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Amber in a Waycar
Amber in a Waycar AI art by kirpichikanu on PixAI. Made with Tsubaki.2.
Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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一条莉々華・hololive DEV_IS
chinatyu
1girl, solo, pale skin, brown hair, ponytail, big round eyes, blue eyes, freckles, snaggletooth, wide hips, large breasts, plump ass, school uniform, white short-sleeved button-up shirt, pleated navy plaid skirt, knee socks, white knee-high socks, ditzy clueless look, vacuous smile, riding subway, sitting, from above, three-quarter view, looking up, head tilt, gripping strap, leaning back, open mouth, :d, half-closed eyes, blush, cowboy shot, train interior, overhead handrail,
Shot from above in a three-quarter view, the camera looks down the length of a moving subway car onto one young woman seated alone on a molded orange bench seat, the frame cropped at mid-thigh. She sits low and slack in the seat, weight spilled onto her right hip so her plaid skirt rides up on one side and fans across the plastic, one bare thigh pressed against the seat edge, the other knee lolling outward; her white knee socks are pulled to just below the knee, their cuffs slightly slouched, both flat soles planted wide apart on the rubber floor. Her right arm is flung up and her fingers curl loosely around the hanging stainless-steel grab strap, the strap pulled taut and angled back toward the overhead rail; her left hand rests palm-up and forgotten on her own thigh, fingers half-curled. Her spine curves, shoulders slumped, chest pushed forward against the buttoned white shirt so the placket strains, her wide hips filling the seat and the skirt bunching under her rear against the bench. Her head tips back and to one side, brown ponytail swinging loose over her left shoulder and its tail resting along her collarbone, loose strands stuck to her cheek. Her big round blue eyes are wide and unfocused, aimed up past the rail at nothing, lids heavy at the outer corners; her mouth hangs slightly open in a lopsided vacuous smile, one crooked tooth jutting over her lower lip; freckles scatter across the bridge of her nose and both cheeks, and two hard highlights catch in each iris. A faint blush sits high on her cheeks. The car's fluorescent strip lights run down the ceiling and throw a cold greenish-white light from above, so the tops of her thighs, the shelf of her chest and the crown of her head are lit while soft shadow pools under her chin, beneath her jaw, in the folds of the skirt and the crease where her hip meets the seat; a long thin shadow of the grab strap falls diagonally across her shirt. Behind and around her, brushed-steel poles and maroon bench backs recede in perspective, the far end of the car falling into dimness; the window beside her shows only the black tunnel with a single streak of passing light, its reflection ghosting faintly and darker than her face on the dark glass, and a small tilted paper ad pasted above the window carries deliberate illegible micro-print. Muted institutional palette: cold fluorescent white, worn orange seating, navy-and-cream plaid, dulled steel, the warm coppery brown of her hair the only saturated note. Faint sway of the moving car: the strap leans back at its angle and the ponytail drifts away from her neck. Sleepy, blissfully vacant.
Joshua Froat
a
Shark girl at the train station
aramone
c
一条莉々華・hololive DEV_IS
chinatyu
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