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AI art "Meisho Doto con vestido azul" featuring #Uma Musume Pretty Derby and #Meisho Doto
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Meisho Doto con vestido azul

Meisho Doto con vestido azul AI art by Jaime O. OrtegA on PixAI. Tags: Uma Musume Pretty Derby. Made with Tsubaki.3 Flash.

Una hermosa meisho doto en un traje para bailar.

#Uma Musume Pretty Derby#Meisho Doto
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character: meisho_doto_(umamusume) multiple views, comic, 2-panel layout, stacked panels, meisho_doto_(umamusume), 1girl, solo, huge breasts, wide hips, blue evening dress, leg slit, one leg out, long gloves, high heels, necklace, hairband, ahoge, multicolored hair, brown hair, white hair, two-tone hair, double-parted bangs, hair between eyes, purple eyes, medium hair, looking at viewer, kissing toward viewer, blowing a kiss, hand on own chest, from below, cowboy shot, full body, dutch angle, half-closed eyes, blush, open mouth, :d A two-panel vertical manga-style comic strip in full colour, panels stacked one above the other, thin black panel borders separating them. Panel 1: a low-angle cowboy shot of a single woman with medium-length two-tone hair — brown at the crown shifting to white at the tips, double-parted bangs and a strand falling between her eyes, an ahoge springing from the top of her head, a hairband holding the sweep, purple eyes — standing on the polished dark floor of an empty ballroom. She wears a deep sapphire evening gown with a plunging bodice stretched tight over an enormous bust, the waist cinched, and the skirt flaring wide over hips that read broad and heavy; the skirt is slit to the upper thigh on her right side, and that one leg is pushed forward and out through the slit, the toe of a stiletto high heel planted on the floor while her weight rides back on the other foot. Both arms run along her hips at the seams of elbow-length long gloves that end above the elbow, satin-smooth over the hands; a necklace of small bright stones sits flat on her collarbone above the plunging neckline. She turns her shoulders three-quarters away from the lens but drops her chin and looks straight down the camera with half-closed eyes and a small closed-lip smile; the hem of the slit skirt bellies out from the twist of her hips. Panel 2: a tighter close-up, tilted a few degrees off level, the same woman leaning toward the lens with one gloved hand pressed to her own chest, her other hand just leaving her lips as she blows a kiss straight at the viewer — lips pursed and pushed forward, eyes half-lidded, a warm blush across both cheeks, an open pleased grin breaking behind the gesture. The necklace rides up and catches the light as her throat extends; the hairband and ahoge are in clear view, bangs parting over her brow, and the fingers of the raised glove are a little foreshortened toward the camera. In both panels a single warm key light falls from high front-left, laying a highlight down the left of her face, her shoulders and the swell of the dress, casting a soft shadow behind her to the right, with deep unlit floor beyond; the only other light catches the necklace and the satin gloves. The palette stays in sapphire blue, cool skin tones, warm gold light and near-black surroundings, nothing else admitted but the white of her hair tips. Playful, effortlessly sultry.
Show Parameters
Original Prompt
Meisho doto de Uma musume, gigantes pechos, caderas anchas, en un vestido de noche de color azul con corte que muestra una pierna, guantes largos, tacones y un collar en su cuello. En otra viñeta da un beso a la cámara.
Mode
flash
Size
1104 x 1824
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AI artwork
カ
character: symboli_rudolf_(umamusume), copyright: azur_lane, umamusume pov, 1girl, solo, symboli_rudolf_(umamusume), horse ears, animal ears, brown hair, long hair, white streaked hair, multicolored hair, hair between eyes, purple eyes, tail, huge breasts, deep cleavage, off-shoulder, black and white evening dress, body-fitting silhouette, glossy satin, delicate lace trim, elegant decorative accents, long gloves, luxurious jewelry, outstretched hand, reaching toward viewer, palm up, inviting gesture, melting expression, half-closed eyes, ecstatic, flushed face, looking at viewer, close-up, from above, dutch angle, elegant, luxurious, refined black and white palette POV first-person composition, shot from slightly above and tilted a few degrees off level: the viewer's own viewpoint looking down and across as she leans in over them, so her face fills the upper third and her extended hand reaches into the lower foreground, foreshortened, fingertips almost brushing the lens. She faces the camera directly with her head tipped down toward the viewer, chin lowered, lids heavy and half-closed, a wet glaze over her violet-purple eyes, mouth parted softly at one corner as if caught on an exhale. Her long brown hair, streaked with white and pooling white strands at her temples and a lock falling between her eyes, hangs forward in a loose curtain over her shoulders, shifting with the lean; her horse ears angle back and down, softened rather than alert, and her tail sweeps out of frame behind her hip, only a curve of it glimpsed at the right edge. She wears a single evening dress in a strict black-and-white scheme: glossy black satin fitted tight to the body, drawing a taut uninterrupted silhouette from the deep off-shoulder neckline down over the waist and hips, the white entering only as a pale lace sleeve edging along the top edge and as a fine white lace panel tucked into the neckline border. The neckline plunges low between heavy breasts, the satin stretched and catching a long hard highlight over each curve, the valley between them in shadowed depth. Off-shoulder cut leaves her shoulders and collarbone bare, trimmed with a narrow band of delicate white lace, and small ornamental accents, a black satin bow with a jet clasp at the center of the neckline — sit as the only decorative break in the fabric's shine. Long opera gloves in glossy black satin sheathe both arms to above the elbow; the extended arm is the one reaching for the viewer, the glove's satin creasing minimally at the inside of the elbow, fingers open and relaxed, palm turned up. Jewelry reads as one luxurious set, kept spare: long faceted drop earrings in dark crystal against pale lobes, a thin diamond-line necklace resting just above the cleavage, and a wide bracelet band that crosses the glove at her extended wrist, its polished metal cutting a bright line against the black satin. Her other hand rests at her waist, fingertips curled into the fabric, the glove denting the satin slightly. Contact and weight: her torso leans toward the viewer with the weight of the lean taken at the hip; the reaching arm crosses her body's centerline so the forearm and open palm occupy the foreground, casting a soft shadow back across her own collarbone. Her eyes hold the viewer's directly and do not leave them; her expression is the answer to that look — languid, dazed, adoring. Warm key light from above and slightly behind the camera falls across the tops of her breasts, her brow and the bridge of her nose, leaving the underside of the chin, the depths of the neckline and the far side of her neck in cool shadow; the satin highlights are the only bright whites besides the lace. Background is a soft, dark, out-of-focus interior wall of deep charcoal so that she separates cleanly and the black and white dress carries the full color story. Rich, quiet, seductive opulence.
カルナ
AI artwork
カ
character: symboli_rudolf_(umamusume), copyright: azur_lane, umamusume pov, 1girl, solo, symboli_rudolf_(umamusume), horse ears, animal ears, brown hair, long hair, white streaked hair, multicolored hair, hair between eyes, purple eyes, tail, huge breasts, deep cleavage, off-shoulder, black and white evening dress, body-fitting silhouette, glossy satin, delicate lace trim, elegant decorative accents, long gloves, luxurious jewelry, outstretched hand, reaching toward viewer, palm up, inviting gesture, melting expression, half-closed eyes, ecstatic, flushed face, looking at viewer, close-up, from above, dutch angle, elegant, luxurious, refined black and white palette POV first-person composition, shot from slightly above and tilted a few degrees off level: the viewer's own viewpoint looking down and across as she leans in over them, so her face fills the upper third and her extended hand reaches into the lower foreground, foreshortened, fingertips almost brushing the lens. She faces the camera directly with her head tipped down toward the viewer, chin lowered, lids heavy and half-closed, a wet glaze over her violet-purple eyes, mouth parted softly at one corner as if caught on an exhale. Her long brown hair, streaked with white and pooling white strands at her temples and a lock falling between her eyes, hangs forward in a loose curtain over her shoulders, shifting with the lean; her horse ears angle back and down, softened rather than alert, and her tail sweeps out of frame behind her hip, only a curve of it glimpsed at the right edge. She wears a single evening dress in a strict black-and-white scheme: glossy black satin fitted tight to the body, drawing a taut uninterrupted silhouette from the deep off-shoulder neckline down over the waist and hips, the white entering only as a pale lace sleeve edging along the top edge and as a fine white lace panel tucked into the neckline border. The neckline plunges low between heavy breasts, the satin stretched and catching a long hard highlight over each curve, the valley between them in shadowed depth. Off-shoulder cut leaves her shoulders and collarbone bare, trimmed with a narrow band of delicate white lace, and small ornamental accents, a black satin bow with a jet clasp at the center of the neckline — sit as the only decorative break in the fabric's shine. Long opera gloves in glossy black satin sheathe both arms to above the elbow; the extended arm is the one reaching for the viewer, the glove's satin creasing minimally at the inside of the elbow, fingers open and relaxed, palm turned up. Jewelry reads as one luxurious set, kept spare: long faceted drop earrings in dark crystal against pale lobes, a thin diamond-line necklace resting just above the cleavage, and a wide bracelet band that crosses the glove at her extended wrist, its polished metal cutting a bright line against the black satin. Her other hand rests at her waist, fingertips curled into the fabric, the glove denting the satin slightly. Contact and weight: her torso leans toward the viewer with the weight of the lean taken at the hip; the reaching arm crosses her body's centerline so the forearm and open palm occupy the foreground, casting a soft shadow back across her own collarbone. Her eyes hold the viewer's directly and do not leave them; her expression is the answer to that look — languid, dazed, adoring. Warm key light from above and slightly behind the camera falls across the tops of her breasts, her brow and the bridge of her nose, leaving the underside of the chin, the depths of the neckline and the far side of her neck in cool shadow; the satin highlights are the only bright whites besides the lace. Background is a soft, dark, out-of-focus interior wall of deep charcoal so that she separates cleanly and the black and white dress carries the full color story. Rich, quiet, seductive opulence.
カルナ
AI artwork
カ
character: symboli_rudolf_(umamusume), copyright: azur_lane, umamusume pov, 1girl, solo, symboli_rudolf_(umamusume), horse ears, animal ears, brown hair, long hair, white streaked hair, multicolored hair, hair between eyes, purple eyes, tail, huge breasts, deep cleavage, off-shoulder, black and white evening dress, body-fitting silhouette, glossy satin, delicate lace trim, elegant decorative accents, long gloves, luxurious jewelry, outstretched hand, reaching toward viewer, palm up, inviting gesture, melting expression, half-closed eyes, ecstatic, flushed face, looking at viewer, close-up, from above, dutch angle, elegant, luxurious, refined black and white palette POV first-person composition, shot from slightly above and tilted a few degrees off level: the viewer's own viewpoint looking down and across as she leans in over them, so her face fills the upper third and her extended hand reaches into the lower foreground, foreshortened, fingertips almost brushing the lens. She faces the camera directly with her head tipped down toward the viewer, chin lowered, lids heavy and half-closed, a wet glaze over her violet-purple eyes, mouth parted softly at one corner as if caught on an exhale. Her long brown hair, streaked with white and pooling white strands at her temples and a lock falling between her eyes, hangs forward in a loose curtain over her shoulders, shifting with the lean; her horse ears angle back and down, softened rather than alert, and her tail sweeps out of frame behind her hip, only a curve of it glimpsed at the right edge. She wears a single evening dress in a strict black-and-white scheme: glossy black satin fitted tight to the body, drawing a taut uninterrupted silhouette from the deep off-shoulder neckline down over the waist and hips, the white entering only as a pale lace sleeve edging along the top edge and as a fine white lace panel tucked into the neckline border. The neckline plunges low between heavy breasts, the satin stretched and catching a long hard highlight over each curve, the valley between them in shadowed depth. Off-shoulder cut leaves her shoulders and collarbone bare, trimmed with a narrow band of delicate white lace, and small ornamental accents, a black satin bow with a jet clasp at the center of the neckline — sit as the only decorative break in the fabric's shine. Long opera gloves in glossy black satin sheathe both arms to above the elbow; the extended arm is the one reaching for the viewer, the glove's satin creasing minimally at the inside of the elbow, fingers open and relaxed, palm turned up. Jewelry reads as one luxurious set, kept spare: long faceted drop earrings in dark crystal against pale lobes, a thin diamond-line necklace resting just above the cleavage, and a wide bracelet band that crosses the glove at her extended wrist, its polished metal cutting a bright line against the black satin. Her other hand rests at her waist, fingertips curled into the fabric, the glove denting the satin slightly. Contact and weight: her torso leans toward the viewer with the weight of the lean taken at the hip; the reaching arm crosses her body's centerline so the forearm and open palm occupy the foreground, casting a soft shadow back across her own collarbone. Her eyes hold the viewer's directly and do not leave them; her expression is the answer to that look — languid, dazed, adoring. Warm key light from above and slightly behind the camera falls across the tops of her breasts, her brow and the bridge of her nose, leaving the underside of the chin, the depths of the neckline and the far side of her neck in cool shadow; the satin highlights are the only bright whites besides the lace. Background is a soft, dark, out-of-focus interior wall of deep charcoal so that she separates cleanly and the black and white dress carries the full color story. Rich, quiet, seductive opulence.
カルナ

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