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Samwise

AI art by Samwise on PixAI. Made with Tsubaki.3 Flash.

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private โ€” only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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1girl, solo, full plate armor, upper body armor, medieval European armor, pauldrons, rerebraces, vambraces, gauntlets, gauntlet gripping sword hilt, full-face helmet, visored helm, closed visor, red hakama, wide red hakama, pleated hakama, mid stance, half-crouch, knees bent, longsword, two-handed grip, sword raised overhead, high guard, jodan stance, blade tip toward viewer, foreshortening, from below, low angle, dutch angle, standing on ground, both hands on hilt, looking at viewer, dim coniferous forest, conifer trunks, dark forest, mist, god rays, backlight, rim light, volumetric light, dark palette, red accent The camera sits low and close, tilted a few degrees off level, looking up: from this angle the figure dominates the lower half of the frame and the longsword's point hangs almost in the lens, a single bright spot near the image centre with the hilt and both gauntlets stacked behind it in hard foreshortening. The figure is in a half-crouch, weight sunk onto the rear leg with the front knee bent and pushed forward, hips low, torso slightly turned so the left shoulder comes forward and the right falls back; both gauntlets grip the hilt at the pommel and just under the crossguard, arms lifted above the helmet so the blade runs down the axis toward the viewer and the crossguard crosses horizontal above the visor. The helmet's closed visor and sight slit are turned straight at the camera; through the slit nothing reads but darkness. The plate armor articulates at the elbow and knee cops, its surface pitted and dull where it catches the light, and the wide red hakama flares loose from beneath the breastplate, its pleats bunching forward over the bent knees and its hem swaying and rippling back from the crouch. Behind, a forest of tall conifer trunks stands in near-silhouette, close ranks of straight verticals on both sides receding into grey vapour; a low ground mist lies between them at ankle height. The only light comes from far behind and slightly above, through the canopy gaps: it rims the helmet crown, the shoulder plates and the outer edge of the sword with a cold pale edge, and leaves the face side of the figure, the underside of the armor and the whole foreground in deep shadow, so the blade's tip is the brightest thing in the frame and everything nearer than the trunks falls away to black. Palette confined to cold black-green, slate grey, dull steel, pale mist light and the red of the hakama as the single warm note. The sword tip, closer to the lens than the figure, goes soft and slightly out of focus while the visor stays sharp behind it. Tense, watchful.
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