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Joshua Froat

AI art by Joshua Froat on PixAI. Made with Tsubaki.3.

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Joshua Froat

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1girl, solo, dark-skinned female, tanned skin, athletic body, toned stomach, muscular, wide hips, thick thighs, large breasts, plump ass, blond dreadlocks, long dreadlocks tied back, blue eyes, moon earrings, earrings, belly button piercing, navel, eyebrow piercing, bandana on top of head, red bandana, tight crop top, shirt lifted by breasts, midriff, navel visible, open camo jacket, camouflage jacket, tight jeans, ripped jeans, torn denim, jeans unbuttoned, jeans hanging low, low-rise jeans, red thong, thong visible, underwear visible above jeans, knife, holding knife, bloody knife, dead body, corpse, blood, gore, entrails, eviscerated, dismembered, lying on ground, standing over, bored expression, half-closed eyes, sly smile, smirk, head tilt, looking at viewer, from above, high angle, dutch angle, full body, wide shot, woods, forest, trees, ground covered in leaves, daylight, dappled sunlight The camera looks down from slightly above and off-axis, tilted a few degrees so the treeline runs crooked across the top of the frame: a high-angle dutch shot in which the woman fills the centre and the body lies angled across the lower third of the image, her boots planted on either side of it. She stands with her weight on her right leg, hip cocked out, left knee loose and turned inward, so the low waistband of the jeans cuts a sloping line across her hips and the red thong rides up in a narrow band above the unbuttoned denim; the open fly hangs in a frayed V and the waistband sags so low it sits below the rise of her ass, the torn knees and white frayed threads of the jeans catching the light down the length of her thick thighs. The crop top is pulled tight over her large breasts and rides up over the toned plane of her stomach, the navel ring glinting against tanned skin, and the open camo jacket hangs off both shoulders with its sleeves shoved to the elbows, the green-and-brown mottling breaking up the shape of her wide hips. Her blond dreadlocks are gathered and pushed back by a bandana knotted on top of her head, a few loose strands swinging forward across her right cheek as her head tilts. Her right hand holds the knife low, blade angled down and forward across the body, blood slick along the flat of the steel and beaded at the guard and running down over her knuckles; her grip is loose and casual, thumb resting along the spine of the blade rather than wrapped tight. Her left hand hangs at her side, fingers slack. Her eyebrows sit level, the pierced brow catching light, her eyelids half lowered and her blue eyes turned down toward the corpse rather than at the camera, and the corner of her mouth pulls up on one side only, a slow sly smile with her lips closed. The corpse lies on its back among crushed ferns and leaf litter, arms flung out, torso opened from sternum to belly in a dark wet cavity, one leg bent under it at a wrong angle, blood pooled in the hollows of the leaves and soaking in a wide dark stain through the leaf litter, and a few severed sections set apart from the main mass in the shadow of a fallen log. Her boots stand clear of the blood, only the toe of the left one touching the edge of the stain. The forest is medium scale: thick trunks behind her at staggered depths, a scatter of undergrowth and ferns in the foreground, the canopy overhead breaking the daylight into patches so a shaft of sun falls across her shoulder and the top of her thigh while the corpse lies mostly in shade. Light comes from high and slightly behind the camera to her left; it strikes the tops of the dreadlocks, the ridge of her cheekbone, the swell of her breasts and her right forearm, and leaves the undersides of the ferns and the cavity of the body in deep shadow. Palette is limited to the tan of her skin, the bleach-blond of her hair, the olive and brown camouflage, the pale torn denim, the single hot red of the thong and bandana, and the wet dark red of the blood against green undergrowth and brown leaf litter. Shadows of leaves fall across her stomach and the tops of her thighs, and the blood in the leaves has begun to pool along the seams of the litter rather than sitting on top of it. Effortlessly stylish, quietly ugly.
Show Parameters
Original Prompt
A tan athletic woman, with blond dreadlocks, blue eyes, moon earings, wide hips,thick thighs, plump ass, large breasts, a bellybutton piercing, an eyebrow piercing, wearing A bandana on top of her head, a tight tea shirt that shows a lot of her stomach, a open camo jacket, tight ripped jeans that are unbuttoned and hang very low showing her red thong,in the woods, looking board, sly smile, holding a knife standing over a dead cut up human body,
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.57k

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AI artwork
Avatar image of Joshua Froat
2girls? no, 1girl, 1 corpse, solo, from below, low angle, looking down at viewer, standing, holding knife, bloody knife, blood on hands, blood splatter, dead body, corpse, dismembered, gore, bloody wound, severed limb, entrails, blood pooling, tan skin, dark tan complexion, athletic build, muscular, toned arms, toned stomach, abs, wide hips, thick thighs, large breasts, plump ass, blue eyes, blond hair, dreadlocks, long dreadlocks, bandana, bandana on head, moon earrings, navel piercing, belly button piercing, eyebrow piercing, eyebrow ring, tight crop top, midriff, bare stomach, open jacket, camo jacket, camouflage print, tight jeans, ripped jeans, torn jeans, jeans hanging low, unbuttoned pants, red thong, thong visible above waistband, forest, woods, trees, tree trunks, foliage, dappled light, standing over corpse The camera sits low, near the forest floor, tilted up: a fallen log and a scatter of crushed ferns fill the blurred foreground at the bottom edge, and beyond them the woman rises against the trunks, her full length filling the vertical frame with her head near the top and her boots planted wide apart at the bottom, a dead cut-up human body sprawled on the leaf litter directly beneath and in front of her so that the soles of her boots frame its shattered ribcage. She stands with her weight riding on her back leg, the front knee bent and the front foot set forward onto the corpse's outflung forearm, pinning it flat to the wet leaves. Her torso twists a quarter turn away from the low lens while her chin drops and her blue eyes look straight down the tilt of the camera into the viewer, lids half lowered, one brow arched above the silver ring punched through it, mouth pulled into a flat one-sided smirk with the lower lip caught between her teeth. Her right arm hangs loose at her side, the knife held in a reversed grip, its blade wet and dripping a slow thread of blood onto the body below; her left hand rests knuckles-down on her own hip, thumb hooked into the open camo jacket and dragging one side of it back off her ribs. Her tight crop top is dark and sweat-dampened, cut high so the whole plane of her stomach shows, the small silver barbell of her navel piercing catching the light in the hollow above her waistband. The camo jacket hangs open and shoved-back off both shoulders, sleeves bunched at her elbows. The tight jeans are torn open at both knees and one thigh, unbuttoned at the fly so the waistband sags far down her hips, and above it the wide band of her red thong shows bright and taut across her skin. Her moon earrings — two thin silver crescents — hang free and swing slightly under the weight of her lowered head, clear of the blond dreadlocks that are gathered back under a red bandana knotted at the crown, loose strands escaping at her temples and one heavy lock falling forward over her shoulder. The bandana's fabric is creased where it pulls across her skull. The body under her is unmistakably dead and cut apart: limbs separated at the joints and laid at wrong angles, a deep wound across the opened torso, dark blood soaked into the leaf litter and smeared in long drag marks where it was pulled into place. Her left boot has left a clean crescent-shaped print pressed into the bloodied mulch, and the blood pooling around the corpse's shoulder has begun to run along the seam of an exposed root rather than spread evenly, darkening the bark in a thin line. Dappled late-afternoon light comes down through the canopy in broken shafts, striking the top of her shoulders and the crown of her bandana in warm gold while the trunks behind her fall into blue-green shade; the knife blade is the brightest thing in the frame, throwing a hard specular highlight. The palette is built from forest green and shadowed teal in the trees, warm tan and sweat-sheen on her skin, the flat red of the bandana and thong, and the dull oxidized red-brown of the blood — nothing else admitted. Sharp cel-shaded linework, crisp hard-edged shadows, saturated but controlled color. Grim, unflinching.
Joshua Froat
AI artwork
Avatar image of Joshua Froat
from behind, looking back, cowboy shot, 1girl, solo, athletic tan-skinned woman, muscular build, blond dreadlocks, blue eyes, moon earrings, bandana on top of head, eyebrow piercing, large breasts, wide hips, thick thighs, plump ass, tight t-shirt, midriff, stomach, bellybutton, navel piercing, open camo jacket, tight ripped jeans, jeans hanging very low, unbuttoned jeans, red thong, thong visible above jeans, knife, knife behind back, holding knife, waving, waving at another, arm up, forest, trees, daylight, looking at another, smile The camera sits low and behind her, a cowboy shot that frames her from the back of the knees to the crown of her head, the ground sloping gently away into the treeline so her boots sit lower in frame than her shoulders. Her back is to the lens and her weight rests on her right leg, right hip pushed out and cocked, left knee bent and left heel lifted slightly off the leaf litter. Her blond dreadlocks are gathered high and fall back over her shoulders in thick ropes that sway with the turn of her head; a faded camo bandana with a knotted tail sits on the crown of her skull, its cloth creased and pulled by the knot. Her head is turned over her right shoulder so that only the far edge of her face catches the light — one blue eye visible past the cheekbone, the brow above it carrying a small steel barbell through the outer corner, and a moon-shaped earring swinging free just below the jaw. Her tight t-shirt is pulled taut across her back and rides up high, exposing the whole of her lower spine and stomach, and at her navel the small silver ring of the piercing glints. The open camo jacket hangs off her shoulders, its unzipped front pushed out to either side by her bust and its hem flaring away from the low waistband. Her jeans are unbuttoned and dragged well below her hips, the waistband sitting under the swell of her rear so the tight denim strains across her thick thighs and the rips at the back of her knees pull open into frayed white threads. Above the sagging waistband the red thong is pulled up and visible, a bright band of fabric printed against her tan skin where it crosses her lower back. Across the small of her back, tucked under the jacket's waist strap and angled diagonally, a sheathed knife sits with its handle jutting out past her right hip bone — the strap pressing a shallow crease into the denim and the fabric bunching around it. Her right arm is raised high and angled toward a gap in the trees, hand open in a wave caught mid-swing, fingers spread and palm turned toward the distant figures, and her left hand drops loosely at her side with the knuckles brushing the jacket hem. The people she waves to are small and half-hidden in the midground between the trunks — indistinct silhouettes with backs turned or faces lifted toward her, rendered soft and simplified. Every eye in the frame meets hers: hers goes with the turn of her chin out to the gap in the trees, and the nearest figure's pale face tips up toward her raised hand. Sunlight comes from the upper left in broad shafts through the canopy, striking the top of her shoulders and the lifted arm, glowing through the dreadlocks at the crown, and picking out the silver of the moon earrings while leaving her lower back and the inside of her thighs in cool green shade; leaf shadows dapple the ground and her shins. The palette is bottled green and dark bark within the woods, against which the red thong, the camo pattern and the warm tan of her skin are the only strong notes. Somewhere low in frame a single fallen leaf is caught across the laces of her boot, held there by the tilt of the ground. Effortlessly confident.
Joshua Froat
AI artwork
m6
1girl, solo, full body, front view, from below, low angle, purple hair, long hair, high ponytail, pink hair tips, detailed hair strands, black eyes, almond-shaped eyes, long eyelashes, red lipstick, sharp facial features, innocent smile, cute smile, closed mouth smile, red nail polish, curvy figure, wide hips, narrow waist, camouflage paint, face paint, body paint on skin, sweaty, sweat on skin, glistening skin, wet skin, moist skin, shiny skin, jungle, forest, moving through jungle, walking, holding knife, holding army knife, dual wielding, reverse grip, one knife in each hand, sunlight through trees, dappled sunlight, sunbeam, anime style, slight realism, sexy, looking at viewer, tall grass, ferns, humidity haze, A full-body front view from a steep low angle, the lens near knee height so the figure towers up into the jungle canopy: a single young woman stands with her weight carried on her straight left leg while her right knee swings forward mid-stride, her right foot just leaving the undergrowth, boot sole peeled half off the mud. Her long purple hair is bound in one high ponytail at the crown, the tail thick and heavy, individual strands drawn hair by hair, the last hand-span of every strand dyed pink where it lifts and flicks behind her shoulder in the damp air; a few loose purple lengths cling wetly to her right cheek and throat. Her face is stern in silhouette but not in expression — a sharp jaw, high cheekbones and a narrow chin, almond-shaped eyes with long lashes and solid black irises, lids crinkling at the outer corners under a small, guileless, close-lipped smile whose only colour is a clean bright red lipstick. Her gaze sits on the viewer from that upturned angle, chin tilted down toward the lens. Camouflage paint lies over her skin in irregular olive, dark green, brown and black bands, broken up along both arms, the shoulders, one diagonal slash across the left of her face and streaks down her neck and midriff; where the paint thins the skin beneath it is slick and shining — heavy sweat beading at the temples, running in bright channels through the paint at her collarbone and ribs, sheeting on her stomach and thighs. Red nail polish on every fingernail. Both arms are low and slightly out from the body, each hand closed on the handle of a matte-black army knife held in reverse grip, the blades running back along the undersides of her forearms, points toward her elbows; her wrists are cocked, the knuckles pale with the squeeze, veins lifted on the back of the right hand. The jungle is close around her at medium scale: waist-high wet ferns and broad leaves in the foreground bottom third, blurred by proximity and leaning in from the corners; vertical trunks packed behind her, and beyond them a darker green wall. Sunlight comes in a single shaft from high behind-left of camera through a gap in the canopy, striking the top of her left shoulder, one thigh and the upper plane of her ponytail and leaving a hard-edged warm patch on the leaf litter at her feet; everything outside the shaft sits in cool deep green. The shaft catches the sweat film on her arms and thighs as broad soft highlights, and where the light crosses her skin the camouflage paint reads matte against the shine. Humidity haze softens the trunks nearest the back of the frame. Palette held to deep wet greens, olive and dark brown, with the purple-to-pink of the hair and the red of the lips and nails as the only warm notes. sexy, humid jungle tension.
Mario66

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