Starter credits added when you sign up.

Watercolour

Watercolour AI art by Simon Kennedy on PixAI. Made with Tsubaki.3 Flash.

Published on Nov 14, 2026

Simon Kennedy

1girl, solo, portrait, close-up, tight portrait, centered composition, head and shoulders, facing viewer, slight head tilt, warm amber eyes, brown irises, fine-liner eyelash detail, fine-liner pupil detail, flowing light-brown hair, parted lips, glossy lips, rose-pink blush, stray hair across forehead, pale blue garment, single diluted blue wash, serene expression, contemplative, calm gaze, looking at viewer, soft diffused light from upper left, watercolor and ink, wet-on-wet gradients, wet-on-dry edges, paint splatters, water stains, cold-press paper texture, white background, minimalist, muted earthy palette, ethereal A tight portrait framed at head and shoulders, the woman's face centered on the sheet, her head angled a few degrees off vertical with a slight tilt toward her right so the composition is not symmetric. Her chin is level, her eyes open and resting steadily on the viewer with a quiet, inward calm -- lowered upper lids, no smile, the lips gently parted and catching a small highlight of wet gloss on the lower lip. Rose-pink blush sits on the apples of both cheeks, warm at the center and fading to bare cream at the edges. Her flowing light-brown hair is swept loosely back from the brow, and three or four stray wisps fall forward across the forehead, one of them brushing the top of her left brow; the hair mass is built in wet-on-wet washes with the shadows at the crown and behind the ears saturated deep amber-brown, and a few sharper wet-on-dry strands cut clean against the paper at the silhouette's outer edge. Loose organic ink linework carries the whole figure: broken, uneven pen strokes define the jaw, the bridge of the nose, the eyelids and the nostril, thinning and lifting where light falls and reinforcing under the chin and along the shadowed side of the neck. Fine-liner pen details sit inside the eyes -- individual lashes radiating from the upper lash line, a sharp defined pupil ring, and a pinprick of left-side catchlight in each iris. The irises are deep brown ink at the rim relaxing into warm amber toward the center, high contrast against the pale cream skin, which is laid in thin translucent washes with a luminous glow where the paint stops short of the paper's white. She wears a simple pale blue garment, its collar just entering the lower edge of the frame, painted as a single diluted cobalt wash with no folds modeled beyond one soft wet-on-wet shadow at the shoulder; the cool blue is the only saturated note against a muted earthy palette of raw umber, burnt sienna and warm cream. The background is the bare sheet itself: stark white cold-press watercolor paper, its tooth showing through the paint, no environmental detail whatsoever. The single light source is soft diffused daylight from the top-left, so the left cheek, left brow and the left side of the neck hold the brightest unpainted paper, the shadows pool softly to the right of the nose and beneath the jaw, and the cast shadow on the neck is soft-edged with no hard boundary. At the edges of the sheet, delicate paint splatters and irregular water stains bloom and feather into the paper fibers, one stain briefly crossing the outer end of her right shoulder, never touching the face. The whole image is airy and minimalist, transparent washes building up only where the hair and the eye sockets need weight, gently romantic and urban-sketch in feeling. Serene, contemplative.

Watercolour

Comments

Model & LoRA used

Similar Images

Explore more

Recommended Creators

You might like