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AI art "ライザ・アトリエシリーズ"
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ライザ・アトリエシリーズ

ライザ・アトリエシリーズ AI art by shishou76 on PixAI. Tags: Atelier series, Atelier Ryza. Made with Tsubaki.3.

『ライザのアトリエ』のライザを描きました。彼女が魔法陣を掲げる姿はいつ見ても本当に魅力的で、私も彼女のように冒険へ出かけたくなります。気に入っていただけたら、いいねとフォローをお願いします!これからも投稿していくので、ぜひコメントで感想を聞かせてくださいね。

#Hat#brown hair#Smile#Shorts#Atelier series#Girl#Reisalin Stout#Atelier Ryza#Atelier Ryza 3: Alchemist of the End & the Secret Key
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character: reisalin_stout, copyright: atelier_(series) 1girl, solo, reisalin stout, brown hair, short hair, braid, hairclip, hair ornament, brown eyes, white beret, hat, red shorts, short shorts, gloves, jewelry, alchemy, synthesis magic, casting spell, magic circle, glowing transmutation circle underfoot, ancient technology, glowing mechanical ruins, environment transformation, outstretched arm, reaching out, open hand, palm forward, from below, dutch angle, cowboy shot, looking up, parted lips, wide-eyed, windblown hair, floating debris, glowing particles, light rays, dramatic perspective, dynamic pose Seen from below at a slight dutch tilt, the camera looks up past her outstretched right arm at a sky split by awakened machinery: Reisalin stands braced on a shattered stone dais at the heart of an ancient ruin, legs apart, her left foot planted forward on the cracked slab and her right heel dug back against a raised broken step, weight riding forward onto the front leg. Her right arm is flung up and out toward the collapsing ceiling, elbow locked, palm open and fingers spread wide, raw white-blue light pouring from the transmutation ring hovering just off her fingertips; her left hand is pulled in tight to her chest, glove creaking, fingers hooked around the air as if holding a thread of the reaction. The magic circle underfoot is huge and perfectly geometric, its rings and glyph lines glowing hot gold, and where those lines touch the old metal floor the ancient technology answers: corroded brass ribs and dead conduits wake into luminous cyan veins that race outward along the walls, stone blocks lift and float in slow orbit around her, and the far columns shed rust as they re-form into gleaming articulated segments. Single-variable physics: every loose pebble and fragment of masonry hangs at the exact height where the rising hot updraft balances its weight, all of them on one unseen horizontal plane, and the dust on the dais top is blown outward in one clean ring away from the circle. Her head is tipped back, chin raised, gaze fixed up along her own arm at the transforming ceiling above, not at the viewer; a lopsided triumphant grin pulls one corner of her mouth wide open, one brow arched higher than the other, eyes wide and catching the gold. The white beret is knocked askew, its brim pushed back off her forehead; her brown braid and the loose short strands whip outward to the left, away from the blast, and the hem of her shorts and the laces of her gloves flutter the same direction. Light comes from two places only -- the cold cyan glow of the waking ancient machinery climbing from below along the walls, and the hot gold of the spell ring in front of her face -- so the underside of her chin, the inside of her raised arm and the fronts of her thighs take the gold, while her back, the back of her beret and the underside of her braid fall into cool cyan shadow; behind and above her the vaulted ruin opens into pure darkness, unlit and absolute. Palette is restrained: dusty ochre stone and dull brass for the ruin, saturated gold for the alchemy, electric cyan for the ancient technology, and her red shorts as the single warm human accent, with her white beret the brightest value in the frame. Detail budget goes to her hands, her grinning upturned face, and the exact contact where the gold glyph line meets the waking brass conduit and the metal begins to shine. Awestruck, electric.
Show Parameters
Original Prompt
アトリエシリーズのライザが錬成した古代技術で周りを変化させる姿を描いて
Mode
pro
Size
768 x 1280
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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