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AI art "強風"
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強風

強風 AI art by ひす on PixAI. Made with Tsubaki.3.

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1girl, solo, long hair, hair blown straight up, hair blowing upward, strong wind, typhoon, white dress, dress fluttering, (wind lift skirt:2), skirt lift, white dress completely flipped up, dress blown off, dress flying away in wind, undressing, nude, fully nude, bare shoulders, bare arms, bare legs, light-pink panties, lace-trimmed panties, skirt tug, holding skirt down, hands on skirt hem, bracing stance, feet apart, leaning into wind, embarrassed, blush, flustered, wide-eyed, looking down, wind, flying debris, storm clouds, dutch angle, cowboy shot, from below, motion lines, dynamic pose, clenched hands, trembling, parted lips, A Dutch-angle cowboy shot from slightly below, so the storm sky fills the upper third and the girl's weight reads as pressed forward into the gale. One girl stands alone in the middle of an open paved lot just before a typhoon makes landfall: she is a slender young woman with very long hair, now ripped straight up off her scalp and pulled into a taut vertical fan above her head, individual strands streaming and whipping, the roots dragged upward so the crown of her head is exposed. Her white dress is caught mid-catastrophe -- the hem already flipped inside out and dragged up past her waist, the whole garment ballooning up and back off her shoulders, one sleeve sliding down her arm as the fabric peels away from her body and blows off into the upper right of the frame, its cloth snapping and crumpling in the wind. She is left fully nude except for a pair of light-pink panties with scalloped lace trim across the hip, the elastic pulled slightly taut by the wind along her thigh. Both hands are clamped on the skirt edge that is still within reach, knuckles pale, tugging the cloth down hard against the lift while it streams and flaps out of her grip. Her stance is braced wide: heels dug into the pavement, knees bent, hips low, torso leaning into the wind, shoulders hunched, one shoulder turned slightly toward the gust. Her face is turned down and away from the camera, cheeks flooded with red blush, brows drawn up and together, lips parted in a flustered, mortified grimace, eyes squeezed half-shut and cast down at her own hands and the straining cloth. Behind and around her, the typhoon turns the world grey-blue and horizontal: low torn storm clouds racing, a bent streetlamp, palm fronds and loose paper and grit streaking sideways past her shins, puddles on the pavement slapped into white rills running with the wind, and her long shadow thrown sharp and low to the left by a single diffuse storm light coming from the upper right, which rims her hair and shoulder with a cold grey-white edge. The palette stays cool and stormy -- slate blue, wet charcoal pavement, cold white of the fleeing dress -- against the single warm note of her blushing face and the soft light-pink panties. Her cast shadow and the bent streetlamp are the revealers of the invisible force: everything low and light is shoved in one direction while she alone sets her weight against it. Intimate, windswept, tense.
Show Parameters
Original Prompt
ロングヘアの女の子。強風で髪が真上になびく,白いドレスが完全に捲り上がって吹き飛ばされて全裸になる,白いドレスが強風でなびく、恥ずかしがっている,強風に吹き飛ばされないように踏ん張っている,台風,(wind lift skirt:2),light-pink panties,lace-trimmed panties,skirt tug
Mode
pro
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

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AI artwork
Avatar image of ひす
1girl, solo, long hair, hair blowing up, hair blown straight up, strong wind, typhoon, white dress, dress blown off, dress flying upward, discarded clothing, white bra, white panties, underwear only, bare arms, bare legs, bare feet, embarrassed, blush, flustered expression, gritted teeth, bracing, wide stance, leaning into wind, knees bent, arms out for balance, clenched fists, from below, full body, dutch angle, wind effects, flying debris, storm clouds, rain, motion lines The low camera looks up at a single girl from ankle level, tilted a few degrees off vertical as if the wind is pushing even the frame. She stands alone in the open on wet asphalt, braced wide: legs apart, knees bent, bare feet planted with toes gripping and slipping a little on the streaming water, body leaned forward into the gale at the hips so her weight fights the push. Her arms are flung out and slightly back, elbows locked, fists clenched hard enough that the tendons stand out at her wrists, shoulders shoved up around her ears. Below the wind, she has on only a white bra and white panties, both slicked to her skin and tugged sideways by the gust; the low-angle view puts her bare legs and the tension in her thighs in the foreground, and everywhere else her skin is bare, goosebumped and streaked with rain. Her long hair streams almost perfectly straight up above her head, torn into fine wet ribbons, individual strands whipping free and snapping sideways at the crown, roots dragged upward so the hairline pulls taut. Above and behind her, the white dress is caught in the updraft and tumbling away upward and back, sleeves flailing, hem corkscrewing, shrinking into the storm sky already out of reach. Her face points into the wind, chin tucked hard, one eye pressed almost shut, the other squinted, brow crushed together, mouth pulled into a strained grimace with the lower lip caught by a gust, cheeks puffed and burning a deep blush that spreads to the tips of her ears and down her neck; her gaze is torn between the flying dress over her shoulder and the rain-lashed ground in front of her feet, and she looks nowhere toward the viewer. Beside her a thin puddle is shredded into long feathers of spray all blowing one direction, and a roadside puddle ripples in fast ragged streaks that run with the wind. Behind her: a phone pole leaning, a bent tree with all its leaves stripped to one side, loose paper and grit streaking horizontally through the air, and a low charcoal sky of tattered typhoon cloud torn into long streaks racing across the frame. The only light is the storm's diffuse grey daylight, sourceless and cold, pressing flat highlights down her up-stretched hair and along the tops of her shoulders while her front and the undersides of her arms fall into soft shadow; there are no cast shadows anywhere because the whole sky is the lamp. Palette is muted slate grey, wet asphalt black, cold white in the bra, the panties and the flying dress, and the one hot accent of her blush red on cheeks, ears and chest. Rain water clings in beads along the edge of the bra cup, streaking down her ribs, and the wind is made visible by what it does to her hair and the spray. Bleak, windswept, pitiful and thrilling.
ひす
AI artwork
Avatar image of ひす
The character from image1, standing against a backdrop of a swirling dark storm cloud and a yellow metal fence, is caught in a violent gust of wind. Her brown hair with red ribbons is blown wildly upwards, and her blue long-sleeved sailor uniform with a red bow is whipped upward and pressed against her body by the wind, exposing her midriff and her light blue panties. She has a flushed, embarrassed expression and holds her hand to her forehead to shield her eyes from the gale. The art style stays the same as the input image1.
ひす
AI artwork
ア
1girl, solo, long hair, (hair blowing forwards:2), (embarrassed:1.5), (wince:1.5), facing down, eyes closed, head tilted down, skirt squeeze thighs, hands pressing skirt between thighs, frilled sleeves, wide sleeves, white shirt, center frills, blue thin bowknot, waist ribbon bow, blue big ribbon bow, bustle skirt, very long skirt, layered frills, too many frills, frilled skirt, corded cotton petticoat, panties, bra, bra peek, (floating shirts upwards:3), (floating skirt upwards:3), wind lift, outdoors, cloudy sky, falling leaves, (tornado:3), (speed lines:1.5), motion lines, motion blur, full body shot, from below, standing on one leg, leaning back, masterpiece, ultra detailed, highly detailed frills, cinematic lighting, full body shot from a low angle looking up, a single girl alone in an open field under a heavy grey overcast sky, her head bowed so the crown of her head and her shut-tight eyelids face the lens and her long hair is (hair blowing forwards:2), streaming over her face and past her cheeks toward the viewer in whipped strands. She is (embarrassed:1.5) and mid-(wince:1.5), brows drawn up and pinched together, eyes squeezed shut, mouth pulled into a tight grimace, a hot flush across her cheeks and the tips of her ears; her shoulders are hunched up toward them. Both hands are clamped down in front of her pelvis, fingers digging into the fabric and dragging the skirt inward so it (skirt squeeze thighs), the cloth pulled taut between her pressed-together knees as she shifts her weight onto her left leg and lifts the right heel off the grass, knees knocking inward, her whole body leaning back against the pull of the wind. She wears a white blouse with wide frilled sleeves and frilled cuffs, frills running down the center placket, a thin blue bowknot at the collar, a ribbon bow cinched at her waist; below it a bustle skirt gathered high and pouched at the back, very long, its hem layered in too many frills over frilled tiers that reach the grass, and under the hem the corded cotton petticoat shows its quilted vertical ribs. The (floating shirts upwards:3) hem of her blouse lifts and flaps above her waist and the (floating skirt upwards:3) skirt billows up and outward in a wide bell, lifting far enough to expose the edge of her plain bra at her ribs and her panties beneath. All around her the air is not a wind but a (tornado:3): a narrow twisting funnel of grey-green air rooted in the field behind her and to her left, sucking grass, dust and leaves up in a whirling spiral that leans toward her, the funnel the only mass in an otherwise empty flat plain, low horizon line at the bottom of the frame. Falling leaves peel out of the funnel and streak past her in yellow, ochre and brown. Sunless overcast light sits flat and directionless on her, soft shadows under her jaw and beneath the skirt's lifted rim, everything else cool grey and desaturated except the blue of her bows and ribbons, the only saturated accent in the frame. Along the ground and through the air behind her, (speed lines:1.5) and motion lines radiate past her body, and her hair, sleeves, skirt frills and the leaves all carry motion blur streaking in the direction of the wind. A single leaf is pinned flat against her cheek where the hair has trapped it. Windswept, flustered.
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