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David Ozoria

AI art by David Ozoria on PixAI. Made with Tsubaki.3 Flash.

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David Ozoria

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1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee โ€” his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow โ€” dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label โ€” the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
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Original Prompt
Una chica con tetas demasiado gigantes, muslos gigantes, pansita rellenita, tenga una camisita blanca,una mini falda,pero violeta,orejas y cola de vaca violeta,ojos rosa,la chica se verรญa super alta como 2.70,alante de ella estarรญa un niรฑo de 2 aรฑos que mira 87 cm,la chica mira al niรฑo con curiosidad mientras el niรฑo le entiende la mano izquierda,la chica se ve hermosa,la cara de la chica es inocente y adorable, lugar un granero,la chica estarรญa sentada en una pose adorable
Mode
flash
Size
1408 x 1408
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Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.17k

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1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee โ€” his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow โ€” dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label โ€” the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
David Ozoria
AI artwork
do
1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee โ€” his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow โ€” dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label โ€” the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
David Ozoria
AI artwork
do
1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee โ€” his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow โ€” dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label โ€” the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
David Ozoria
AI artwork
ๅ‰
A medium shot from a high-angle view depicts a beautiful female cow-demi-human positioned centrally within a rustic livestock shed. The character, possessing feminine features and cow-like ears and horns, is on all fours on the straw-covered ground, looking up with a gentle expression. She is dressed in a modest and clean slave outfit consisting of a simple, white linen tunic with a soft texture, which maintains a neat and wholesome appearance. The environment is the interior of a barn, featuring weathered wooden beams, slats of sunlight filtering through the gaps in the walls, and scattered golden straw on the floor. The atmosphere is serene and warm, illuminated by natural sunlight and a soft color palette of earth tones and bright whites, evoking a peaceful rural mood.
ๅ‰็”ฐ้”ไธ‰

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