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AI art "玉座に座すドラゴンボーイ" featuring #long hair, #white hair, #Horns, #Golden eyes, #Cape, #Boy, #Dragon Boy and #Slicked-back hair
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玉座に座すドラゴンボーイ

玉座に座すドラゴンボーイ AI art by 阿部優 on PixAI. Tags: white hair, Horns, Golden eyes, Cape, Dragon Boy. Made with Tsubaki.3 Flash.

紫の魔力が漂う玉座に立つ、ドラゴンの力を持つ彼の姿に一目惚れしました。白銀の髪と金色の瞳が織りなす神秘的な雰囲気がたまらなく魅力的で、つい見入ってしまいます。気に入っていただけたら、いいねやフォローをしてくれると嬉しいです！コメントもお待ちしています。

#long hair#white hair#Horns#Golden eyes#Cape#Boy#Dragon Boy#Slicked-back hair
阿

阿部優

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solo, 1boy, tall imposing male figure, full body, slight low angle, from below, standing, commanding regal pose, one clawed hand slightly raised, left hand black talon claws, long silver-white hair, hair swept back, glowing golden eyes, slit pupils, dragon eyes, two dark dragon horns curving back from brow, purple-black dragon scales on jawline, scales on neck, scales on left arm, black-violet military longcoat uniform, gold trim, gold serpent clasps, gold epaulettes, huge mantle, imperial purple lining, mantle spreading wide, massive black obsidian throne, dragon-head ornaments, carved throne, grand hall, swirling violet flames, violet fire coiling upward, rearing dragon silhouette in flames, warm brazier glow, brazier, dramatic rim lighting, dark fantasy, clean precise line art, rich gem-like coloring, character profile illustration, looking down at viewer, confident closed-mouth smirk, dutch angle on throne, no text, no watermark, no ui, The camera sits low and close to the polished floor, tilted up a few degrees so the figure towers over the lens: he stands full-body, centered but not square, weight sunk into his right leg with the left knee eased forward, boots planted wide apart on the black marble, his long shadow thrown back toward the throne. His head is tipped slightly down, chin level, glowing golden slit eyes aimed straight out at the viewer with a flat, confident curl at one corner of the mouth, brows low and unimpressed. His left arm is lifted just below shoulder height, elbow bent, black talon claws splayed and held half-curled as if the violet fire itself answered to them; the right arm hangs relaxed, gloved hand resting loose against his hip, thumb hooked behind the gold serpent clasp of his belt. The clawed left hand is the brightest catchlight in the frame. Behind and slightly above him, the massive black obsidian throne rises, its high back crowned with carved dragon-head ornaments whose snouts jut forward on either side of his shoulders and whose obsidian facets catch thin knives of purple light; the throne reads as the larger mass, deliberately underlit and half-swallowed by shadow. The great hall recedes into a colonnade of dark pillars, all edges dissolving into smoke. The violet flames do the work of the composition: they coil upward from braziers flanking the dais and, behind him, their curling tongues braid into the clear silhouette of a rearing dragon, its horned head thrown back above his own, wings suggested by the fanning fire. Because the fire is behind him, his whole outline is rimmed in cold violet -- the edges of the spreading mantle, the shoulders, the horns, the outer line of the silver-white hair -- while the warm brazier glow sits low and forward, painting amber along his jaw, the underside of the gold epaulettes and the inner lining of the mantle. The imperial purple lining flares as the mantle spreads wide to either side, billowing out from his shoulders in a broad wing-like arc, the fabric lifting away from his body as if pushed by the rising heat; the black-violet longcoat beneath is buttoned high, gold trim running in hard bright lines down the front and cuffs, gold serpent clasps coiled at the chest. Colour discipline: obsidian black, deep violet and imperial purple as the ground, silver-white hair and pale skin as the only cool lights, and gold admitted only as thin hard metal -- trim, clasps, epaulettes, the glow of his eyes. The upward draught lifts strands of his hair slowly and makes the mantle's edge ripple with one slow travelling fold. Slight low angle, theatrical, imperious.
Show Parameters
Mode
flash
Size
848 x 1280

Model & LoRA used

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.19k

Creation Assistant

Mio.2
Agent
Mio.2

Minimal input, professional output

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1boy, solo, adult man, mid-20s, bishounen, pretty boy, long black hair, black eyes, god of darkness, sacred darkness, holy dark aura, divine radiance of shadow, from below, worm's-eye view, looking down at viewer, low angle, tall vertical composition, high-collared floor-length black velvet robe, silver embroidery along hems, wide obsidian belt, onyx staff, glowing dark crystal, outstretched arm, holding staff, black and silver palette, cathedral darkness, halo of black light, drifting black motes rising upward The view is from below, near the floor, tilted up: he stands over the camera at the top of a short flight of black stone steps, so his hem and the staff's butt-end sit close and large in the foreground while his head and shoulders recede into a vault of unlit air. His weight rests on his right leg, the left knee bent and the left foot set one step lower, hip cocked; his right hand grips the onyx staff at chest height, thumb-crease pressed into the polished shaft, knuckles pale against it, and the staff's butt is planted on the step beside his forward foot, its dark crystal crowning the frame's upper third. His left arm hangs half-raised with fingers loosely curled, wrist turned outward, and the wide velvet sleeve falls away from the forearm in a long diagonal fold. The high collar stands close to his jaw, one edge of silver embroidery catching light along its rim; the robe is heavy black velvet, its nap reading as soft vertical blooms down the chest and breaking into deep matte shadow below the obsidian belt, whose flat polished face reflects the crystal above in a single stretched vertical highlight. His long black hair is unbound, lifting slightly and drifting to his left as if in a slow updraft, a few strands crossing the collar and one lock falling forward over the silver-embroidered placket; the strands nearest the light separate into fine glossy lines while the mass behind his shoulders sinks into the dark. He looks straight down the camera axis, chin lowered a fraction, lids heavy, lips closed and level, one brow faintly raised -- the calm of something being judged and found small. The light is his own and comes from the crystal at the staff's head: cold, blue-white at the core, bleeding violet at its edges, striking the right side of his jaw, the right cheekbone, the rim of the collar and the top plane of the belt, while the left side of his face and the whole left flank of the robe sink into near-black. Everything above and behind him is unlit vault; the crystal is the only source, and beyond its reach the darkness is absolute. Around and above him the sacred dark thickens into a visible aura -- concentric veils of black that thin to smoky translucency at their edges, ringed by a faint silver corona like a halo rendered in negative, and fine black motes drift upward through it, each one lit only on the face turned toward the crystal. Where the aura's edge crosses the stone behind him, the carved surface is legible in a narrow band and gone in the next; where the staff's crystal hangs close to the velvet of his shoulder, the nap glows a dull violet along the grain while the shaded folds stay dead black -- the light exists only where the cloth faces it. Black, silver and cold violet, nothing else admitted: black in hair, robe and vault; silver in the embroidery, the belt's highlight and the corona; violet only where the crystal's light lands. Clean linework throughout; colours kept gentle, his skin smooth and glossy with a soft sheen along the lit cheek and the back of the gripping hand, and his eyes rendered with expressive depth -- dark irises holding a pinpoint of the crystal's light, lashes distinct. Detail is spent on the face, the gripping hand, the collar's embroidery and the crystal's carved setting; the steps and vault are simplified to big dark shapes. Still, sovereign, quietly terrible.
wealthhappy2004

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