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秋の縁側と狐の獣人

秋の縁側と狐の獣人 AI art by もふりーと on PixAI. Tags: Autumn, Autumn Leaves, sitting, Outdoors, Male Furry, Hakama. Made with Tsubaki.3.

#Furry #Japanese clothes #Autumn #Autumn Leaves #sitting #Outdoors #Male Furry #Hakama

Published on Nov 14, 2026

もふりーと

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2girls? no, 1boy, 1girl, male fox furry, anthro, kemono, fox ears, fox tail, white fur, realistic fur texture, animalistic limbs, beast paws, paw feet, claws, red tattoo, forehead tattoo, forehead mark, kimono, hakama, japanese clothes, zori, sandals, human child, little girl, black hair, short hair, sitting, side by side, sitting on engawa, full body, from side, profile, wide shot, looking at another, morning, autumn, late autumn, outdoors, veranda, japanese house, single-story house, shoji, wooden pillars, fallen leaves, breath visible A true side-view, eye-level wide shot framed to hold both figures head to toe, the camera set off the veranda's outer edge so the wooden floor runs as a horizontal band across the lower third and the house's dark interior falls away behind them. On the left sits the male fox beastman, large and heavy-shouldered, body turned three-quarters toward the camera but head in profile facing right; thick white fur covers him completely, rendered strand by strand where the low sun rakes across his forearms and thighs -- guard hairs catching a rim of light, the undercoat dense and matte, the fur parting in a short cowlick at the nape and thickening to a ruff at the throat. His fox ears stand tall and swivel slightly forward, inner surfaces pinkish and fine-haired; a heavy tail curls around his right hip and lies flat along the veranda boards behind him, its tip twitching up off the wood. His muzzle is long and narrow, black nose wet at the tip, and a single narrow red tattoo runs from the center of his forehead down between his brows in a clean geometric stroke, the fur around it shaved close so the ink sits on bare skin. He wears a deep indigo kimono of coarse woven cotton under grey-brown hakama, the collar crossed left over right and pulled snug, the sleeves tucked back at the forearm so his beast paws show free -- broad padded hands, dark leathery palm pads, short curved claws, the fur thinning to velvet at the wrists. His feet are bare paws set into straw zori, the thong gripped between his first two toes, the soles flattening the straw slightly. His left paw rests flat on the veranda beside his thigh, claws just touching the wood; his right paw holds a chipped ceramic teacup against his knee, steam rising in a thin curl that bends toward the house. He tilts his head down and to his right, eyes -- amber, half-lidded, calm -- resting on the child. On the right, close enough that their sleeves almost brush, sits the human child: a small girl with a blunt-cut black bob, straight fringe to her brows, a few strands lifted by the morning air. She wears a muted plum kimono with a fine asanoha pattern and rust-red hakama, the fabric creased at the knees from sitting, the hem pooling over her ankles, and small straw zori on her feet with white tabi socks. She sits with her legs folded to one side, weight on her left hip, both hands wrapped around her own teacup and holding it up near her chin, blowing across the surface so a small dent forms in the steam. Her face is turned up and left toward the fox's muzzle, cheeks flushed from the cold, mouth slightly open mid-breath, one brow lifted in a question she is about to ask. Her shadow and his overlap on the boards in a single soft mass. The veranda floor is weathered grey-brown wood with visible grain and a few darkened knots, scattered with three or four dry maple leaves that have blown in and one that has caught against the fox's tail. Behind them the shoji panels are pushed partway open onto a dim interior, and beyond the veranda's edge the garden drops to frost-silvered moss, a stone lantern, and a maple half-stripped of its leaves. Low, cold late-autumn sun comes from the far left and slightly behind, striking the fox's fur and the child's hair as a warm ochre edge light while the veranda and their fronts stay in cool blue-grey shadow; long shadows stretch right across the boards and the frost in the garden glows only where the sun touches it. Palette of indigo, grey-brown, plum and rust against white fur and silver frost, with one warm ochre light and the single red of the tattoo. Quiet, tender, cold-morning stillness.

秋の縁側と狐の獣人

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