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Umbrie the Slasher

Umbrie the Slasher AI art by Umbrie Shadowsong on PixAI. Made with Tsubaki.3 Flash.

Contest Entry

3rd "Favorite Works" Contest#What You Love, Your Way 3

#Original #Petite

Published on Nov 14, 2026

Umbrie Shadowsong

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character: minamiya_natsuki, copyright: strike_the_blood 1girl, solo, full body, petite, young adult woman, pale skin, blue eyes, black hair, very long hair, long straight hair, hime cut, blunt bangs, blunt sidelocks, hair ornament, hair flower, small breasts, medium hips, curious expression, analytical expression, calm patient gaze, knowing eyes, faint closed-lip smile, head tilt, black techwear jacket, oversized jacket, long sleeves, wide sleeves, sleeves past wrists, neon blue accents, neon blue trim, black pleated miniskirt, neon blue pleated skirt, black and neon blue striped thighhighs, neon blue trim, combat boots, tactical boots, dual wielding, holding knife, two knives, tantou, glowing blade, glowing blue edge, metallic blade, cyberpunk, harujuku, streetwear, rain, wet, cyberpunk city, alley, neon lights, night, cinematic lighting, volumetric lighting, depth of field, from side, cowboy shot to full body, looking at object The camera sits low and slightly to her left, so we see her full body in a rain-slicked cyberpunk alley, three-quarter profile turned a half-step away from the lens. She is small and compactly built, pale-skinned, her black hair falling dead straight past her waist with a hime cut's blunt bangs squared across her forehead and blunt sidelocks cut level at her jaw; a single flower-shaped ornament is pinned above one temple, and the wet air has pulled a few strands loose to cling to her cheek. Her chin is tipped down and her blue eyes are narrowed and steady, tracking the edge of a blade a hand's width from her face; the corners of her mouth are level with the faintest lift on one side, patient rather than eager, one brow lowered in appraisal — the look of someone who has already finished the calculation and is merely confirming it. She wears a black techwear jacket cut oversized, its wide long sleeves swallowing her hands to well past the wrist so only her fingers emerge to grip the hilts; neon blue piping runs the seams and cuffs, and a black pleated miniskirt hangs at mid-thigh with each pleat edged in glowing blue. Black and neon blue striped thigh-highs run up her legs to a blue trim band below the hem, and tactical combat boots lace snug to her shins, one boot forward and her weight settled on the back hip, knees slightly bent as though she has just landed and not yet decided to move. In each hand is a compact futuristic tantou — flat-sided metallic short blades with hard sci-fi housings at the spine and a hot blue light bleeding along the cutting edge; the right blade is held low and angled across her thigh, the left raised near her shoulder with the edge turned outward, and both blades throw a thin blue reflection along her wet sleeve and the underside of her chin. Rain falls as fine visible threads through a shaft of cold volumetric light from a sign above and behind her; the alley's wet asphalt and puddles double the signage and the striped fabric, and the reflections smear longer and softer than their sources where the water breaks them. The palette is black, wet graphite, and electric blue, with only a warm sodium smear high in the background haze; the foreground bricks and her boots stay in shadow while the blade edges and the pleats catch the light. Behind her, distant signs read as blurred illegible light, every surface bare of lettering, logos or watermarks, and only the two knives at her hands. Rain beads and runs down the blade's flat in a single path that parts at the housing. Quiet, watchful, self-possessed.

Umbrie the Slasher

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