Sign up free, get 10,000 credits

Starter credits added when you sign up.

Sign up and create 8 images for free

Starter credits added when you sign up.

AI artwork
Generate for Free

ybcojuanybco

AI art by ybcojuanybco on PixAI. Made with Tsubaki.3 Flash.

y

ybcojuanybco

More to See

Comments

low angle, from below, ground level, wide shot, 1girl, solo, crouching, squatting on heels, girl at stream bank, dull blonde hair, medium hair, shoulder-length hair, loose hair, windblown hair, holding twig, both hands on twig, dipping twig into water, looking down at water, autumn, sunset, overcast sky, gray storm clouds, no rain, mountain valley, mountains, distant peaks, many tall poplar trees, very tall trees, yellow-orange leaves, falling leaves, swirling leaves in air, leaves on ground, wind, swaying branches, stream, meander, water flowing, old wooden bridge, bridge over stream, riverbank, grass, dry ground, cool muted palette, amber highlights, atmospheric perspective, The camera sits almost at the waterline at the near bank, tilted slightly up so the tall poplars on both sides rush out of the top of the frame and the valley walls climb behind them; the view is from the ground at the stream's edge, looking across and a little upstream. In the near right foreground a girl of about sixteen crouches on her heels on the dry grassy bank, knees drawn up, weight settled back on her heels and her torso tipped forward over the water; her dull blonde shoulder-length hair hangs loose and is blown sideways across her cheek by the wind, strands lifting. Both her hands grip one small dry twig, one hand above the other, and she has just pushed its tip under the surface of the stream so that a shallow V of ripples spreads out from it and the twig's bark darkens where the water climbs it; her forearms angle down from her knees, elbows resting near them, and the toes of her shoes press into the dry bank behind her. Her face is turned down and slightly in profile toward the twig, eyes on the water, a faint closed-lip, absorbed half-smile, one brow a little lower than the other. A few yellow-orange leaves are caught in her hair and on the shoulder of her jacket. The stream runs along the floor of the valley past her, swinging into a pronounced meander that curls away into the middle distance and out of sight behind the trees, its surface catching the last warm light in broken bright ribbons while the rest stays slate-dark. An old wooden bridge, weathered planks and a simple post-and-rail parapet, crosses the water at the far bend of the meander, small with distance, its timbers grey-brown and damp-stained above the waterline. Both banks and the ground beneath the poplars are carpeted in dry yellow-orange leaves, so thick the grass shows only in patches, and the leaves on the ground are dry and crisp-edged, none of them stuck flat or darkened by wet. Many very tall poplars, slender pale trunks with their foliage high up, stand in dense ranks on both sides; the wind visibly bends their crowns in one direction and tears loose leaves off into the air, where dozens of them tumble and spin sideways across the frame at different depths, large and sharp in the foreground, small and soft against the far trees. The sky is a sunset behind heavy grey storm cloud: a low band of dull orange and rose light sits under the cloud deck to the left of the valley, and the clouds above are slate and charcoal, thick and torn, but nothing falls from them -- the air is dry, the ground is dry, and no raindrop, streak or splash breaks the water's surface anywhere. Light comes only from that low band under the clouds, rimming the poplar trunks and the girl's hair and one side of her face with warm amber while the tree shadows and the near bank fall into cool blue-grey; long soft shadows stretch from the trunks across the leaf litter toward the camera. Palette: dull ochre and amber-orange in the leaves and light, slate blue-grey in water, cloud and shadow, bleached bone-grey trunks, no green except a faint olive in the surviving grass. Wind moving masses of leaves and the cold still water receiving the twig's ripples set the whole scene in motion around one small, quiet, absorbed gesture -- wistful and coldly luminous.
Show Parameters
Original Prompt
Paisaje de montaña, lugar valle entre montañas con muchos chopos muy altos , hojas amarillas anaranjadas de los chopos cayendo al suelo, un arroyó discurre por el fondo del valle, el arroyó tiene un meandro acentuado por donde discurre el agua, un puente antiguo de madera cruza el arroyó, atardecer de un día de otoño nublado con nubes grises de tormenta. No llueve. La imagen es vista desde cerca del ríos a pie de suelo, alrededor imponentes chopos con el viento moviendo sus ramas, el viento mueve las hojas amarillas anaranjadas por el aire, hay hojas amarillas anaranjadas por el suelo. Una chica de 16 años, de cuclillas en la orilla del arroyó, pelo rubio apagado a media melena juega con una pequeña rama metiéndola con sus propias manos en el agua del arroyó.
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.28k

Similar Images

Show more
AI artwork
y
low angle, from below, ground level, wide shot, 1girl, solo, crouching, squatting on heels, girl at stream bank, dull blonde hair, medium hair, shoulder-length hair, loose hair, windblown hair, holding twig, both hands on twig, dipping twig into water, looking down at water, autumn, sunset, overcast sky, gray storm clouds, no rain, mountain valley, mountains, distant peaks, many tall poplar trees, very tall trees, yellow-orange leaves, falling leaves, swirling leaves in air, leaves on ground, wind, swaying branches, stream, meander, water flowing, old wooden bridge, bridge over stream, riverbank, grass, dry ground, cool muted palette, amber highlights, atmospheric perspective, The camera sits almost at the waterline at the near bank, tilted slightly up so the tall poplars on both sides rush out of the top of the frame and the valley walls climb behind them; the view is from the ground at the stream's edge, looking across and a little upstream. In the near right foreground a girl of about sixteen crouches on her heels on the dry grassy bank, knees drawn up, weight settled back on her heels and her torso tipped forward over the water; her dull blonde shoulder-length hair hangs loose and is blown sideways across her cheek by the wind, strands lifting. Both her hands grip one small dry twig, one hand above the other, and she has just pushed its tip under the surface of the stream so that a shallow V of ripples spreads out from it and the twig's bark darkens where the water climbs it; her forearms angle down from her knees, elbows resting near them, and the toes of her shoes press into the dry bank behind her. Her face is turned down and slightly in profile toward the twig, eyes on the water, a faint closed-lip, absorbed half-smile, one brow a little lower than the other. A few yellow-orange leaves are caught in her hair and on the shoulder of her jacket. The stream runs along the floor of the valley past her, swinging into a pronounced meander that curls away into the middle distance and out of sight behind the trees, its surface catching the last warm light in broken bright ribbons while the rest stays slate-dark. An old wooden bridge, weathered planks and a simple post-and-rail parapet, crosses the water at the far bend of the meander, small with distance, its timbers grey-brown and damp-stained above the waterline. Both banks and the ground beneath the poplars are carpeted in dry yellow-orange leaves, so thick the grass shows only in patches, and the leaves on the ground are dry and crisp-edged, none of them stuck flat or darkened by wet. Many very tall poplars, slender pale trunks with their foliage high up, stand in dense ranks on both sides; the wind visibly bends their crowns in one direction and tears loose leaves off into the air, where dozens of them tumble and spin sideways across the frame at different depths, large and sharp in the foreground, small and soft against the far trees. The sky is a sunset behind heavy grey storm cloud: a low band of dull orange and rose light sits under the cloud deck to the left of the valley, and the clouds above are slate and charcoal, thick and torn, but nothing falls from them -- the air is dry, the ground is dry, and no raindrop, streak or splash breaks the water's surface anywhere. Light comes only from that low band under the clouds, rimming the poplar trunks and the girl's hair and one side of her face with warm amber while the tree shadows and the near bank fall into cool blue-grey; long soft shadows stretch from the trunks across the leaf litter toward the camera. Palette: dull ochre and amber-orange in the leaves and light, slate blue-grey in water, cloud and shadow, bleached bone-grey trunks, no green except a faint olive in the surviving grass. Wind moving masses of leaves and the cold still water receiving the twig's ripples set the whole scene in motion around one small, quiet, absorbed gesture -- wistful and coldly luminous.
ybcojuanybco
AI artwork
y
low angle, from below, ground level, wide shot, 1girl, solo, crouching, squatting on heels, girl at stream bank, dull blonde hair, medium hair, shoulder-length hair, loose hair, windblown hair, holding twig, both hands on twig, dipping twig into water, looking down at water, autumn, sunset, overcast sky, gray storm clouds, no rain, mountain valley, mountains, distant peaks, many tall poplar trees, very tall trees, yellow-orange leaves, falling leaves, swirling leaves in air, leaves on ground, wind, swaying branches, stream, meander, water flowing, old wooden bridge, bridge over stream, riverbank, grass, dry ground, cool muted palette, amber highlights, atmospheric perspective, The camera sits almost at the waterline at the near bank, tilted slightly up so the tall poplars on both sides rush out of the top of the frame and the valley walls climb behind them; the view is from the ground at the stream's edge, looking across and a little upstream. In the near right foreground a girl of about sixteen crouches on her heels on the dry grassy bank, knees drawn up, weight settled back on her heels and her torso tipped forward over the water; her dull blonde shoulder-length hair hangs loose and is blown sideways across her cheek by the wind, strands lifting. Both her hands grip one small dry twig, one hand above the other, and she has just pushed its tip under the surface of the stream so that a shallow V of ripples spreads out from it and the twig's bark darkens where the water climbs it; her forearms angle down from her knees, elbows resting near them, and the toes of her shoes press into the dry bank behind her. Her face is turned down and slightly in profile toward the twig, eyes on the water, a faint closed-lip, absorbed half-smile, one brow a little lower than the other. A few yellow-orange leaves are caught in her hair and on the shoulder of her jacket. The stream runs along the floor of the valley past her, swinging into a pronounced meander that curls away into the middle distance and out of sight behind the trees, its surface catching the last warm light in broken bright ribbons while the rest stays slate-dark. An old wooden bridge, weathered planks and a simple post-and-rail parapet, crosses the water at the far bend of the meander, small with distance, its timbers grey-brown and damp-stained above the waterline. Both banks and the ground beneath the poplars are carpeted in dry yellow-orange leaves, so thick the grass shows only in patches, and the leaves on the ground are dry and crisp-edged, none of them stuck flat or darkened by wet. Many very tall poplars, slender pale trunks with their foliage high up, stand in dense ranks on both sides; the wind visibly bends their crowns in one direction and tears loose leaves off into the air, where dozens of them tumble and spin sideways across the frame at different depths, large and sharp in the foreground, small and soft against the far trees. The sky is a sunset behind heavy grey storm cloud: a low band of dull orange and rose light sits under the cloud deck to the left of the valley, and the clouds above are slate and charcoal, thick and torn, but nothing falls from them -- the air is dry, the ground is dry, and no raindrop, streak or splash breaks the water's surface anywhere. Light comes only from that low band under the clouds, rimming the poplar trunks and the girl's hair and one side of her face with warm amber while the tree shadows and the near bank fall into cool blue-grey; long soft shadows stretch from the trunks across the leaf litter toward the camera. Palette: dull ochre and amber-orange in the leaves and light, slate blue-grey in water, cloud and shadow, bleached bone-grey trunks, no green except a faint olive in the surviving grass. Wind moving masses of leaves and the cold still water receiving the twig's ripples set the whole scene in motion around one small, quiet, absorbed gesture -- wistful and coldly luminous.
ybcojuanybco
AI artwork
y
low angle, from below, ground level, wide shot, 1girl, solo, crouching, squatting on heels, girl at stream bank, dull blonde hair, medium hair, shoulder-length hair, loose hair, windblown hair, holding twig, both hands on twig, dipping twig into water, looking down at water, autumn, sunset, overcast sky, gray storm clouds, no rain, mountain valley, mountains, distant peaks, many tall poplar trees, very tall trees, yellow-orange leaves, falling leaves, swirling leaves in air, leaves on ground, wind, swaying branches, stream, meander, water flowing, old wooden bridge, bridge over stream, riverbank, grass, dry ground, cool muted palette, amber highlights, atmospheric perspective, The camera sits almost at the waterline at the near bank, tilted slightly up so the tall poplars on both sides rush out of the top of the frame and the valley walls climb behind them; the view is from the ground at the stream's edge, looking across and a little upstream. In the near right foreground a girl of about sixteen crouches on her heels on the dry grassy bank, knees drawn up, weight settled back on her heels and her torso tipped forward over the water; her dull blonde shoulder-length hair hangs loose and is blown sideways across her cheek by the wind, strands lifting. Both her hands grip one small dry twig, one hand above the other, and she has just pushed its tip under the surface of the stream so that a shallow V of ripples spreads out from it and the twig's bark darkens where the water climbs it; her forearms angle down from her knees, elbows resting near them, and the toes of her shoes press into the dry bank behind her. Her face is turned down and slightly in profile toward the twig, eyes on the water, a faint closed-lip, absorbed half-smile, one brow a little lower than the other. A few yellow-orange leaves are caught in her hair and on the shoulder of her jacket. The stream runs along the floor of the valley past her, swinging into a pronounced meander that curls away into the middle distance and out of sight behind the trees, its surface catching the last warm light in broken bright ribbons while the rest stays slate-dark. An old wooden bridge, weathered planks and a simple post-and-rail parapet, crosses the water at the far bend of the meander, small with distance, its timbers grey-brown and damp-stained above the waterline. Both banks and the ground beneath the poplars are carpeted in dry yellow-orange leaves, so thick the grass shows only in patches, and the leaves on the ground are dry and crisp-edged, none of them stuck flat or darkened by wet. Many very tall poplars, slender pale trunks with their foliage high up, stand in dense ranks on both sides; the wind visibly bends their crowns in one direction and tears loose leaves off into the air, where dozens of them tumble and spin sideways across the frame at different depths, large and sharp in the foreground, small and soft against the far trees. The sky is a sunset behind heavy grey storm cloud: a low band of dull orange and rose light sits under the cloud deck to the left of the valley, and the clouds above are slate and charcoal, thick and torn, but nothing falls from them -- the air is dry, the ground is dry, and no raindrop, streak or splash breaks the water's surface anywhere. Light comes only from that low band under the clouds, rimming the poplar trunks and the girl's hair and one side of her face with warm amber while the tree shadows and the near bank fall into cool blue-grey; long soft shadows stretch from the trunks across the leaf litter toward the camera. Palette: dull ochre and amber-orange in the leaves and light, slate blue-grey in water, cloud and shadow, bleached bone-grey trunks, no green except a faint olive in the surviving grass. Wind moving masses of leaves and the cold still water receiving the twig's ripples set the whole scene in motion around one small, quiet, absorbed gesture -- wistful and coldly luminous.
ybcojuanybco
AI artwork
y
A digital anime illustration based on image1. The girl crouches by the water holding a stick, looking directly at the camera with a very joyful smile. Her hair is a darker yellow with distinct highlights. She wears the same olive-green jacket, dark shorts, and boots as image1. The stream features a single, sharply accentuated curve. Trees grow in random, scattered positions along the banks, with absolutely no trees standing inside the water. The wooden bridge and distant mountains from image1 remain in the background. Yellow-orange autumn leaves fall thickly from the trees, swirling dynamically in the wind. The art style stays the same as the input image1.
ybcojuanybco

Explore more

Recommended Creators

You might like

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#Puella Magi Madoka Magica#Kaname Madoka#Puella Magi Madoka Magica
HomeModelsGenerateRecipeProfile