow arched; his short purple hair falls in soft strands across his forehead, disturbed slightly as if he has just turned his head. His arms hang relaxed and slightly away from his body, left hand loose with fingers curled, right hand brushing the hem of his pleated red skirt. The camera sits beneath him and behind the angle of the skirt: the pleated red fabric flares out from his hips, and beneath the hem the white underwear is plainly visible, lit by the same light that grazes his thighs, with the skirt's shadow falling across one leg and not the other. He wears the school uniform exactly -- white long-sleeved shirt buttoned to the collar, a red-and-striped necktie knotted at the throat, an open jacket over the shoulders, the skirt sitting at his waist. Contact points are explicit: sole edges flat on the floor, the shirt cuff bunched at his wrists, the skirt's waistband biting into the shirt fabric, the tie's knot pulled slightly loose at the collar. Behind and above him the background is a bare, softly lit room wall receding upward in perspective, its floor line running low across the bottom of the frame, no furniture crossing his legs, no second figure anywhere. A single soft key light comes from high on the left, catching the top of his hair, the bridge of his nose, the shirt's shoulder seam and the front pleats of the skirt; the underside of the skirt and the inside of his thighs fall into cool shadow, and a long thin shadow stretches from his feet toward the lower right of the frame. Palette restricted to purple, red, white and warm skin tone against a muted grey-beige wall, nothing else admitted. Crisp cel-shaded anime rendering, clean hard-edged shadow shapes, flat colour fills with a single soft gradient on the skirt pleats and the hair's crown; the pleats of the skirt are the revealer -- their flare shows the direction of the light and the exact height of the hem against his legs. Playful, teasing.
Show Parameters
Original Prompt
Najimi Osana she's a femboy Sheโ€™s standing at full height, and you can see something under her skirt.
Mode
flash
Size
1104 x 1824
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Model & LoRA used

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character: osana_najimi_(komi-san_wa_komyushou_desu) 1girl, osana najimi, solo, femboy, male, feminine presentation, purple hair, short hair, purple eyes, brown eyes, yellow eyes, school uniform, white shirt, long sleeves, jacket open, striped necktie, red necktie, red skirt, pleated skirt, standing, standing at full height, full body, full height, from below, dutch angle, looking down at viewer, light smile, head tilt, one eyebrow raised, hand on own hip, other hand at necktie, something under skirt visible, skirt lift, thigh strap, garter, black thigh strap, dignified, confident, contact point, feet apart, weight on left leg, pleated skirt fabric tension, soft rim light, cool window light, warm bounce light, pale lavender shadow, dust motes, simple interior, plain wall, wooden floor, depth of field, crisp cel shading, textured shading, restrained palette, calm, composed, quietly bold Low-angle view from below, three-quarter angle: she stands at full height, her whole body in frame from the soles of her shoes to the top of her short purple hair, the camera tilted slightly dutch so the verticals lean. Her weight rests on her left leg, right knee slightly unlocked, feet apart at shoulder width, soles flat on a pale wooden floor. Her right hand sits on her hip, fingers spread over the waistband of the red pleated skirt; her left hand rises to loosen the knot of the red-striped necktie at her collar, thumb and forefinger pinching the fabric. The open jacket's lapels fall back from the white shirt, sleeves pushed to the wrists. Her short hair swings forward slightly at the temples; the skirt's pleats hold their sharp folds under the tension of her stance, and beneath the hem, at the top of her left thigh, a black strap sits against the skin, the buckle catching a small hard glint โ€” the single thing under the skirt that the angle is built to show, framed and deliberate, not a lucky accident. A faint lopsided smile lifts one corner of her mouth; one eyebrow arches higher than the other; her purple-brown eyes look straight down at the viewer, chin slightly lowered, the look level and unbothered. The room is a plain interior: a seamless off-white wall behind her, a pale wooden floor underfoot, a soft edge where wall meets floor with no baseboard clutter, a low shelf barely suggested in the deep background out of focus. A tall window off-frame left is the only light source โ€” a cool white shaft crossing the floor to her right, laying a warm bounce along her right side and a pale lavender shadow on the wall behind her left shoulder; the darkness sits in the corners of the room and under the shelf, and small dust motes drift in the shaft. The palette is held to purple, red, white, warm wood and the pale lavender of the shadow: purple in her hair and the depth of her eyes, red in the skirt and the necktie's stripe, white in the shirt, wood underfoot, lavender in shadow. Detail budget goes to the face, the tie under her fingers, the hip contact, the thigh strap and the pleat tension. The style note: crisp cel-shaded linework, textured shading, restrained palette, quiet, composed, confidently candid.
SARA Moska

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