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nimisiti
AI art by nimisiti on PixAI. Made with Tsubaki.3 Flash.
Show Parameters
- Original Prompt
- PSGรํฌํ ์ด์ปค, ๊ตต์ ์ , ๋จ์, ์นดํฐ, ์ค์ฑ์ ์ธ ์ธ๋ชจ, ๊ฒ์ ์ฌ๋ฐฑ๋จธ๋ฆฌ, ๋ถ์ ๋, ๋ถ์ y์ ์ธ , ๊ฒ์ ์ ์ฅ ์กฐ๋ผ, ๊ตฌ๋, ์ ๋ง ๊ผฌ๋ฆฌ, ์ ์ , ๋ ์ฌํจ,
- Mode
- flash
- Size
- 1104 x 1824
Prompt Helper
Model & LoRA used
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copyright: helltaker, panty_&_stocking_with_garterbelt
1girl, solo, full body, thick lineart, flat color, cartoon style, androgynous, slender, black hair, slicked back hair, red eyes, red dress shirt, black suit vest, leather shoes, demon tail, standing, from below, dutch angle, looking at viewer, half-closed eyes, smug, one eyebrow raised, hands in pockets, head tilt, wide shot,
The camera sits low and canted a few degrees off level, looking up the length of one androgynous figure planted alone against a seamless flat cream field, full body from the soles of the leather shoes to the crown of the head, nothing else in frame. The figure is slender, with a narrow waist, long straight legs and lean shoulders, standing with the weight carried on the right leg while the left heel lifts slightly off the ground, hips pushed a touch to one side, so the whole body reads as a single confident diagonal rather than a squared stance. Both hands are shoved deep in the trouser pockets, the wrists disappearing and the thumbs left outside, and that pushes the black vest open just enough for a strip of the red shirt to show down the centre.
All the hair is swept straight back from the forehead with no parting and no strand out of place, lying flat and glossy over the skull and tapering behind the ears; the sharply canted upward camera makes the hairline and the jaw the two strong lines of the head. The red eyes are half-lidded and fixed straight on the viewer, one brow arched higher than the other, and the mouth is pulled into a lopsided smirk with one corner lifted and the other flat. The chin tilts down a fraction even as the eyes come up under the brow, which is what makes the low angle feel like being appraised rather than threatened.
The red dress shirt is the only warm mass in the image, carried from the collar and the open front down along both inner arms and onto the cuffs; the black vest crosses over it with a deep V, its flat panels reading as one unbroken shape of black across the chest and waist, and black trousers run down to the shoes. The shoes are polished leather and catch a small hard white highlight along each toe cap. The demon tail is a thin black spade-tipped tail, and it is the one line in the body that breaks the pose: it comes out low behind the right hip, curls a lazy S through the empty cream space to the figure's left, and holds there, its pointed tip level with the knee and its weight drawn by gravity into a shallow downward sag before the tip, which is the single piece of physics the picture hangs on.
The light is a single flat studio source from the upper left, and in the cartoon idiom it lands as clean unmodulated blocks: a hard wedge of white down the left side of the face and the left shoulder, solid black shapes on the right cheek, the right side of the vest and the inner right leg, with no gradient between them. A crisp, graphically simplified cast shadow drops from both shoes and pools short and dark directly beneath them on the cream ground, slightly to the right, anchoring the figure to the floor. Everything is enclosed in thick confident black lineart with big shapes and no fine rendering, filled with flat unshaded colour, and the entire palette is red, black, the pale skin and the cream ground, nothing else admitted. Effortlessly stylish.
nimisiti
n
copyright: helltaker, panty_&_stocking_with_garterbelt
1girl, solo, full body, thick lineart, flat color, cartoon style, androgynous, slender, black hair, slicked back hair, red eyes, red dress shirt, black suit vest, leather shoes, demon tail, standing, from below, dutch angle, looking at viewer, half-closed eyes, smug, one eyebrow raised, hands in pockets, head tilt, wide shot,
The camera sits low and canted a few degrees off level, looking up the length of one androgynous figure planted alone against a seamless flat cream field, full body from the soles of the leather shoes to the crown of the head, nothing else in frame. The figure is slender, with a narrow waist, long straight legs and lean shoulders, standing with the weight carried on the right leg while the left heel lifts slightly off the ground, hips pushed a touch to one side, so the whole body reads as a single confident diagonal rather than a squared stance. Both hands are shoved deep in the trouser pockets, the wrists disappearing and the thumbs left outside, and that pushes the black vest open just enough for a strip of the red shirt to show down the centre.
All the hair is swept straight back from the forehead with no parting and no strand out of place, lying flat and glossy over the skull and tapering behind the ears; the sharply canted upward camera makes the hairline and the jaw the two strong lines of the head. The red eyes are half-lidded and fixed straight on the viewer, one brow arched higher than the other, and the mouth is pulled into a lopsided smirk with one corner lifted and the other flat. The chin tilts down a fraction even as the eyes come up under the brow, which is what makes the low angle feel like being appraised rather than threatened.
The red dress shirt is the only warm mass in the image, carried from the collar and the open front down along both inner arms and onto the cuffs; the black vest crosses over it with a deep V, its flat panels reading as one unbroken shape of black across the chest and waist, and black trousers run down to the shoes. The shoes are polished leather and catch a small hard white highlight along each toe cap. The demon tail is a thin black spade-tipped tail, and it is the one line in the body that breaks the pose: it comes out low behind the right hip, curls a lazy S through the empty cream space to the figure's left, and holds there, its pointed tip level with the knee and its weight drawn by gravity into a shallow downward sag before the tip, which is the single piece of physics the picture hangs on.
The light is a single flat studio source from the upper left, and in the cartoon idiom it lands as clean unmodulated blocks: a hard wedge of white down the left side of the face and the left shoulder, solid black shapes on the right cheek, the right side of the vest and the inner right leg, with no gradient between them. A crisp, graphically simplified cast shadow drops from both shoes and pools short and dark directly beneath them on the cream ground, slightly to the right, anchoring the figure to the floor. Everything is enclosed in thick confident black lineart with big shapes and no fine rendering, filled with flat unshaded colour, and the entire palette is red, black, the pale skin and the cream ground, nothing else admitted. Effortlessly stylish.
nimisiti
n
copyright: helltaker, panty_&_stocking_with_garterbelt
1girl, solo, full body, thick lineart, flat color, cartoon style, androgynous, slender, black hair, slicked back hair, red eyes, red dress shirt, black suit vest, leather shoes, demon tail, standing, from below, dutch angle, looking at viewer, half-closed eyes, smug, one eyebrow raised, hands in pockets, head tilt, wide shot,
The camera sits low and canted a few degrees off level, looking up the length of one androgynous figure planted alone against a seamless flat cream field, full body from the soles of the leather shoes to the crown of the head, nothing else in frame. The figure is slender, with a narrow waist, long straight legs and lean shoulders, standing with the weight carried on the right leg while the left heel lifts slightly off the ground, hips pushed a touch to one side, so the whole body reads as a single confident diagonal rather than a squared stance. Both hands are shoved deep in the trouser pockets, the wrists disappearing and the thumbs left outside, and that pushes the black vest open just enough for a strip of the red shirt to show down the centre.
All the hair is swept straight back from the forehead with no parting and no strand out of place, lying flat and glossy over the skull and tapering behind the ears; the sharply canted upward camera makes the hairline and the jaw the two strong lines of the head. The red eyes are half-lidded and fixed straight on the viewer, one brow arched higher than the other, and the mouth is pulled into a lopsided smirk with one corner lifted and the other flat. The chin tilts down a fraction even as the eyes come up under the brow, which is what makes the low angle feel like being appraised rather than threatened.
The red dress shirt is the only warm mass in the image, carried from the collar and the open front down along both inner arms and onto the cuffs; the black vest crosses over it with a deep V, its flat panels reading as one unbroken shape of black across the chest and waist, and black trousers run down to the shoes. The shoes are polished leather and catch a small hard white highlight along each toe cap. The demon tail is a thin black spade-tipped tail, and it is the one line in the body that breaks the pose: it comes out low behind the right hip, curls a lazy S through the empty cream space to the figure's left, and holds there, its pointed tip level with the knee and its weight drawn by gravity into a shallow downward sag before the tip, which is the single piece of physics the picture hangs on.
The light is a single flat studio source from the upper left, and in the cartoon idiom it lands as clean unmodulated blocks: a hard wedge of white down the left side of the face and the left shoulder, solid black shapes on the right cheek, the right side of the vest and the inner right leg, with no gradient between them. A crisp, graphically simplified cast shadow drops from both shoes and pools short and dark directly beneath them on the cream ground, slightly to the right, anchoring the figure to the floor. Everything is enclosed in thick confident black lineart with big shapes and no fine rendering, filled with flat unshaded colour, and the entire palette is red, black, the pale skin and the cream ground, nothing else admitted. Effortlessly stylish.
nimisiti
fh
Fu hi
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