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Towa Higurasi

AI art by Towa Higurasi on PixAI. Made with Tsubaki.3.

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Towa Higurasi

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character: higurashi_towa 1girl, solo, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, serene, wistful, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, focal point, balanced composition, oil painting, traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, sharp focal point on face, soft background, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field A very wide shot in true side profile: the girl sits alone high on a thick oak branch that runs from the lower-left of the frame up toward the right, the limb's diagonal mirrored by the milky way's band, so the whole picture tilts on one rising line. She occupies barely a fifth of the canvas, set off-center to the right, and the left half is open night sky -- a broad pool of negative space the boughs frame without filling. Her body is turned three-quarters away from the lens, knees toward the far side; the near leg is drawn up with the boot's brown leather wedged flat on the bark and the lower leg hanging loose below the branch, and the far leg disappears along the limb behind the near thigh. Her left hand rests on her own chin, palm against the jaw, fingertips pressed to the cheek just under the cheekbone, the elbow planted on the raised knee so the arm makes a taut triangle; the right hand lies open on the bark behind her hip, fingers curled over the branch's ridge for balance. The weight sits back on her sitting bones and is funneled into the wood, and because one leg hangs free the hips are canted and the jacket's white hem rides up a hand's breadth on the raised-knee side, exposing the white trousers at the waist. Her short silver-white hair is cut just above the jaw with a heavier sweep across the brow and strands falling between her eyes; where the hair is lifted by the draught two narrow red streaks catch the moonlight along the crown and behind the near ear, and the short ends flick back from her temple so the profile stays clean. Her chin is tipped up: she is looking up and out past her own raised knee into the sky, lids half-lowered, lips pressed closed, the faintest softening at the mouth; the eye's white catches the moon and the iris is turned up and away from the viewer, giving the profile its wistful quiet. She wears the white school uniform jacket with blue trim piping its lapels, cuffs and hem, a red ribbon knotted at the collar, white trousers, and brown shoes; the jacket hangs open and its front edge swings out from her ribs, and the ribbon's tails lift and flutter back along her shoulder. The large oak fills the lower right and lower left corners with heavy black trunks and a few leaf clusters in palette-knife slabs of ochre and violet; the thick branch under her bears a ridge of raised bark and a shallow saddle where her weight compresses it, and one leaf lands on the branch's upward-facing ridge where fallen leaves have gathered, never on its underside -- the one physics detail that makes the night airy and moving. A full moon hangs high in the upper left, warm and gold-tinged, ringed by a soft ochre halo, and the milky way's pale violet-and-indigo river of stars cuts diagonally through the deep midnight blue; a single shooting star is scratched thin and bright, low across the middle right, its head brighter than its tail. Moonlight is the only source: it strikes from above and slightly behind her, rim-lighting her silver hair, the near shoulder of the white jacket, the raised knee and the top of the branch with a warm gold edge, while everything the moon does not reach -- her face's far side, the undersides of the boughs, her hanging boot -- falls into cool indigo and violet shadow; a soft cast shadow of the branch and of her dangling leg drops onto the bark below. Palette is a limited one: deep indigo, midnight blue and violet for the sky and shadows, ochre and gold for the moon, moonlight rim and leaves, small red accents only in the two hair streaks and the ribbon at her throat. The rendering is traditional oil on textured canvas: impasto and palette-knife slabs in the moon, leaves and bark; thick, visible brushstrokes and expressive brushwork; loose edges dissolving the star field and the distant branches into softness, while the face keeps a sharp focal point -- the profile of nose, lips and closed jaw rendered crisp against all that soft background under strong chiaroscuro. Shallow depth of field keeps the nearby leaves just short of focus. Serene, wistful.
Show Parameters
Original Prompt
masterpiece, best quality, amazing quality, very aesthetic, absurdres, newest, 1girl, solo, higurashi towa, yashahime, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, serene, wistful, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, focal point, balanced composition, oil painting (medium), traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, sharp focal point on face, soft background, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field
Mode
pro
Size
1344 x 832
Negative
lowres, bad anatomy, bad hands, extra fingers, fused fingers, missing fingers, deformed, cropped, cropped feet, out of frame, head out of frame, blurry, out of focus, low detail, flat color, cel shading, clean lineart, vector, plastic skin, oversaturated, neon, text, watermark, signature, jpeg artifacts, worst quality, long hair, multiple girls, extra limbs
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Avatar image of Towa Higurasi
character: higurashi_towa 1girl, solo, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, serene, wistful, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, focal point, balanced composition, oil painting (medium), traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, sharp focal point on face, soft background, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field, bare ears, hair completely unadorned except for the ribbon at the back of her head, looking at object, arm support, feet dangling, profile, Seen from the side in a very wide lateral view, the girl sits far off-center in the right third of a huge vertical canvas, a small figure against an enormous night. She is in strict profile facing screen-left, perched on a thick oak branch that runs as a single bold diagonal from the lower-left foreground up toward her hip and out of frame to the upper right; the branch's underside is black, its upward-facing bark catches a thin ochre-and-gold line of moonlight, and the branch's weight bows the limb so it dips slightly beneath her. Her near leg is drawn up with the knee high and the boot heel planted flat on the bark, the far leg hanging down and swinging loose, the toe of her brown shoe pointing down into empty air. Her back is straight but relaxed, her weight settled on her seat bone and the palm of her far hand flat on the bark behind her hip for support. Her near arm is bent, elbow resting low, the back of her knuckles and curled fingers tucked under her chin so her jaw presses lightly into them, the chin lifted; her short silver hair, cut just below the ear at the nape with a fringe falling between her brows and two fine red streaks sweeping through the front lock, hangs still with a few strands lifted by a slow upward draft, and a small red ribbon gathers the hair at the back of her head. Both ears are bare, the hair otherwise completely unadorned. Her jacket is white with a trim of deep blue along the collar, cuffs and hem, buttoned, the hem riding up a little where she leans back, white pants wrinkled at the knee and the ankle, brown shoes scuffed and matte. Her eyes are open and turned steeply upward, watching the sky, and her mouth is closed in a soft, even line, brows faintly drawn inward -- a serene, wistful quiet held in the small lift of her chin and the slow slack of her shoulders rather than in any smile. Above and behind her the sky is the whole of the upper two-thirds: a deep indigo ground grading to midnight blue at the zenith, the Milky Way sweeping as a pale violet-white band diagonally across from the upper left toward the moon, thick with clustered star dabs pressed on with the palette knife tip. A full moon hangs high in the left-of-center negative space, warm ochre-white, haloed with a rough impasto ring of gold, and one thin shooting star streaks down and to the right from the upper left, a bright head with a scraped-back white tail, the only hard-edged line in the sky. The empty sky is the image's largest area of quiet -- negative space that balances the small cluster of figure, branch and trunk on the lower right. Dark oak limbs and a fringe of leaves frame the top-left and left edge in near-black silhouette, soft and out of focus; thick brush strokes build the foliage, tapering to loose, broken edges that let the sky sparkle through. Loose leaves drift down through the middle of the frame, ochre and dull gold, each one catching moonlight along one edge and tumbling at a different tilt, one of them crossing in front of the moonlit trunk. The moon is the sole light source. Its warm ochre light rakes from the upper left, laying a hard rim along her profile -- brow, nose, upper lip, chin, the top of her shoulder, the raised knee, the top surface of the branch -- each rim broken into visible short palette-knife strokes of gold, and where it strikes her white uniform the cloth glows warm but never pure white. Everything the moon cannot reach falls into cool blue-violet shadow: the underside of her jaw, the hollow of her eye, the front of her jacket, the branch's belly and the whole mass of the trunk, so that her closed profile reads as a single bright contour against blackness -- chiaroscuro built from two decisions only. On the bark beside her hip, the ribbon's red repeats as one small red accent, with another tiny red note in the streaks of her hair and a third in a single leaf catching light; nothing else red is admitted. The full-body figure and her face are worked tight and sharp, the paper of the canvas grain faintly visible in the impasto of her cheek and hand; the sky, the distant leaves and the far limbs dissolve into soft scumbled strokes so depth of field comes from paint handling rather than blur. Composition runs on the diagonal: the milky band, the branch, her gaze and her raised knee all lean the same way, her chin-lifted eyesight following that leading line up and out of frame toward the moon, and the whole heavy trunk anchoring the lower right while the left half breathes. The palette is limited and disciplined -- deep indigo, midnight blue and violet in the sky and shadows, warm ochre and gold only where the moonlight lands, cool pale blue-violet on her white garments' shadow side, and red only in those three small accents. Serene, wistful.
Towa Higurasi
AI artwork
Avatar image of Towa Higurasi
character: higurashi_towa 1girl, solo, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, serene, wistful, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, focal point, balanced composition, oil painting (medium), traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, sharp focal point on face, soft background, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field, bare ears, hair completely unadorned except for the ribbon at the back of her head, looking at object, arm support, feet dangling, profile, Seen from the side in a very wide lateral view, the girl sits far off-center in the right third of a huge vertical canvas, a small figure against an enormous night. She is in strict profile facing screen-left, perched on a thick oak branch that runs as a single bold diagonal from the lower-left foreground up toward her hip and out of frame to the upper right; the branch's underside is black, its upward-facing bark catches a thin ochre-and-gold line of moonlight, and the branch's weight bows the limb so it dips slightly beneath her. Her near leg is drawn up with the knee high and the boot heel planted flat on the bark, the far leg hanging down and swinging loose, the toe of her brown shoe pointing down into empty air. Her back is straight but relaxed, her weight settled on her seat bone and the palm of her far hand flat on the bark behind her hip for support. Her near arm is bent, elbow resting low, the back of her knuckles and curled fingers tucked under her chin so her jaw presses lightly into them, the chin lifted; her short silver hair, cut just below the ear at the nape with a fringe falling between her brows and two fine red streaks sweeping through the front lock, hangs still with a few strands lifted by a slow upward draft, and a small red ribbon gathers the hair at the back of her head. Both ears are bare, the hair otherwise completely unadorned. Her jacket is white with a trim of deep blue along the collar, cuffs and hem, buttoned, the hem riding up a little where she leans back, white pants wrinkled at the knee and the ankle, brown shoes scuffed and matte. Her eyes are open and turned steeply upward, watching the sky, and her mouth is closed in a soft, even line, brows faintly drawn inward -- a serene, wistful quiet held in the small lift of her chin and the slow slack of her shoulders rather than in any smile. Above and behind her the sky is the whole of the upper two-thirds: a deep indigo ground grading to midnight blue at the zenith, the Milky Way sweeping as a pale violet-white band diagonally across from the upper left toward the moon, thick with clustered star dabs pressed on with the palette knife tip. A full moon hangs high in the left-of-center negative space, warm ochre-white, haloed with a rough impasto ring of gold, and one thin shooting star streaks down and to the right from the upper left, a bright head with a scraped-back white tail, the only hard-edged line in the sky. The empty sky is the image's largest area of quiet -- negative space that balances the small cluster of figure, branch and trunk on the lower right. Dark oak limbs and a fringe of leaves frame the top-left and left edge in near-black silhouette, soft and out of focus; thick brush strokes build the foliage, tapering to loose, broken edges that let the sky sparkle through. Loose leaves drift down through the middle of the frame, ochre and dull gold, each one catching moonlight along one edge and tumbling at a different tilt, one of them crossing in front of the moonlit trunk. The moon is the sole light source. Its warm ochre light rakes from the upper left, laying a hard rim along her profile -- brow, nose, upper lip, chin, the top of her shoulder, the raised knee, the top surface of the branch -- each rim broken into visible short palette-knife strokes of gold, and where it strikes her white uniform the cloth glows warm but never pure white. Everything the moon cannot reach falls into cool blue-violet shadow: the underside of her jaw, the hollow of her eye, the front of her jacket, the branch's belly and the whole mass of the trunk, so that her closed profile reads as a single bright contour against blackness -- chiaroscuro built from two decisions only. On the bark beside her hip, the ribbon's red repeats as one small red accent, with another tiny red note in the streaks of her hair and a third in a single leaf catching light; nothing else red is admitted. The full-body figure and her face are worked tight and sharp, the paper of the canvas grain faintly visible in the impasto of her cheek and hand; the sky, the distant leaves and the far limbs dissolve into soft scumbled strokes so depth of field comes from paint handling rather than blur. Composition runs on the diagonal: the milky band, the branch, her gaze and her raised knee all lean the same way, her chin-lifted eyesight following that leading line up and out of frame toward the moon, and the whole heavy trunk anchoring the lower right while the left half breathes. The palette is limited and disciplined -- deep indigo, midnight blue and violet in the sky and shadows, warm ochre and gold only where the moonlight lands, cool pale blue-violet on her white garments' shadow side, and red only in those three small accents. Serene, wistful.
Towa Higurasi
AI artwork
Avatar image of Towa Higurasi
character: higurashi_towa 1girl, solo, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, oil painting, traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field, serene, wistful Seen in pure side profile from a distance, the girl sits alone on a thick horizontal oak limb that cuts diagonally through the frame from lower left to upper right, off-center to the right; her body occupies only about a fifth of the wide canvas, with the deep indigo night swelling as enormous negative space at the left. Her near leg is drawn up, knee high, the white pant leg creasing at the hip, the brown shoe planted flat on the bark; the far leg hangs down along the trunk side, heel tucked back, toes pointing into the dark. Her torso leans fractionally forward, elbow of the far arm propped on the raised knee so the hand comes to her chin — fingers loosely curled against the jaw, index along the cheekbone, knuckles touching the closed lips' corner. The near arm rests across her raised shin, wrist slack. Short silver-white hair falls just past the jawline, the strands over the brow and between the eyes lifted slightly by the night air, and the red streaks — one at the temple, one behind the ear — catch the moon as the only warm-bright threads on her head; the white jacket with its blue trim at the cuffs, hem and lapel is the brightest mass in the picture, the red ribbon at the collar a small tight accent, and the white pants pick up cool blue in their folds. Her chin is tilted back and her eyes are lifted clear of the horizon, fixed high on the sky, soft and unfocused with thought rather than focused on any one star; the profile shows the calm closed mouth, the faintest upward pull at its corner, a lower lid slightly raised — serene and wistful at once. The full moon hangs high at the upper left, the single source: it rims the top of her hair, the bridge of her nose, the shoulder and the top edge of the raised knee in warm gold-ochre light, while every surface facing away — the underside of the branch, the front of her jacket, the hollow of her throat — sinks into violet and midnight blue, and her cast shadow falls sharp-edged along the bark behind her. The milky way sweeps in a broad pale band behind the trunk, granular and soft, a single shooting star scratching a thin gold line down and to the right, and leaves drift down through the frame, each one lit only on the face turned toward the moon. The face is the one sharp focal point — crisp at the jaw, the lashes, the knuckles at the chin — while the branch's far end, the canopy and the star field blur into soft painterly edges, depth of field falling away in layers. Oil on textured canvas: impasto laid with a palette knife in the bark and the moon's disc, thick visible brushstrokes in the sky's indigo-to-violet gradation, loose expressive edges where the leaves and the milky way dissolve, tight controlled strokes only in the face; the palette admits nothing beyond deep indigo, midnight blue, violet and ochre with gold accents, plus the small red accents of ribbon and hair streaks. Quiet, luminous, tender.
Towa Higurasi

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