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朝焼けの白蓮

朝焼けの白蓮 AI art by オオクラユウア on PixAI. Tags: Touhou Project. Made with Tsubaki.3 Flash.

#Touhou Project

Published on Nov 14, 2026

オ

オオクラユウア

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character: hijiri_byakuren solo, 1girl, purple hair, gradient hair, multicolored hair, blonde hair, long hair, very long hair, hair between eyes, yellow eyes, white dress, long sleeves, from below, from side, dutch angle, looking up, outstretched arm, flowing hair, wind, cloudless sky, highly detailed face, soft shading, warm palette Slight dutch angle from below and to the side, the figure seen in three-quarter length as she turns her head up and away toward the upper left of the frame. She stands on the crest of a low grassy ridge, weight settled on her back right foot, left hip pushed forward, spine lengthened so her chest lifts — the whole line of her body drawn upward along the tilt of the frame. Her right arm is thrown out and up, fully outstretched, palm open and fingers spread against the sky as if she has just released something into the wind; her left hand gathers a fold of her skirt at her thigh, knuckles pale with the grip. Her chin is lifted, throat exposed, eyelids half lowered, lips parted on a breath, a faint upward pull at one corner of the mouth — quiet, private satisfaction, not a smile aimed at anyone. Her gaze travels up past her outstretched hand into empty sky; nothing in the frame returns it. Her very long hair is the principal subject of the wind: purple at the crown grading through a violet mid-length into blonde at the ends, and in this backlight the blonde tips go nearly luminous. The wind streams the whole mass out to the right and behind her, strands crossing in front of her shoulder, a few loose locks torn forward across her cheek and between her eyes, hair between her eyes pushed aside in a fine dark line. Her white dress has long sleeves loose enough to belly and snap, the near sleeve inflated away from her forearm, the far sleeve pressed flat to her side, the hem and skirts pulled taut against her legs on the windward side and blown free on the other. Fold shadows run as hard creases down the fabric; the cloth's motion is legible in the direction every fold points, all of them leaning the same way. Beyond the ridge the environment drops away — a wide shallow valley of sunlit grass going olive and then blue with distance, no trees, no buildings, nothing tall enough to break the horizon but the ridge itself. Above it, a flat cloudless sky from a hot pale white at the horizon to a deep saturated blue at the top of the frame. The sun sits low and behind her, off the top right of the composition, so she is rimmed: a hard bright edge traces the crown of her head, the top of her outstretched arm, the ridge of her shoulder and the flying hair, while her face and the front of the dress fall into warm reflected shadow, lit only by bounce coming up off the grass — a green-gold underlight on her jaw and the underside of her chin. Her cast shadow is thrown long toward the lower left, foreshortened, ragged at the hair's edge, and it crawls over the grass tufts bent in the same direction as her hair. Palette: white, violet, blonde, and the two blues of grass-shadow and sky, nothing else admitted. Detail budget goes to the face, the open hand and the way the hair and sleeve separate strand by strand against the sky. Serene, windswept.

朝焼けの白蓮

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