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Iochi Mari 😺

Iochi Mari 😺 AI art by Yuki :3 on PixAI. Tags: Kemonomimi, Cat ears, Barefoot, Feet, blush, sitting, Dress. Made with Tsubaki.3 Flash.

Published on Nov 14, 2026

Yuki :3

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character: mari_(blue_archive), copyright: blue_archive 1girl, solo, mari \(blue_archive\), long hair, orange hair, blue eyes, animal ears, cat ears, animal ear fluff, hair between eyes, twintails, hairband, hair flower, hair ornament, yellow halo, white shirt, short sleeves, alternate costume, barefoot, bare legs, sitting, wariza, on bed, bed, bed sheet, pillow, indoors, window, curtains, hands up, hands in own hair, looking at viewer, smile, closed mouth, feet, foot focus, from above, high angle, dutch angle, foreshortening, soft light, warm palette, crayon texture The camera looks down from above and slightly to the left, tilted a few degrees off level, so the seated girl is seen from a high three-quarter angle that shortens her torso and throws her crossed legs and bare feet toward the lower foreground. She sits in wariza at the centre of a rumpled bed, shins folded flat against the mattress and crossed one over the other, both bare soles turned up toward the lens and reading large and close in the bottom third of the frame — the nearest thing to the camera, softly foreshortened. The white bed sheet is creased in long sweeps away from her knees and bunched where her weight sinks in, the fabric dimpling under each shin and rolling into a ridge behind her hips. A fat pillow lies half-tucked against the headboard at her left, its seam pressed into a soft dent where her elbow grazes it. Both hands are lifted and buried in her own hair: her right palm cupped behind her right ear, fingers combing up through the orange strands, her left hand gripping a loose coil of long hair near her temple so the locks pull taut and lift away from her cheek. Her twintails fall forward past her shoulders, ends swinging toward the pillow, and the fluff at the base of her animal ears ruffs outward where her fingers ruffle it. Her cat ears stand up from the crown of her head, the inner fluff catching the light; the yellow halo floats just above and behind them, a flat bright ring slightly tilted to the angle of her head. The white shirt is loose, short sleeves cut high on her upper arms, and its hem rides up over her hips as she sits, the collar open at her throat and nothing at her neck. Her chin lifts a touch and she looks straight up into the lens with a wide, closed-mouth smile — lips pressed together in a soft curve, eyes bright blue and fully open, one brow a fraction higher than the other. Her bare feet face the viewer, toes relaxed, the nearer sole showing its pale arch and the light dusting of shadow in the creases. Behind her, a tall window fills the upper-left of the frame; sheer curtains hang in gathered folds down its sides, one panel drawn aside and the pale daylight through the gap falling slantwise across the sheet, the pillow and the side of her face. That window is the only light source: it rakes from the upper left, so the lit side of her hair glows a warm translucent orange, the fluff inside her ears goes honey-gold, and the far side of the bed and the wall behind her sink into a warm dimness with a single soft cast shadow of her shoulders falling back onto the mattress. The palette is warm and restrained — orange hair, honey-yellow halo, chalk-white shirt and sheets, one stroke of pink from the flower at her hair, everything else a muted cream and shadowed ochre. The whole image is drawn without outlines, colour laid down in soft flat blocks with visible grainy crayon tooth in the pigment, edges soft and powdery where light meets shade. Tender, drowsy morning warmth.

Iochi Mari 😺

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