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TT

AI art by TT on PixAI. Made with Tsubaki.3.

TT
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TT

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1girl, solo, black hair, long hair, blunt bangs, tsurime, gentle face, kind expression, light smile, black shinobi outfit, customized leotard, glossy fabric, highleg, shinobi shozoku details, black bodysuit, large breasts, cleavage, from below, cowboy shot, contrapposto, hand on own hip, head tilt, looking at viewer, japanese-style interior, wooden pillars, sliding shoji screen, candlelight, saturated colors, soft cel shading, bold outlines, vintage hand-drawn analog aesthetic, 90s erotic anime style, half-closed eyes, blush, seductive smile, warm amber highlights, deep black shadows, glossy sheen, quiet allure The camera sits low and slightly to her right, looking up — a cowboy shot cropped at mid-thigh, so the wooden floor recedes behind her hips and the shoji screen's lattice climbs the left third of the frame. She stands with her weight on her back-left leg, right hip pushed forward and out, the highleg cut of the leotard riding high on that hip; her right hand rests flat on the jut of that hip, fingers splayed against the glossy black fabric, while her left arm hangs loose with the shoulder dropped. Her head tilts a few degrees toward her raised shoulder. Behind her, the shinobi outfit is a single close-fitting black leotard layered with wrapped cloth bands: a dark cloth wrap crossing the chest low, sleeves ending in wrapped forearm bindings, a cloth sash knotted at the left hip, and the glossy material catching a hard specular line down her thigh, along the swell of her chest, and over the curve of her shoulder. The highleg line cuts up past the hip bone on both sides, the fabric stretched taut where it meets the sash. Her breasts are full enough to press together into a clear shadowed valley at the center of the chest, the wrapped cloth above cutting across the upper swell. Her black hair is long, falling past her waist behind her back, with a heavy blunt fringe cut straight across the brow, the strands glossy under the light. Her eyes are tsurime — outer corners lifting — and her expression is soft and kind: lids lowered a touch, a faint closed-lip curve, brows relaxed. She looks directly at the viewer. One candle on a low stand at the right edge of frame is the only light source; it throws warm amber across the right side of her face, chest and thigh, and drops the left side of her body and the shoji into deep black shadow. The glossy fabric answers the candle with one narrow bright highlight per surface, and where the leotard stretches at the hip the highlight breaks into a longer, softer streak — the single physical tell of the taut material. The floorboards between her feet catch a thin reflected glow only within the candle's reach, and the lattice shadows fall away to pure black at the frame's left edge. The palette is committed: saturated black fabric, warm amber candlelight, the pale paper of the shoji, her skin warm-lit on one side and cool-shadowed on the other, her black hair holding a single blue-white sheen. Late-90s adult-animation rendering: saturated color, soft cel shading with a hard terminator, bold dark outlines, and the slight grain of hand-painted cels. Quiet, sultry allure.
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Original Prompt
和風の黒い忍び装束とレオタードをカスタムした衣装。光沢がありハイレグ 黒髪でパッツン前髪でロングヘア―、 吊り目で優しそうな顔、年齢は中学生、胸は谷間ができるぐらい ９０年代のエロアニメ調で書いて
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.58k

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AI artwork
TT
1girl, solo, black hair, long hair, blunt bangs, straight-cut bangs, hime cut, tsurime, upturned eyes, gentle expression, kind face, light smile, closed mouth, looking at viewer, black shinobi outfit, ninja outfit, customized leotard, highleg, glossy fabric, shiny fabric, large breasts, cleavage, highleg leotard, black bodysuit, arm guards, thigh strap, middle school girl, anime style illustration, cowboy shot, from below, dutch angle, hand on own chest, head tilt The camera sits low and canted slightly off level, looking up along a diagonal at a single girl in a black shinobi garment rebuilt as a high-cut leotard, placed on a seamless deep-charcoal studio sweep with nothing else in the frame. Her body is turned three-quarters away to her right, right hip cocked and carrying her weight, left leg extended and straight so the high-leg cut rides up over the hip bone on the near side; the diagonal of the cut and the cant of the frame lean the same way. Her torso twists back toward the lens: shoulders counter-rotated, chin tipped down a few degrees, both eyes — narrow, the outer corners lifted high in a hard upturned tsurime line — aimed straight at the viewer, the upper lids relaxed and heavy enough that the sharp eye shape still reads as kind, the lips closed in a small soft smile with the corners barely lifted, one brow a hair higher than the other. Her black hair falls in a long straight curtain past the shoulders; the blunt bangs are cut dead level across the brow, dense and unbroken, and one lock at the temple slides forward over her cheek because of the head tilt. Cloth: the bodysuit is matte black woven shinobi fabric at the sleeves and the wrapped forearm guards, while the leotard panel across the chest, hips and high-cut leg line is a high-gloss stretch fabric — a single broad specular sweep runs down the near hip and another sits on the leading curve of the chest, the highlight breaking into a thin sharp edge exactly at the crest of each curve and dying abruptly in the shadow under it, so the surface reads as wet-looking satin rather than flat ink. A cloth wrap is knotted at her waist and its tail hangs to mid-thigh, the only matte thing against the shine. A narrow black thigh strap sits on the near leg below the high cut, no other accessory anywhere. One key light, high and to the left, cool-white, throws the shine down the left side of her body, leaves a soft core shadow along her right flank, and drops a single short shadow onto the sweep behind her right heel; the ground falls off into darkness above her shoulders so the background darkness is absolute and only her silhouette, her face and the gloss are lit. Palette holds to black, charcoal and cool skin tones with no other hue admitted. Detail is spent on the eye shape, the mouth corner, the fingers resting flat against her own collarbone, and the specular edge of the fabric; the sweep stays empty. Quiet, gentle, faintly dangerous.
TT

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