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AI art "Under the Shooting Stars" featuring #sitting, #solo, #Multicolored hair, #Night, #Full moon, #Boy, #Starry sky and #Shooting Star
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Under the Shooting Stars

Under the Shooting Stars AI art by Towa Higurasi on PixAI. Tags: Multicolored hair, Night, Full moon, Starry sky. Made with Tsubaki.3.

There's something so peaceful about this scene—just sitting under the full moon and watching the shooting stars streak across the sky. I really love how the multicolored hair stands out against the night backdrop, giving the whole image a dreamy, magical feel. If you enjoy this kind of chill aesthetic, please give it a like and follow for more art! Let me know what you think in the comments. ✨

#sitting#solo#Multicolored hair#Night#Full moon#Boy#Starry sky#Shooting Star
Avatar image of Towa Higurasi

Towa Higurasi

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character: higurashi_towa 1girl, solo, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, serene, wistful, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, focal point, balanced composition, oil painting, traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, sharp focal point on face, soft background, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field, ponytail, long hair, medium breasts, yellow eyes, Seen from the side in strict profile, a lone girl sits high in the crown of a great oak, her whole body visible and small against the immense night — a very wide, off-center composition in which she occupies the lower right third while the upper left opens into empty sky. The thick branch runs on a diagonal from lower left to upper right beneath her; she straddles it, seated with her weight sunk on her left hip and rear against the bark, the right leg drawn up with the knee near her chest, boot sole braced on the branch, the left leg hanging and swinging slightly clear of the bole, heel knocked back. Her right hand rests under her chin, knuckles lightly touching the jawline, fingers loosely curled, the forearm supported by the raised knee; the left hand lies flat on the bark just ahead of her thigh, fingers spread for balance and pressing small dents into the moss. Her head is tilted back, chin lifted off the hand, and her eyes are fixed upward on the sky — a soft, distant, half-lidded calm, lip line closed and level, one brow faintly raised, the pulse visible at the relaxed throat. Her hair is cut short and, in a break from its usual tie, falls loose to the nape with a small gathered tail at the back of the skull, the locks a cool silver-white washed toward pale teal by the light, with two red streaks sweeping back over the ear and a fringe of fine strands hanging down between her brows. The white jacket with narrow blue trim sits open at the collar, its fabric creased at the elbow and the small of the back, and the red ribbon at the throat lifts and flutters toward the wind's direction, away from her face; white pants bag loosely over the bent knee; the brown shoes are scuffed at the toe. The moon is full and large in the upper left, warm ochre-gold, and it is the light source: it rims the whole of her from behind and above, a bright gold edge running along her lifted chin, her nose, her brow, the crown of her head, the top of her shoulder and the raised knee, while every surface turned from it falls into cool indigo and violet shadow. Her cast shadow drops down the bark away from the moon, and the leaves' shadows dapple the underside of her arm. Below and behind the crown, the Milky Way lays a pale silver-violet band across a midnight-blue sky dense with stars; one shooting star cuts a thin gold scratch across the upper right. Leaves drift down through the depth layers, each catching a spark of rim light, and the nearest ones pass large and soft in the foreground while distant ones thin to specks — the sky and the lower branches beyond her fall soft and out of focus, and only her face holds a hard, sharp edge. A single tiny red glint, the ribbon's own color, repeats in the fabric and the streaks alone, keeping the palette to indigo, teal, violet, ochre and gold. Painted in oil on a coarse canvas whose weave shows through the thin passages, built with impasto and palette-knife slabs in the bark and the clouds of foliage, thick expressive brushstrokes visible throughout, edges left loose except at her features, strong chiaroscuro between warm moonlight and cool shadow, tight depth of field. Serene, wistful.
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Original Prompt
masterpiece, best quality, amazing quality, very aesthetic, absurdres, newest, 1girl, solo, higurashi towa, yashahime, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, serene, wistful, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, focal point, balanced composition, oil painting (medium), traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, sharp focal point on face, soft background, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field
Mode
pro
Size
1344 x 832
Negative
lowres, bad anatomy, bad hands, extra fingers, fused fingers, missing fingers, deformed, cropped, cropped feet, out of frame, head out of frame, blurry, out of focus, low detail, flat color, cel shading, clean lineart, vector, plastic skin, oversaturated, neon, text, watermark, signature, jpeg artifacts, worst quality, long hair, multiple girls, extra limbs
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Avatar image of Towa Higurasi
character: higurashi_towa 1girl, solo, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, serene, wistful, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, focal point, balanced composition, oil painting, traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, sharp focal point on face, soft background, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field, ponytail, long hair, medium breasts, yellow eyes, Seen from the side in strict profile, a lone girl sits high in the crown of a great oak, her whole body visible and small against the immense night — a very wide, off-center composition in which she occupies the lower right third while the upper left opens into empty sky. The thick branch runs on a diagonal from lower left to upper right beneath her; she straddles it, seated with her weight sunk on her left hip and rear against the bark, the right leg drawn up with the knee near her chest, boot sole braced on the branch, the left leg hanging and swinging slightly clear of the bole, heel knocked back. Her right hand rests under her chin, knuckles lightly touching the jawline, fingers loosely curled, the forearm supported by the raised knee; the left hand lies flat on the bark just ahead of her thigh, fingers spread for balance and pressing small dents into the moss. Her head is tilted back, chin lifted off the hand, and her eyes are fixed upward on the sky — a soft, distant, half-lidded calm, lip line closed and level, one brow faintly raised, the pulse visible at the relaxed throat. Her hair is cut short and, in a break from its usual tie, falls loose to the nape with a small gathered tail at the back of the skull, the locks a cool silver-white washed toward pale teal by the light, with two red streaks sweeping back over the ear and a fringe of fine strands hanging down between her brows. The white jacket with narrow blue trim sits open at the collar, its fabric creased at the elbow and the small of the back, and the red ribbon at the throat lifts and flutters toward the wind's direction, away from her face; white pants bag loosely over the bent knee; the brown shoes are scuffed at the toe. The moon is full and large in the upper left, warm ochre-gold, and it is the light source: it rims the whole of her from behind and above, a bright gold edge running along her lifted chin, her nose, her brow, the crown of her head, the top of her shoulder and the raised knee, while every surface turned from it falls into cool indigo and violet shadow. Her cast shadow drops down the bark away from the moon, and the leaves' shadows dapple the underside of her arm. Below and behind the crown, the Milky Way lays a pale silver-violet band across a midnight-blue sky dense with stars; one shooting star cuts a thin gold scratch across the upper right. Leaves drift down through the depth layers, each catching a spark of rim light, and the nearest ones pass large and soft in the foreground while distant ones thin to specks — the sky and the lower branches beyond her fall soft and out of focus, and only her face holds a hard, sharp edge. A single tiny red glint, the ribbon's own color, repeats in the fabric and the streaks alone, keeping the palette to indigo, teal, violet, ochre and gold. Painted in oil on a coarse canvas whose weave shows through the thin passages, built with impasto and palette-knife slabs in the bark and the clouds of foliage, thick expressive brushstrokes visible throughout, edges left loose except at her features, strong chiaroscuro between warm moonlight and cool shadow, tight depth of field. Serene, wistful.
Towa Higurasi
AI artwork
Avatar image of Towa Higurasi
character: higurashi_towa 1girl, solo, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, oil painting, traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field, serene, wistful Seen in pure side profile from a distance, the girl sits alone on a thick horizontal oak limb that cuts diagonally through the frame from lower left to upper right, off-center to the right; her body occupies only about a fifth of the wide canvas, with the deep indigo night swelling as enormous negative space at the left. Her near leg is drawn up, knee high, the white pant leg creasing at the hip, the brown shoe planted flat on the bark; the far leg hangs down along the trunk side, heel tucked back, toes pointing into the dark. Her torso leans fractionally forward, elbow of the far arm propped on the raised knee so the hand comes to her chin — fingers loosely curled against the jaw, index along the cheekbone, knuckles touching the closed lips' corner. The near arm rests across her raised shin, wrist slack. Short silver-white hair falls just past the jawline, the strands over the brow and between the eyes lifted slightly by the night air, and the red streaks — one at the temple, one behind the ear — catch the moon as the only warm-bright threads on her head; the white jacket with its blue trim at the cuffs, hem and lapel is the brightest mass in the picture, the red ribbon at the collar a small tight accent, and the white pants pick up cool blue in their folds. Her chin is tilted back and her eyes are lifted clear of the horizon, fixed high on the sky, soft and unfocused with thought rather than focused on any one star; the profile shows the calm closed mouth, the faintest upward pull at its corner, a lower lid slightly raised — serene and wistful at once. The full moon hangs high at the upper left, the single source: it rims the top of her hair, the bridge of her nose, the shoulder and the top edge of the raised knee in warm gold-ochre light, while every surface facing away — the underside of the branch, the front of her jacket, the hollow of her throat — sinks into violet and midnight blue, and her cast shadow falls sharp-edged along the bark behind her. The milky way sweeps in a broad pale band behind the trunk, granular and soft, a single shooting star scratching a thin gold line down and to the right, and leaves drift down through the frame, each one lit only on the face turned toward the moon. The face is the one sharp focal point — crisp at the jaw, the lashes, the knuckles at the chin — while the branch's far end, the canopy and the star field blur into soft painterly edges, depth of field falling away in layers. Oil on textured canvas: impasto laid with a palette knife in the bark and the moon's disc, thick visible brushstrokes in the sky's indigo-to-violet gradation, loose expressive edges where the leaves and the milky way dissolve, tight controlled strokes only in the face; the palette admits nothing beyond deep indigo, midnight blue, violet and ochre with gold accents, plus the small red accents of ribbon and hair streaks. Quiet, luminous, tender.
Towa Higurasi
AI artwork
Avatar image of Towa Higurasi
character: higurashi_towa 1girl, solo, (short hair:1.1), silver hair, white hair, (red streaked hair:1.1), hair between eyes, closed mouth, calm expression, white school uniform, white jacket with blue trim, red ribbon, white pants, brown shoes, (full body:1.2), very wide shot, from side, profile, sitting on tree branch, one knee up, (hand on own chin:1.1), (looking up:1.2), looking at sky, night, (starry sky:1.2), milky way, (full moon:1.1), shooting star, falling leaves, large oak tree, thick branch, scenery, moonlight, rim light, serene, wistful, asymmetrical composition, off-center, diagonal composition, leading lines, negative space, focal point, balanced composition, oil painting (medium), traditional media, impasto, palette knife, thick brush strokes, visible brushstrokes, textured canvas, painterly, expressive brushwork, loose edges, sharp focal point on face, soft background, chiaroscuro, limited palette, deep indigo, midnight blue, violet, ochre, gold accents, warm moonlight, cool shadows, small red accents, depth of field, bare ears, hair completely unadorned except for the ribbon at the back of her head, looking at object, arm support, feet dangling, profile, Seen from the side in a very wide lateral view, the girl sits far off-center in the right third of a huge vertical canvas, a small figure against an enormous night. She is in strict profile facing screen-left, perched on a thick oak branch that runs as a single bold diagonal from the lower-left foreground up toward her hip and out of frame to the upper right; the branch's underside is black, its upward-facing bark catches a thin ochre-and-gold line of moonlight, and the branch's weight bows the limb so it dips slightly beneath her. Her near leg is drawn up with the knee high and the boot heel planted flat on the bark, the far leg hanging down and swinging loose, the toe of her brown shoe pointing down into empty air. Her back is straight but relaxed, her weight settled on her seat bone and the palm of her far hand flat on the bark behind her hip for support. Her near arm is bent, elbow resting low, the back of her knuckles and curled fingers tucked under her chin so her jaw presses lightly into them, the chin lifted; her short silver hair, cut just below the ear at the nape with a fringe falling between her brows and two fine red streaks sweeping through the front lock, hangs still with a few strands lifted by a slow upward draft, and a small red ribbon gathers the hair at the back of her head. Both ears are bare, the hair otherwise completely unadorned. Her jacket is white with a trim of deep blue along the collar, cuffs and hem, buttoned, the hem riding up a little where she leans back, white pants wrinkled at the knee and the ankle, brown shoes scuffed and matte. Her eyes are open and turned steeply upward, watching the sky, and her mouth is closed in a soft, even line, brows faintly drawn inward -- a serene, wistful quiet held in the small lift of her chin and the slow slack of her shoulders rather than in any smile. Above and behind her the sky is the whole of the upper two-thirds: a deep indigo ground grading to midnight blue at the zenith, the Milky Way sweeping as a pale violet-white band diagonally across from the upper left toward the moon, thick with clustered star dabs pressed on with the palette knife tip. A full moon hangs high in the left-of-center negative space, warm ochre-white, haloed with a rough impasto ring of gold, and one thin shooting star streaks down and to the right from the upper left, a bright head with a scraped-back white tail, the only hard-edged line in the sky. The empty sky is the image's largest area of quiet -- negative space that balances the small cluster of figure, branch and trunk on the lower right. Dark oak limbs and a fringe of leaves frame the top-left and left edge in near-black silhouette, soft and out of focus; thick brush strokes build the foliage, tapering to loose, broken edges that let the sky sparkle through. Loose leaves drift down through the middle of the frame, ochre and dull gold, each one catching moonlight along one edge and tumbling at a different tilt, one of them crossing in front of the moonlit trunk. The moon is the sole light source. Its warm ochre light rakes from the upper left, laying a hard rim along her profile -- brow, nose, upper lip, chin, the top of her shoulder, the raised knee, the top surface of the branch -- each rim broken into visible short palette-knife strokes of gold, and where it strikes her white uniform the cloth glows warm but never pure white. Everything the moon cannot reach falls into cool blue-violet shadow: the underside of her jaw, the hollow of her eye, the front of her jacket, the branch's belly and the whole mass of the trunk, so that her closed profile reads as a single bright contour against blackness -- chiaroscuro built from two decisions only. On the bark beside her hip, the ribbon's red repeats as one small red accent, with another tiny red note in the streaks of her hair and a third in a single leaf catching light; nothing else red is admitted. The full-body figure and her face are worked tight and sharp, the paper of the canvas grain faintly visible in the impasto of her cheek and hand; the sky, the distant leaves and the far limbs dissolve into soft scumbled strokes so depth of field comes from paint handling rather than blur. Composition runs on the diagonal: the milky band, the branch, her gaze and her raised knee all lean the same way, her chin-lifted eyesight following that leading line up and out of frame toward the moon, and the whole heavy trunk anchoring the lower right while the left half breathes. The palette is limited and disciplined -- deep indigo, midnight blue and violet in the sky and shadows, warm ochre and gold only where the moonlight lands, cool pale blue-violet on her white garments' shadow side, and red only in those three small accents. Serene, wistful.
Towa Higurasi

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