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ミクさん詰め合わせ

ミクさん詰め合わせ AI art by 余命一万一日 on PixAI. Tags: Bondage, BDSM, Tape Gag, Immobilization, Gagged. Made with Tsubaki.3 Flash.

うむ。

#Hatsune Miku #Vocaloid #Tape Gag #Immobilization

Published on Nov 14, 2026

余

余命一万一日

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character: hatsune_miku 1girl, hatsune_miku, solo, sitting, chair, sitting on chair, from above, looking up, looking at viewer, full body, feet on floor, twintails, very long aqua hair, aqua eyes, green canvas sack, burlap sack, body bag, full body encasement, only head exposed, rope around neck, neck knot, cloth protrusion at neck, tape gag, mouth sealed with tape, grey packing tape, six leather belts, belt tightening, belts over sack, arms bound inside sack, legs bound inside sack, bound, immobile, hands not visible, indoor, concrete floor, overhead light, dutch angle slight, A high angle looking down at one girl seated squarely on a plain wooden chair in an empty concrete room, her head the only thing free of a heavy green canvas sack that sheathes her entire body from the collarbones to the toes. The sack is sewn to her shape — taut over the shoulders, drawn in at the waist, hugging the thighs and shins — neither loose nor straining, the coarse woven canvas catching the overhead light in fine crosshatch weave with soft creases only where the body bends: at the hips, behind the knees, at the ankles. Her feet, still inside the canvas, rest flat and parallel on the bare floor, the fabric tented over the toes and pressed pale where the weight bears down. At the throat the sack is gathered and tied off with a length of plain rope, its knot sitting just under her jaw, and about five centimetres of the canvas poke up past the tie to stand in a stiff ragged cuff that circles her neck completely, its frayed upper edge brushing her chin. Six dark leather belts cross the sack at even intervals from the chest down to the toes — chest, waist, hips, mid-thigh, knees, ankles — each drawn hard enough to bite a shallow groove into the canvas between them, the leather shining, the buckles aligned down her front, the fabric bulging slightly above and below each strap. A strip of grey packing tape is pressed flat across her mouth, its edges wrinkling into the skin at her cheeks and its surface faintly reflective, sealing her lips completely. Her long aqua twintails fall outside the sack from either side of her head, their ends pooling on the canvas of her shoulders and sliding down across the belts. Her chin is tipped back, her aqua eyes angled up into the lens, brows drawn slightly together, a small crease between them; she is holding still, breathing shallow through her nose. The overhead light is the only source: it falls from above and slightly in front, pooling on the crown of her head and the tops of her shoulders, dropping the undersides of her jaw, the inner folds of the sack and the floor directly beneath the chair into a close, soft darkness, with a short compressed shadow cast under the chair legs and her feet. The palette stays near monochrome — the deep vegetable green of the canvas, black-brown leather, grey tape, the concrete's cool grey — broken only by the flat aqua of her hair and eyes. Quiet, claustrophobic tension.

ミクさん詰め合わせ

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