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AI art "お疲れ気味のOLちゃん" featuring #Glasses, #Black hair, #Bob cut, #Blunt Bangs, #Girl, #office lady, #Pencil Skirt and #Holding Paper
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お疲れ気味のOLちゃん

お疲れ気味のOLちゃん AI art by JIN on PixAI. Tags: Bob cut, Blunt Bangs, office lady, Pencil Skirt. Made with Tsubaki.3.

書類をぎゅっと抱きしめて、少し困り顔な眼鏡OLのイラストです。真剣な眼差しとオフィス姿がとても魅力的で、思わず応援したくなっちゃいます。気に入っていただけたら、いいねとフォローをお願いします！コメントで感想も待っていますね。

#Glasses#Black hair#Bob cut#Blunt Bangs#Girl#office lady#Pencil Skirt#Holding Paper
j

JIN

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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1girl, solo, mature female, asian, short black hair, black eyes, rectangular glasses, medium breasts, curvy, white blouse, collared shirt, long sleeves rolled to the elbow, black necktie, black pencil skirt, high-waisted skirt, standing, office interior, cowboy shot, from below, three-quarter view, looking down at viewer, one eyebrow raised, faint lopsided smirk, arms crossed under chest, folder tucked against elbow, weight on one hip, bare earlobes, unadorned hair, bare throat above the knot, no jewelry, sharp rim light, cool grey palette, night city window, cinematic Shot from below at a three-quarter angle, a mature Asian woman stands in a corner office at night, the camera low enough that her crossed arms and the underside of her chin carry the frame while the skyline falls away behind her. She is short and curvy, weight settled onto her right hip with the left knee relaxed forward, spine long, shoulders squared a half-degree past neutral; her hair is cut short and close at the nape and sides, a few strands lifted off her temple by the ventilated air, and the blunt fringe sits just above the brow of her rectangular glasses. Both ears are bare and both earlobes unobstructed, her hair is completely unadorned, and nothing sits at her throat above the small black knot of her necktie. The white blouse is crisp cotton, buttoned to the collarbone, sleeves rolled twice to the elbow, tucked taut into the high waistband of the black pencil skirt; the skirt runs narrow to just below the knee and creases at the hip where her weight presses it. Her arms are crossed under her chest, each hand gripping the opposite upper arm, a slim black folder wedged against her left elbow and pinned to her ribs. Her black eyes come down over the top rim of the glasses straight at the viewer, chin dipped, one eyebrow lifted, one corner of her mouth pulled into a faint dry smirk — the look of someone who has already read the file and is waiting for you to catch up. Behind her the office is medium-scale and mostly dark: a glass curtain wall with the city's scattered window lights outside, a desk edge and a monitor's idle glow in the midground, filing cabinets and the vertical seam of a partition in the background, all simplified into big dark shapes. The only real light is a cool overhead fixture behind and above her right shoulder, which rims the edge of her blouse sleeve, the short hair at her crown and the rim of her glasses in cold white, while her face falls into softness and the far side of her body sinks toward shadow. The glass wall shows a faint doubled reflection of her shoulder, dimmer and softer than the woman herself. The palette is held to white, black and cool grey-blue with one warm amber flicker from the city outside. Quiet authority, effortlessly severe.
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1girl, solo, black hair, semi-long hair, hair past shoulders, dark eyes, large black pupils, cute, anxious, hesitant, nervous, worried, female teacher, suit, suit jacket, pencil skirt, white blouse, indoors, classroom, from below, cowboy shot, standing, clutching documents to chest, looking down, profile, open mouth, blush, half-closed eyes, dutch angle Seen from a low angle, slightly tilted a few degrees off level, a young woman of small build stands alone in an empty classroom in the late afternoon, cropped at mid-thigh. Her black hair falls in a semi-long, softly tousled mass to just past her collarbone, a few strands swept across her cheek where she has turned her head half away from the lens; her eyes are large and black-pupiled, wide and flickering sideways toward something out of frame, not at the viewer. Her brows draw together and lift at the inner ends, her lower lip is caught between her teeth so the mouth stays slightly parted, and a faint flush sits high on her cheeks — an anxious, hesitant look that reads as endearingly cute rather than distressed. She is dressed in a neat dark charcoal suit: a fitted jacket buttoned once at the waist with a white blouse visible at the open collar, and a matching pencil skirt; she leans her weight onto her back foot, both hands pressing a stack of papers tight against her chest as if guarding them, elbows tucked. A hand hovers her other palm flat over the paper edges. Behind her the classroom recedes: rows of low desks, a blackboard washed pale, tall windows along the left wall letting in a low amber sun that rims her hair and shoulder in warm light while her face and the front of her jacket fall into soft cool shadow; the board and floor darken toward the far corners. The papers she clutches are the brightest thing in the frame, edges curling under her grip. The floorboards catch a long, thin shadow from her legs that stretches toward the lens. The palette is kept to charcoal, black, warm white, and the amber of late sun, nothing else admitted. Quiet, tender unease.
タロ

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