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羽多良ケイ

AI art by 羽多良ケイ on PixAI. Made with Tsubaki.3.

羽

羽多良ケイ

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two men, 2boys, keirin, keirin racers, velodrome, Keiokaku velodrome, banked track, goal line, dead heat, neck and neck, close race, racing side by side, sprinting, standing pedaling, racer 1: white racing uniform, white helmet, glasses, racer 2: black racing uniform, black helmet, mustache, low camera, from below, foreshortening, dutch angle, motion blur, sweat, clenched teeth, gripping handlebars, veins on arms, no text, side-by-side composition, daytime, harsh sunlight. Low camera from below and slightly off the banked inner rail, tilted a few degrees so the white line of the goal runs diagonally up out of the lower-left corner: two keirin racers locked dead level, handlebar to handlebar, a helmet's width of air the only thing between them. On the left, racer 1 in a white racing uniform and white helmet, thin-rimmed glasses catching a hot flare of sun, out of the saddle and standing on the pedals, hips forward over the bar, both hands white-knuckled on the drops, front wheel a hand's breadth ahead of the other's, jaw set and teeth bared, eyes fixed straight down the track past the goal line. On the right, racer 2 in a black racing uniform and black helmet, a thick mustache, torso folded low over the top tube, elbows tucked, one knee driving up as the other leg extends full, chin lifted just enough to glare across at racer 1 — his gaze landing on the white rider's shoulder, and the white rider's head turned a fraction toward him in answer. Their shoulders almost touch; the black rider's near elbow is a finger's width behind the white rider's sleeve. Behind them the velodrome banking sweeps up in a broad concrete curve, a sparse crowd blurred to dark speckle along the top rail, the infield grass a low green band below, all of it softened by shallow depth of field so the two helmets stay razor-sharp. Harsh late-afternoon sun rakes in from the upper right, laying a long thin shadow of each rider across the track surface toward the lower left, glinting off the white helmet's shell and the rims of the glasses while the black uniform drinks the light and shows only a hard specular edge along the shoulder and calf. Palette of warm concrete grey, bleached white, deep black, a single lime stripe of infield and the sun-bleached red of the track's outer rail. Sweat beads fling off both riders' temples and hang in the air behind them; the front tires blur into thin translucent discs of speed, the rear wheels holding crisp tread because they spin slower under the drive. Electrifying, knife-edge tension.
Show Parameters
Original Prompt
競輪,京王閣競輪場,2人の男性,競輪選手,ゴールライン,競り合い,白いユニフォームとヘルメットの1号車選手,黒いユニフォームとヘルメットの2号車選手,1号車選手には眼鏡,2号車選手には口髭
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.64k

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Avatar image of なおきなおき
copyright: yowamushi_pedal boy, hachioji naoto, senpainagatoro, brown hair, messy hair, full body:2.0, slim arms, slim body, character: hachiouji_naoto, drawn in the intense dramatic art style of the Yowamushi Pedal anime — sharp sports-manga shading, heavy contrast, effect lines. Naoto climbs a steep mountain pass out of the saddle, rocking his road bike left and right with each pedal stroke, teeth gritted, eyes strained but burning with quiet determination, sweat dripping from his bangs. He wears the Souhoku High School cycling jersey — white with red trim and a big yellow oval chest panel — and yellow bib shorts. Low-angle close-up shot from the front, blinding golden sunset backlight blazing over the ridge behind him, dramatic manga speed lines and heat haze, thin mountain air. The exact moment a timid boy digs deeper than he ever has in his life. High-contrast dramatic lighting, darkening sky at the frame edges.
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Avatar image of 小淵
character: izumida_touichirou, copyright: yowamushi_pedal 1boy, male focus, solo, full body shot, front-facing parallel view, standing facing viewer, from front, eye-level parallel camera, sanpaku eyes, dark brown eyes, black hair, short choppy hair, shaved short at sides, lean toned muscular build, well-defined muscle lines, visible collarbone, pecs, defined pectoral muscles, biceps, shirtless, bare upper body, black and blue cycling shorts, bike pants, looking at viewer, smirk, bad-boy grin, showing teeth, grin, sunlight, sitting upright on road bicycle, road bike, straddling top tube, hands gripping drop handlebars, cycling grip, outdoors, empty sunlit asphalt road, deep blue sky, lens flare, sharp focus, highres, depth of field, masterpiece, best quality, extremely detailed face, intricate eyes A full-body eye-level parallel shot, the camera dead square to a lean, wiry-muscular young man who straddles the top tube of a black road bike, everything in crisp focus down to the pedals. He faces the viewer head-on with no turn: torso upright, spine lengthened, both thighs clamping the frame, right foot clipped onto the lower pedal and left foot flat at the bike's base, his weight settled slightly onto the right hip so the abdominals pull in a single diagonal, both arms extended and hands wrapping the drop handlebars with the fingers closed over the hoods. Bare-chested, the sun cuts from high front-left, so hard white highlights run along the collarbones, the ridge of each pectoral, the outer curve of both biceps and the seam of the deltoids, while the underside of the pecs, the dip beneath the ribs and the shadowed line of the obliques stay in cool dark. The black-and-blue cycling shorts cling at hip and thigh, their blue side panels stretched taut where his thigh presses the top tube, their black fabric taking a dull sheen. Short, choppy black hair sits close to the skull, bristly at the shaved temples, uneven tufts lifting slightly in the breeze; the eyes are dark brown with visible sclera above and below the irises, an upward flick at the outer corners, and the brow is drawn tight with one side raised a fraction. The mouth is a slanted bad-boy grin that bares the upper teeth on the right side; the gaze aims straight down the lens and holds it. The bike is the only prop: black frame, thin tires, glinting spokes, brake cables arcing off the bars. Behind him a bright empty asphalt strip recedes and the deep blue sky burns dry and clear; the sun disc sits just above the top edge of the frame so its flare smears across the far left of the image while every edge of him stays razor-sharp, the long shadow of the bike falling straight back along the road under him. Palette of hot sunlit skin, hard black and deep blue on the shorts, and the flat pale grey of the road, nothing else admitted. Sun-bleached, cocky.
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