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錦木千束と井ノ上たきな、喫茶店にて
錦木千束と井ノ上たきな、喫茶店にて AI art by 三木徹 on PixAI. Tags: Nishikigi Chisato, Inoue Takina, Lycoris Recoil. Made with Tsubaki.3.
Show Parameters
- Original Prompt
- リコリス・リコイルの千束とたきなの2人が、美少女、スタイル抜群、千束は巨乳、たきなはスレンダー。喫茶リコリコの制服。千束は赤い制服。たきなは青い制服。 青を基調とした和風の着物トップスに、濃紺と赤の二重の襟(えり)がついている。白い「たすき」を肩からクロスして掛け、腰にはクリーム色(ベージュ)の短い前掛け(エプロン)を巻いている。明るく清潔感のある和風カフェの店内、笑顔、アニメイラスト風、高画質。 超美麗な一枚絵、詳細まで丁寧に描き込まれたデジタルイラスト、輪郭を細い線で鮮明に描写、メリハリのある着色、アニメ画風、ハイコントラスト、エフェクトや照明効果、最高傑作、ハイパークオリティ、瞳や髪の毛や服や肌をきめ細やかに描写、口や目の輪郭を高品質に描写、 躍動感。 、光の反射、、髪の毛一本一本を描写、生々しい肌の質感、服の皺やほつれを丁寧に描写,
- Mode
- pro
- Size
- 768 x 1280
- Sampling Method
- Euler
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit, bad fingers, bad hands, normal quality, extra digits, fewer digits, missing fingers, jpeg artifacts, signature, watermark, blurry,
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character: nishikigi_chisato, inoue_takina, copyright: lycoris_recoil
2girls, nishikigi chisato, inoue takina, blonde hair, short hair, red eyes, long black hair, purple eyes, large breasts, slender, excellent figure, beautiful girls, smile, open mouth, red kimono top, blue kimono top, japanese clothes, double collar, navy collar, red collar, white tasuki, crossed tasuki, cream apron, waist apron, cafe lycoreco uniform, standing, from below, cowboy shot, looking at viewer, head tilt, arm support, bright interior, warm lighting, anime illustration, high contrast, detailed eyes, detailed hair, detailed fabric, high quality, masterpiece
A low, upward-tilted camera looks up at the two of them from hip height, so the counter line runs across the bottom of the frame and both girls rise above it against the bright timber ceiling of the café. On the right of the frame stands the blonde girl: short blonde hair with a red ribbon catching the light at the side of her head, red eyes bright and crinkled at the corners, an open-mouthed grin that shows a hint of teeth, her head tilted a few degrees toward her companion. Her red LycoReco uniform is a blue-based kimono top cut close across a full, heavy chest that strains the fabric into taut horizontal creases over the bust; a double collar — a wide dark-navy band laid over a narrow red one — crosses at her throat, and a white tasuki cord runs over each shoulder and crosses in an X between her shoulder blades, pulled snug enough to dimple the cloth. Her left forearm rests along the counter edge, weight shifted onto that hip, her right hand lifted to chest height with two fingers loosely curled, mid-gesture. Beside her on the left, the slender girl stands taller in the frame and narrower through the shoulders, long black hair falling straight past her waist with a few strands lifted by the warm air; her purple eyes are turned slightly sideways toward the blonde, her smile a quiet closed-lip curve, chin dipped. Her blue kimono top is the same cut in a deeper blue, the navy-and-red double collar precise and flat at her neckline, the white tasuki crossing her chest over a lean, flat frame, and the short cream-beige maekake apron wrapped at her waist over the top, tied with a visible knot at her left hip. Her hands are folded one over the other at the apron's edge, fingertips just resting on the fabric.
Behind and around them the café is bright and clean: pale wood shelving with pale ceramic cups, a polished counter with a faint sheen, a window at frame left spilling cool daylight that mixes with the warm amber ceiling lamps, so the blonde's hair catches a hard rim of white on its left side while her right cheek falls into soft warm shadow; the slender girl's black hair absorbs the light in a dark, glossy mass against the pale wall. Shadows of both figures drop away from the window and pool to the right of their feet, and the light passes through a glass carafe on the shelf behind them, throwing a small wavering caustic onto the countertop near the blonde's elbow. The palette is held to red, deep blue, navy, cream and pale wood — nothing else admitted. Every seam of the collars, the twist of the tasuki cords and the weave of the aprons are drawn with fine clean contour lines and crisp cel-shaded edges, high contrast between lit and shadowed planes. Warm, cheerful, effortless.
三木徹
k
日常の一コマ
KJマック
ポ
リコリコ
ポンポコ工場
葛飾北斎 宮本武蔵
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