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AI artwork featuring #Indie VTuber and #Shylily
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Shylily, Indie VTuber

AI art by Ronway on PixAI. Made with Tsubaki.3.

#Indie VTuber
Avatar image of Ronway

Ronway

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character: shylily 1girl, solo, shylily, shortstack, huge breasts, thick thighs, large ass, wide hips, long_hair, very_long_hair, multicolored_hair, streaked_hair, white_hair, black_hair, ahoge, heart_ahoge, purple_eyes, animal_ears, toga, ancient greek clothes, beach, bare feet, standing, contrapposto, from below, full body, looking to the side, light smile, wind, sandals off, toes in sand, ocean, daylight, A single young woman stands alone on an open beach, photographed from below knee height so her whole figure rises against the sky and the low horizon sits well under her hips, the camera tilted up just enough that the surf line runs behind her calves and the empty blue reaches above her head. She is short and powerfully built, a shortstack silhouette with a generous bust and wide hips that carry the toga's folds without tapering her frame; her weight rests on her left leg with the right knee bent and relaxed, the right hip dropped, so the hem of the garment swings asymmetrically and one long thigh shows through the cloth's split. Long, very long multicolored hair โ€” bone white over most of its length with dark near-black streaks running through the inner strands, one stubborn ahoge and a heart-shaped lock curling at the crown โ€” is dragged hard toward the sea by an onshore wind, a few strands whipping across her chin and one purple-fringed eye narrowed against the blown sand, while the animal ears at the top of her head flatten back against the gust. The toga is ancient Greek dress: a single length of heavy undyed wool, pinned once at the left shoulder with a plain bronze fibula, wrapped under the right arm and gathered at the waist by a braided cord, its edge falling diagonally across the chest so the folds stack and pull where her bust presses them and the fabric tightens over the hip on the weighted side; the hem ends mid-thigh and catches the air away from her right leg. Her bare feet sink into wet, darker sand at the water's edge โ€” the toes of the right foot dig in and print shallow crescents behind her heel, and only a thin glaze of water has time to seep into each depression before the next wash โ€” and her right hand hangs loose holding the gathered extra length of the toga's trailing edge, thumb hooked in the fold, while her left forearm crosses low over her stomach with the fingers curled and uncurled into the loose cloth. Her gaze is angled off-frame toward the water to her right, chin lifted, mouth in a faint closed-lip smile with a small upper-lip dent of effort against the wind; a few grains of sand cling to her far cheek. Behind her the beach recedes in layered bands: soaked dark sand in the foreground sheen, a band of dry pale sand, a low ragged line of dune grass, then open ocean stretching flat and unbroken to the horizon, with no other person anywhere in the frame. The light is high and single-source, a hard sun low-blue from the upper left and behind her shoulder, so it rims the top edge of the toga's wool with a hot luminous line, picks each crease between the folds, burns a small white sheen on the bronze pin, and drops the front of her body and the underside of her chin into cooler reflected light from the sand; her own shadow stretches forward-left across the beach toward the camera, long and blurred at the edges where the sand granules break it up. Palette held to three registers โ€” bone white and storm grey in the hair and wool, deep marine blue in the sea and sky, warm wet ochre in the sand โ€” nothing else admitted. The wool has real weight and tooth, its fibers individually catching the highlight, painted in thick loaded strokes against the flatter, quieter haze of the ocean; the sea surface carries only small hard glints where the sun catches chop, no painterly sparkle. Bright, windswept, sunstruck.
Show Parameters
Original Prompt
shylily, huge breasts, thick thighs, large ass, beach, toga, ancient greek clothes, shortstack
Mode
pro
Style
Luminous Impasto
Size
1104 x 1824
Sampling Method
Euler
Negative
lowres, worst quality, low quality, bad anatomy, explicit
Style: Luminous Impasto
Prompt Helper

Model & LoRA used

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.64k

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AI artwork
Avatar image of Ronway
character: shylily 1girl, solo, shylily, shortstack, huge breasts, thick thighs, large ass, wide hips, long_hair, very_long_hair, multicolored_hair, streaked_hair, white_hair, black_hair, ahoge, heart_ahoge, purple_eyes, animal_ears, toga, ancient greek clothes, beach, bare feet, standing, contrapposto, from below, full body, looking to the side, light smile, wind, sandals off, toes in sand, ocean, daylight, A single young woman stands alone on an open beach, photographed from below knee height so her whole figure rises against the sky and the low horizon sits well under her hips, the camera tilted up just enough that the surf line runs behind her calves and the empty blue reaches above her head. She is short and powerfully built, a shortstack silhouette with a generous bust and wide hips that carry the toga's folds without tapering her frame; her weight rests on her left leg with the right knee bent and relaxed, the right hip dropped, so the hem of the garment swings asymmetrically and one long thigh shows through the cloth's split. Long, very long multicolored hair โ€” bone white over most of its length with dark near-black streaks running through the inner strands, one stubborn ahoge and a heart-shaped lock curling at the crown โ€” is dragged hard toward the sea by an onshore wind, a few strands whipping across her chin and one purple-fringed eye narrowed against the blown sand, while the animal ears at the top of her head flatten back against the gust. The toga is ancient Greek dress: a single length of heavy undyed wool, pinned once at the left shoulder with a plain bronze fibula, wrapped under the right arm and gathered at the waist by a braided cord, its edge falling diagonally across the chest so the folds stack and pull where her bust presses them and the fabric tightens over the hip on the weighted side; the hem ends mid-thigh and catches the air away from her right leg. Her bare feet sink into wet, darker sand at the water's edge โ€” the toes of the right foot dig in and print shallow crescents behind her heel, and only a thin glaze of water has time to seep into each depression before the next wash โ€” and her right hand hangs loose holding the gathered extra length of the toga's trailing edge, thumb hooked in the fold, while her left forearm crosses low over her stomach with the fingers curled and uncurled into the loose cloth. Her gaze is angled off-frame toward the water to her right, chin lifted, mouth in a faint closed-lip smile with a small upper-lip dent of effort against the wind; a few grains of sand cling to her far cheek. Behind her the beach recedes in layered bands: soaked dark sand in the foreground sheen, a band of dry pale sand, a low ragged line of dune grass, then open ocean stretching flat and unbroken to the horizon, with no other person anywhere in the frame. The light is high and single-source, a hard sun low-blue from the upper left and behind her shoulder, so it rims the top edge of the toga's wool with a hot luminous line, picks each crease between the folds, burns a small white sheen on the bronze pin, and drops the front of her body and the underside of her chin into cooler reflected light from the sand; her own shadow stretches forward-left across the beach toward the camera, long and blurred at the edges where the sand granules break it up. Palette held to three registers โ€” bone white and storm grey in the hair and wool, deep marine blue in the sea and sky, warm wet ochre in the sand โ€” nothing else admitted. The wool has real weight and tooth, its fibers individually catching the highlight, painted in thick loaded strokes against the flatter, quieter haze of the ocean; the sea surface carries only small hard glints where the sun catches chop, no painterly sparkle. Bright, windswept, sunstruck.
Ronway
#Indie VTuber
AI artwork
Avatar image of Ronway
character: shylily 1girl, solo, shylily, shortstack, huge breasts, thick thighs, large ass, wide hips, long_hair, very_long_hair, multicolored_hair, streaked_hair, white_hair, black_hair, ahoge, heart_ahoge, purple_eyes, animal_ears, toga, ancient greek clothes, beach, bare feet, standing, contrapposto, from below, full body, looking to the side, light smile, wind, sandals off, toes in sand, ocean, daylight, A single young woman stands alone on an open beach, photographed from below knee height so her whole figure rises against the sky and the low horizon sits well under her hips, the camera tilted up just enough that the surf line runs behind her calves and the empty blue reaches above her head. She is short and powerfully built, a shortstack silhouette with a generous bust and wide hips that carry the toga's folds without tapering her frame; her weight rests on her left leg with the right knee bent and relaxed, the right hip dropped, so the hem of the garment swings asymmetrically and one long thigh shows through the cloth's split. Long, very long multicolored hair โ€” bone white over most of its length with dark near-black streaks running through the inner strands, one stubborn ahoge and a heart-shaped lock curling at the crown โ€” is dragged hard toward the sea by an onshore wind, a few strands whipping across her chin and one purple-fringed eye narrowed against the blown sand, while the animal ears at the top of her head flatten back against the gust. The toga is ancient Greek dress: a single length of heavy undyed wool, pinned once at the left shoulder with a plain bronze fibula, wrapped under the right arm and gathered at the waist by a braided cord, its edge falling diagonally across the chest so the folds stack and pull where her bust presses them and the fabric tightens over the hip on the weighted side; the hem ends mid-thigh and catches the air away from her right leg. Her bare feet sink into wet, darker sand at the water's edge โ€” the toes of the right foot dig in and print shallow crescents behind her heel, and only a thin glaze of water has time to seep into each depression before the next wash โ€” and her right hand hangs loose holding the gathered extra length of the toga's trailing edge, thumb hooked in the fold, while her left forearm crosses low over her stomach with the fingers curled and uncurled into the loose cloth. Her gaze is angled off-frame toward the water to her right, chin lifted, mouth in a faint closed-lip smile with a small upper-lip dent of effort against the wind; a few grains of sand cling to her far cheek. Behind her the beach recedes in layered bands: soaked dark sand in the foreground sheen, a band of dry pale sand, a low ragged line of dune grass, then open ocean stretching flat and unbroken to the horizon, with no other person anywhere in the frame. The light is high and single-source, a hard sun low-blue from the upper left and behind her shoulder, so it rims the top edge of the toga's wool with a hot luminous line, picks each crease between the folds, burns a small white sheen on the bronze pin, and drops the front of her body and the underside of her chin into cooler reflected light from the sand; her own shadow stretches forward-left across the beach toward the camera, long and blurred at the edges where the sand granules break it up. Palette held to three registers โ€” bone white and storm grey in the hair and wool, deep marine blue in the sea and sky, warm wet ochre in the sand โ€” nothing else admitted. The wool has real weight and tooth, its fibers individually catching the highlight, painted in thick loaded strokes against the flatter, quieter haze of the ocean; the sea surface carries only small hard glints where the sun catches chop, no painterly sparkle. Bright, windswept, sunstruck.
Ronway
#Indie VTuber#Fall Colours
AI artwork
Avatar image of Ronway
character: shylily 1girl, solo, shylily \(character\), long hair, very long hair, multicolored hair, white hair with black streaks, black hair, heart ahoge, purple eyes, animal ears, huge breasts, thick thighs, large ass, curvy, wide hips, toga, ancient greek clothes, white draped garment, one shoulder bare, beach, seaside, ocean, sand, from below, low angle, cowboy shot, looking down at viewer, half-closed eyes, one eye closed, smug, standing, contrapposto, arm up, outstretched arm, holding cloth at shoulder, wind, hair blowing, sunlight, bright day, backlighting, ocean horizon, no bikini, no swimsuit, no skirt, Seen from a low angle at the waterline, the camera tilted up so the sky and sea horizon sit high behind her, the woman stands barefoot in wet sand at the shoreline. Her white draped garment is a single length of heavy linen, pinned at her right shoulder and falling in deep, asymmetric folds across her torso โ€” pulled taut over an ample chest, cinched at the waist, then cascading down to mid-calf from her left hip, leaving her left arm and shoulder entirely bare. Thick thighs show through the garment's high side slit as the wind presses the fabric against her legs; the fabric clings briefly to the curve of her hip and backside before the next gust pulls it loose. Her long, very long hair โ€” white with black streaks, a heart-shaped ahoge springing from the crown โ€” whips sideways across the frame, a few strands catching at the corner of her mouth. Animal ears twitch forward against the wind. She shifts her weight onto her right hip, contrapposto, her left hand gripping the cloth at her shoulder while her right arm extends down toward the viewer, fingers loose, as if to pull someone up from the sand. Her purple eyes, half-lidded, one closing in a slow wink, look straight down the lens with a knowing, smug tilt to her mouth. The sun is low behind her, a hard bright rim along her hair and shoulder, her face and chest falling into warm reflected light bounced up off the wet sand; her cast shadow stretches long toward the camera. The sea behind her is deep muted blue-green turning to silver at the horizon, sky a pale bleached gold, line of the surf a bright white edge that reads legible against the darker water. The palette is linen white, sun-bleached gold, deep sea-green and the black streak of her hair; nothing else admitted. Impasto-influenced anime painting with pronounced lighting highlights, luminous highlights against rich muted tones, subtle retro flair mixed with Western illustration, a dramatic warm emotional surface. Effortlessly radiant.
Ronway
#Indie VTuber#Munching Face
AI artwork
Avatar image of Ronway
character: shylily 1girl, solo, shylily, shortstack, huge breasts, thick thighs, large ass, wide hips, long_hair, very_long_hair, multicolored_hair, streaked_hair, white_hair, black_hair, ahoge, heart_ahoge, purple_eyes, animal_ears, toga, ancient greek clothes, beach, bare feet, standing, contrapposto, from below, full body, looking to the side, light smile, wind, sandals off, toes in sand, ocean, daylight, A single young woman stands alone on an open beach, photographed from below knee height so her whole figure rises against the sky and the low horizon sits well under her hips, the camera tilted up just enough that the surf line runs behind her calves and the empty blue reaches above her head. She is short and powerfully built, a shortstack silhouette with a generous bust and wide hips that carry the toga's folds without tapering her frame; her weight rests on her left leg with the right knee bent and relaxed, the right hip dropped, so the hem of the garment swings asymmetrically and one long thigh shows through the cloth's split. Long, very long multicolored hair โ€” bone white over most of its length with dark near-black streaks running through the inner strands, one stubborn ahoge and a heart-shaped lock curling at the crown โ€” is dragged hard toward the sea by an onshore wind, a few strands whipping across her chin and one purple-fringed eye narrowed against the blown sand, while the animal ears at the top of her head flatten back against the gust. The toga is ancient Greek dress: a single length of heavy undyed wool, pinned once at the left shoulder with a plain bronze fibula, wrapped under the right arm and gathered at the waist by a braided cord, its edge falling diagonally across the chest so the folds stack and pull where her bust presses them and the fabric tightens over the hip on the weighted side; the hem ends mid-thigh and catches the air away from her right leg. Her bare feet sink into wet, darker sand at the water's edge โ€” the toes of the right foot dig in and print shallow crescents behind her heel, and only a thin glaze of water has time to seep into each depression before the next wash โ€” and her right hand hangs loose holding the gathered extra length of the toga's trailing edge, thumb hooked in the fold, while her left forearm crosses low over her stomach with the fingers curled and uncurled into the loose cloth. Her gaze is angled off-frame toward the water to her right, chin lifted, mouth in a faint closed-lip smile with a small upper-lip dent of effort against the wind; a few grains of sand cling to her far cheek. Behind her the beach recedes in layered bands: soaked dark sand in the foreground sheen, a band of dry pale sand, a low ragged line of dune grass, then open ocean stretching flat and unbroken to the horizon, with no other person anywhere in the frame. The light is high and single-source, a hard sun low-blue from the upper left and behind her shoulder, so it rims the top edge of the toga's wool with a hot luminous line, picks each crease between the folds, burns a small white sheen on the bronze pin, and drops the front of her body and the underside of her chin into cooler reflected light from the sand; her own shadow stretches forward-left across the beach toward the camera, long and blurred at the edges where the sand granules break it up. Palette held to three registers โ€” bone white and storm grey in the hair and wool, deep marine blue in the sea and sky, warm wet ochre in the sand โ€” nothing else admitted. The wool has real weight and tooth, its fibers individually catching the highlight, painted in thick loaded strokes against the flatter, quieter haze of the ocean; the sea surface carries only small hard glints where the sun catches chop, no painterly sparkle. Bright, windswept, sunstruck.
Ronway
#Indie VTuber

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