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イケメン美少女剣士

イケメン美少女剣士 AI art by さけぞ on PixAI. Made with Tsubaki.3.

短足になってしもた

#blue hair #blue eyes

Published on Nov 14, 2026

さ

さけぞ

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1girl, solo, full body, anime style, digital painting, painting_style, visible_brushstroke, colorful, short blue hair, (((slightly long side locks reaching the jawline, thin pointed side locks, symmetrical side locks framing the face, ))), sharp narrowed eyes, closed mouth, androgynous, handsome female, knight, swordswoman, slender face, sharp jawline, petite, slender athletic build, lean toned body, subtle muscle definition, lightly toned arms and legs, slim runner's physique, very small chest, soft breasts, soft skin, small red bandana around neck, short-sleeved beige tunic, brown leather belt, crossbody leather strap, black shorts, brown leather boots, fingerless gloves, fantasy soldier, lightweight fighter, holding sword, one sword, empty scabbard, dynamic battle pose, from side, goblin, multiple goblins, battle, dust, motion blur, medieval village, detailed background, ((sntmtr_mio2artstyle20260608)), information overload, high-density lines, strong lines, intricate decorations, ultimate details. A low, three-quarter side view taken from her left: her left shoulder is turned square toward the lane where the goblins swarm, while the sword arm is pulled back and partly hidden behind her own torso. She is frozen at the split second before the strike — left leg thrust far forward with the knee folded over the front foot, right leg trailing back and pushing off the dirt, the rear toe digging in and flinging up a spray of grit and chaff. Her weight rides the front hip, tunic hem swinging, the loose ends of the bandana flapping toward her shoulder. Her head is turned into profile against the threat: sharp narrowed eyes locked on the goblin driving in at her, both lids drawn low, brow pulled down, jaw set and mouth closed in a flat line. Short blue hair, cut close at the back, with (((slightly long side locks reaching the jawline, thin pointed side locks, symmetrical side locks framing the face, ))) — the pointed tips flicking outward from the speed of her turn. The face is long and narrow with a clean sharp jawline, and the whole frame shows her full standing height: petite, athletic, a runner's lean build with faint muscle definition running down the lightly toned arms and calves, a very small chest under the short-sleeved beige tunic. Her gear reads clearly in the low light — small red bandana knotted at the throat above the open collar of the tunic, brown leather belt cinched at the hips, a leather strap running diagonally across her chest to a pouch at the opposite hip, black shorts, laced brown leather boots planted wide, fingerless gloves leaving her knuckles bare where they wrap the grip. The single sword is the only blade in the frame: her gloved right hand has it drawn back and low behind her body toward the right rear, the flat of the steel catching a thin bright edge of sky, while an empty scabbard rides at her waist, strapped flat over the black shorts, mouth open and invitingly bare. Around her the street erupts. A child-sized goblin with green skin, fanged mouth and a long pointed nose lunges in with a crude spear levelled at her ribs; a second swings a knotted wooden club down from her other flank; a third is already recoiling, ears flying back, arms thrown up. Spear haft and club cross only a hand's breadth from her shoulder, their crossing point buried in the dust cloud her back foot has kicked loose, debris and pebbles suspended mid-air, cloth and hair all leaning the same direction as her momentum. The setting is a rustic countryside settlement packed with incident — timber-framed houses of mismatched size crowding both sides of the lane, weathered beams and aged plaster walls, uneven tiled roofs, wooden fences, stacked firewood, barrels, crates and woven baskets, small sheds and a wooden cart parked beside a doorway, painted signboards and hanging cloth stirring overhead, wild grass and small flowers pushing up along the roadside among scattered stones, wagon tracks and bootprints pressed into the dirt path, a broken fence section and abandoned farming tools, narrow side paths slipping between buildings, chimneys, roof vents and half-shut wooden shutters, more houses layered into the middle distance, and beyond them farm fields rising into tree-covered hills and mountains. The light comes low from behind the rooftops on the right, warm and slightly hazy, laying long shadows across the lane, threading the dust motes gold and picking out the red of her bandana, the ochre plaster and mossy timber, and the wet green of goblin skin against a palette of earth brown, straw, and cold sky blue. Skin is rendered smooth, with beautifully detailed eyes and soft shading carried by gentle gradients. Linework stays clean and precise but dense — strong, information-overloaded linework, intricate decoration across the village clutter, visible brushwork in the plaster and foliage, and ultimate detail from the spearhead to the far hillside shutters — dramatising a taut, sunlit moment of close-quarters ferocity.

イケメン美少女剣士

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