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及川雫と農場のピッチフォーク

及川雫と農場のピッチフォーク AI art by きのこ大福 on PixAI. Tags: The Idolmaster, The Idolmaster Cinderella Girls. Made with Tsubaki.3.

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Master the Art! Become a Weapon Master!!#Weapon Master

#The Idolmaster #The Idolmaster Cinderella Girls #Oikawa Shizuku #THE IDOLM@STER CINDERELLA GIRLS STARLIGHT STAGE

Published on Nov 14, 2026

き

きのこ大福

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character: oikawa_shizuku 1girl, solo, oikawa shizuku, brown hair, short hair, brown eyes, pink jumpsuit, long sleeves, covered huge breasts, holding pitchfork, four-pronged pitchfork, agricultural pitchfork, two-handed grip, grip at an angle, diagonal hold, gentle smile, open mouth, smiling, looking at viewer, eye level, three quarter view, from side, turning, head turned toward viewer, torso twisted, sunny day, farm, dairy cows, cows in background, pasture, barn, blue sky, white clouds, detailed hands, five fingers, clean fingers, anime style, cel shaded, vibrant colors, flat color, 2d, clean lines, key visual, Eye-level neutral-angle three-quarter view: a young woman with short brown hair and brown eyes stands turning her body toward the viewer, head following the turn so her face is seen three-quarter as well, chin slightly lifted. She wears a one-piece pink jumpsuit with long sleeves, the fabric loose over arms and legs but drawn snug across a full bust, collar open at the throat, cuffs buttoned at the wrists and the hems tucked into work boots planted on the grass — one boot forward, her weight on the back leg so the whole turning motion reads in the hips and shoulders, jacket cloth swinging a beat behind the rotation. Both hands grip the wooden shaft of a four-pronged agricultural pitchfork: right hand high near the shaft's top under her shoulder, left hand lower and across her body, fingers individually drawn and clean, exactly five visible on each hand, thumbs wrapped on the far side of the shaft; the fork is held at a diagonal across her front-left, steel tines angled up and out to the side of frame, tip of the tallest tine clearing her shoulder, the shaft passing in front of her torso and its lower butt end disappearing behind her hip. Her mouth is open in a gentle smile, the smile of someone caught mid-greeting rather than posed; her gaze goes straight to the viewer, and where the fork's shaft crosses her body her hands read as the only point of contact between her and the tool. Around and behind her a sunny dairy farm: a fenced green pasture running back in a shallow diagonal, three black-and-white cows grazing at middle distance with one lifting its head toward her, a low whitewashed barn with a red roof further back, and above them a high blue sky with a few flat white clouds. The sun is high and to the right, so the light strikes the right side of her face and the right plane of the jumpsuit in bright warm pink, cast shadows fall left and short onto the grass, the pitchfork tines catch thin bright edge highlights, and the shirts of the cows' backs and the top rail of the fence are the only surfaces that read pale-hot. Palette held to saturated pink of the jumpsuit, the greens of the pasture, the white-and-black of the cows, warm sky blue and red roof — nothing outside that register. Cel-shaded flat color throughout, two-tone shadows with hard clean edges, crisp linework over every contour, detail budget spent on her face, hands, the shaft's wood grain and the fork's steel prongs; cows and barn simplified into flat shapes with single-tone shading. Bright, open, sun-warmed and welcoming.

及川雫と農場のピッチフォーク

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