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CENTAURA fan art

CENTAURA fan art AI art by cmk0303 on PixAI. Made with Tsubaki.3 Flash.

Published on Nov 14, 2026

cmk0303

character: vesna_(dutchko), copyright: genshin_impact red and black high-contrast silhouette background, high contrast, duotone, only red and black, 1girl, upper body, shoulders-up crop, facing directly forward, front view, expressionless, blank face, empty eyes, despair, blood tears, crying blood, tears streaming down both cheeks, blonde hair, short hair, ponytail, blue eyes, blood, 1boy, many boys, soldiers, wwii korean liberation army, military uniform, charging, running out of trench, bayonet, rifle, dynamic pose, motion, silhhouette figures, large lettering, poster layout, typography, title text, "CENTAURA", "another", "ONLY THE DEAD HAVE SEEN THE END OF WAR", strong graphic design, blood red, pitch black, high-contrast lighting, dramatic, despairing The image is a flat graphic poster: a two-colour high-contrast silhouette composition in which everything is either blood red or pitch black against a red field, with black shapes cut into it and red shapes struck out of the black. On the left third of the frame, Vesna is cropped at the shoulders so only her head, neck and the tops of her shoulders sit inside the border, her blonde short hair gathered into a ponytail that is rendered as a black silhouette mass with a red rim of light along its upper contour, her face turned dead-on to the viewer, symmetrical, head level, neither tilted nor angled. Her eyes are wide open and empty, fixed straight ahead at the viewer with no focus, lids unblinking; her brows sit flat and slack; her mouth is a thin, closed, neutral line with no tension at the corners; her jaw hangs slightly loose. From under both lower lids two black-red streams of blood run down in parallel lines, wet and glossy where they catch the light, over the cheekbones and past the jaw and down the neck, one droplet breaking free beneath the chin. The blood streaks are the only smooth, glossy element on her; her face, hair and shoulders are flat black silhouette, with a single hard red edge light along the left side of her cheek and her shoulder. On the right half, a long diagonal trench edge cuts across the composition, and from it a mass of World War II Korean Liberation Army soldiers surge forward in profile and three-quarter silhouette, dozens of black figures pouring up over the lip of the earthwork, one at the front with a rifle angled forward and both hands on the stock, another mid-stride with a fixed bayonet, others behind him pushing up over the parapet with rifles slung and helmets low, boots biting into the dirt slope, capes and coat tails bellying out behind them from the forward rush, dirt and dust kicked up at the trench lip in a black spray. The soldiers read as a forward wave and their movement drives toward the right edge; none of them look at Vesna. Her gaze runs out of frame to the viewer, and the empty direction of her stare is the counterweight to the charging men. At the top left, the word "CENTAURA" is set large in heavy condensed capitals, black block letters with a thin red drop shadow, occupying the upper-left quadrant; directly beneath it and much smaller, "another" is set in lower-case black type, tight and modest, tucked in the gap under the title. At the top right, the line "ONLY THE DEAD HAVE SEEN THE END OF WAR" runs in small caps in three stacked lines of black lettering, sitting close to the upper-right corner as a small epigraph block on a red band, its baseline parallel to the top edge. The title, the subscript and the epigraph are all crisp, flat, unshaded graphic lettering, integrated into the poster rather than floating over it. Behind everything, the background is pure blood red with black vignetting at the outer border, and the figure grouping splits the frame into two unequal halves: her isolated, still, expressionless head on the left, the massed charging men on the right. The whole image is full-body, full-figure high-contrast silhouette rendering: no soft gradients, no mid-tones, hard-edged shapes, flat red and flat black only, with the single exception of the wet sheen on the blood trails. High-contrast graphic poster style, flat two-tone colour, strong negative space, stark, despairing and defiant.

CENTAURA fan art

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